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    Title: 帝俄時代俄國戲劇發展與社會階層轉變關係之探討
    Authors: 賴玉琪
    Contributors: 王兆徽
    賴玉琪
    Keywords: 俄國
    戲劇
    統治階層
    中產階層
    Date: 2000
    Issue Date: 2016-04-18 16:34:08 (UTC+8)
    Abstract: 本論文主要是在探討帝俄時代俄國戲劇發展與階層轉變之間的關係。在研究方法上,乃以歷史研究途徑為主要研究方法。本文的架構是以歷史發生的事件、階層角色的轉變為時間順序與研究主軸,結合戲劇功能、主題、流派、與劇作中探討的階層角色來分析彼此之間的相互影響。
    This dissertation focuses on the relationship between the development of Russian drama and the change of social class. The methodology for this thesis is based on the Historical Approach. According to Russian historical and political events and the change of social class role, we find that the functions, topics, and schools of the Russian drama and the class roles in dramas are quite different.
    Reference: 壹?中文部分
    * 中文書籍
    1. 人民文學出版社主編,1994,《普希金小說戲劇選》,北京:人民文學出版社。
    2. 王遠澤,1993,《戲劇革新家契訶夫》,長沙:湖南師範大學出版社。
    3. 牛國玲,1994,《中外戲劇美學比較簡論》,北京:中國戲劇出版社。
    4. 戈?瓦?普列漢諾夫著,孫靜工譯,1996,《俄國社會思想史》,第一卷,北京:商務印書館。
    5. 卡蜜拉?葛瑞著,曾長生譯,1995,《俄國的藝術實驗》,台北:遠流出版社。
    6. 布羅凱特著,胡耀恆譯,1974,《世界戲劇藝術欣賞》,台北:志文。
    7. 以賽亞?柏林著,彭淮棟譯,1987,《俄國思想家》,台北:聯經。
    8. 史朗寧著,張伯權譯,1975,《俄羅斯文學史(從起源到一九一七年以前)》,新竹楓城出版社。
    9. 冉國選,1992,《俄國戲劇簡史》,河南:河南大學出版社。
    10. 尼哥爾著,梁實秋、傅一勤譯,1955,《現代戲劇》,台北:中華文化出版事業委員會。
    11. 列寧,1958,《列寧全集》,第16卷,北京:人民出版社。
    12. 吉. 羅. 斯泰恩著,象禺文譯,1989,《現代戲劇的理論與實踐(三)》,北京:中國戲劇出版社。
    13. 列寧,1960,《列寧論文學與藝術(一)》,北京:人民文學出版社。
    14. 李邁先,1969,《俄國史》,台北:國立編譯館。
    15. 李葵蓉,1997,《亞歷山大二世「大改革」之評析》,淡江大學俄羅斯研究所碩士論文。
    16. 余上沅,1986,《余上沅戲劇論文集》,湖北:長江文藝出版社。
    17. 吳青萍,1988,《西洋戲劇與劇場史》,台北:黃山出版社。
    18. 吳青萍,1960,《西洋戲劇發展史》,台北:幼獅。
    19. 洛姆諾夫著,徐宗義譯,1983,《托爾斯泰劇作研究》,西寧:青海人民出版社。
    20. 段昌國,1996,《十九世紀俄國變動與沙皇政權,1861-1915》,國科會專題計劃。
    21. 姚海,1991,《俄羅斯文化之路》,台北:淑馨。
    22. 柳鳴九,1992,《二十世紀現實主義》,北京:中國科學出版社。
    23. 高爾基著,謬靈珠譯,1979,《俄國文學史》,上海藝文出版社。
    24. 奚靜之,1990,《俄羅斯蘇聯美術史》,台北:藝術家出版社。
    25. 馬瑩伯,1986,《別、車、杜文藝思想論稿》,北京:文化藝術出版社。
    26. 陳世雄著,1994,《現代歐美戲劇史》,成都:四川教育出版社。
    27. 陳妍伶,1996,《十七世紀俄羅斯東正教改革與分裂之探討》,私立淡江大學俄羅斯研究所碩士論文。
    28. 張信業,1982,《戲劇的政治社會化功能》,台北:黎明文化。
    29. 葉爾米洛夫著,張守慎譯,1985,《契訶夫的戲劇創作》,北京:中國戲劇出版社。
    30. 葉長海,1990,《戲劇發生與生態》,板橋:駱駝出版社。
    31. 葉書宗、張盛發,1991,《錘子與鐮刀-蘇維埃文化和蘇維埃人》,台北:淑馨。
    32. 童道明編選,1994,《梅耶荷德論集》,上海:華東師範大學出版社。
    33. 趙如琳譯著,1977,《戲劇藝術之發展及其原理》,台北:東大圖書。
    34. 楊起東,1993,《讀俄國史隨想》,台北:稻鄉。
    35. 劉寧主編,1999,《俄國文學批評史》,上海:上海譯文出版社。
    36. 劉炳鈞,1999,《俄國歷史概論》,台北:茂昌圖書。
    37. 滿濤譯,1979,《別林斯基選集》,第二卷,上海:上海譯文出版社。
    38. 鄭嬰編著,1956,《戲劇概說》,台北:赤子社。
    39. 歐茵西,1993,《新編俄國文學史》,台北:書林。
    40. 盧那察爾斯基著,蔣路譯,1978,《論文學》,北京:人民文學出版社。
    41.《藝術論文類編》,1978,第二集(戲劇),台北:國立台灣藝術專科學校。
    * 中文期刊
    1. 孔延庚,1999,「戲劇史上的一座丰碑-紀念斯坦尼斯拉夫斯基逝世60週年」,《戲劇、戲曲研究》1999(1):33-39。
    2. 辛文起,1989「托爾斯泰筆下的貴族探索者形象-兼論聶赫留朵夫精神“復活”的可信性」,《外國文學研究》1989(12):97-104。
    3. 何芳,1998,「俄羅斯名作家—亞?尼?奧斯特洛夫斯基(1823-1886)」,《俄語學習》1998(4):38-42。
    4. 佛?奧爾洛夫著,孫劍秋譯,1954,「俄羅斯偉大戲劇家亞?格里包耶多夫」,《戲劇報》1954(3):25-30。
    5. 馬家駿,1980,「托爾斯泰戲劇創作的藝術特色」,《陝西師大學報》,哲學社會科學版1980(4):81-88。
    6. 雷成德,1989,「論托爾斯泰思維的文化模式」,《外國文學研究》1989(1):102-106。
    7. 羅岭,1980,「別林斯基和俄羅斯戲劇」,《上海戲劇》1980(2):53-54, 57。
    8. 願莉莉,1985,「別林斯基戲劇理論淺釋」,《徐州師範學院學報》,哲學社會科學版1985(4):96-102。
    貳?英文部分
    * 英文書籍
    1. Bowlt, John E. and Olga Matich ed., 1996. Laboratory of Dreams, The Russian Avantgarde and Culture Experiment, California, Stanford Uni. Press.
    2. Brockett, Oscar G. 1979. The Theatre: an Introduction, NY: Rinehart and Winston.
    3. Brockett, Oscar G. 1982. History of the Theatre, Allyn and bacon, Inc.
    4. Brooks, Jeffrey. 1985. When Russian Learned to Read, New Jersey: Princeton Uni. Press.
    5. Benedetti, Jean. 1988. Stanislavski, NY: Routledge.
    6. Banham, Martin. ed., 1988. The Cambridge Guide to World Theatre, Cambridge Uni. Press.
    7. Brockett, Oscar G. and Robert Findlay, 1973. Century of Innovation: a History of European and American Theatre and Drama Since the Late Nineteenth Century, Allyn and Bacon.
    8. Charques, R. D. 1956. A Short History of Russia, NY: E. P. Dutton & Co., Inc.
    9. Florinsky, Michael T. 1955. Russia, Vol. 1, NY: The Macmillan Company.
    10. Florinsky, Michael T. 1955. Russia, Vol. 2, NY: The Macmillan Company.
    11. Freedley, George. and John A. Reeves, 1955. A History of the Theatre, NY: Crown Publishers, Inc.
    12. Freedley, George. 1955. A History of the Theatre, NY: Crown Publishers, Inc.
    13. Fooks, Jacquetta Beth. 1970. The Serf Theatre of Imperial Russia, Uni. Of Kansas.
    14. Fulop-Miller, Rene. and Joseph Gregor, 1968. The Russian Theatre: it’s Character and History with Especial Reference to the Revolutionary Period, NY: Benjamin Inc.
    15. Frank, Stephen P. and Mark D. Steinberg ed., 1994. Culture in Flux, Lower-Class Values, Practices, and Resistance in Late Imperial Russia, New Jersey: Princeton Uni. Press.
    16. Gassner, John. 1990. Masters of the Drama, NY: Dover Publications, Inc.
    17. Gassner, John. ed., 1967. A Treasury of the Theatre, from Aeschylus to Ostrovsky, NY: Simon & Schuster Inc.
    18. Hartnoll, Phyllis. ed., 1983. The Oxford Companion to the Theatre, Oxford Uni. Press.
    19. Hingley, Ronald. 1967. Russian Writers and Society, 1825-1904, NY: McGraw-Hill.
    20. Hochman, Stanley. ed., 1972. McGraw-Hill Encyclopedia of World Drama, vol. 1,4, NY: McGraw- Hill, Inc.
    21. Hosking, Geoffrey. 1997. Russia: People and Empire,1552-1917, Harvard University Press.
    22. Kochan, Miriam. 1976. The last Days of Imperial Russia, London: Weidenfeld and Nicolson.
    23. Karlinsky, Simon. 1985. Russia Drama from Its Beginnings to the Age of Pushkin,Uni. Of California Press.
    24. Kelly, Catriona. and David Shepherd ed., 1998. Constructing Russian Culture in the Age of Revolution: 1881-1940, NY: Oxford Uni. Press.
    25. Kluchevsky, V. O. 1960. A History of Russia, Vol. 5, NY: Russell & Russell, Inc.
    26. Londre, Felicia Hardison. 1991. The History of World Theater, from the English Restoration to the Present, NY: Frederick Ungar Book, The Continuum Publishing Company.
    27. Lowes, Edith W. and James L. West ed., 1991. Between Tsar and People, New Jersey: Princeton ni. Press.
    28. Lieven, Dominic. 1993. The Aristocracy in Europe, 1815-1914, NY: Columbia Uni. Press.
    29. Mazour, Anatole G. 1962. Russia, Tsarist and Communist, NY: D. Van Nostrand Company, Inc.
    30. Moraze, Charles. 1966. The Triumph of the Middle Classes, NY: Anchor Books, Doubleday & Company, Inc.
    31. Marshall, Herbert. 1977. The Pictorial History of the Russian Theatre, NY: Crown Publishers, Inc.
    32. Mosse, Werner Eugen. 1992. AlexanderⅡand the Modernization of Russia, NY: St. Martin`s Press.
    33. Mackenzie, David. and Michael W. Curran, 1993. A History of Russia, the Soviet Union, and Beyond, Wadsworth, Inc.
    34. Robinson, Geroid Tanquary. 1932. Rural Russia under the Old Regime, NY: The Macmillan Company.
    35. Roosevelt, Priscilla. 1995. Life on the Russian Country Estate, New Haven and London, Yale Uni. Press.
    36. Riasanovsky, Nicholas V. 1977. A History of Russia, NY: Oxford Uni. Press.
    37. Stavrou, Theofanis George. ed., 1983. Art and Culture in Nineteenth-Century Russia, Indiana Uni. Press.
    38. Stavrou, Theofanis George. ed., 1969. Russia under the Last Tsar, Minneapolis: Minnesota Uni. Press.
    39. Sayler, Oliver M. 1970. Inside the Moscow Art Theatre, NY: Johnson Preprint.
    40. Stanislavsky, Konstantin. 1962. My Life in Art, NY: Theater Arts Books.
    41. Stuart, Donald Clive. 1928. The Development of Dramatic Art, D. Appleton and Company.
    42. Senelick, Laurence. 1997. The Chekhov Theatre: A century of the plays in performance, NY: Cambridge Uni. Press.
    43. Wiener, Leo. 1971. The Contemporary Drama of Russia, NY: AMS Press.
    44. Worrall, Nick. 1996. The Moscow Art Theatre, NY: Routledge.
    45. West, James L. and Iurii A. Petrov ed., 1998. Merchant Moscow, New Jersey: Princeton Uni. Press.
    46. Weiner, Jack. 1970. Mantillas in Moscovy: The Spanish Golden Age Theater in Tsarist Russia, 1672-1917, Lawrence: Uni. of Kansas Publications.
    * 英文期刊
    1. Borome, Joseph A. 1965.“The Bolshoi Theater and Opera.”The Russian Review, 24(1): 52-64.
    2. Goldstein, Robert Fustin. 1987.“Political Censorship of the Theatre in Nineteenth-Century Europe.”Theatre Research International, 12(3): 220-241.
    3. Roosevelt, Priscilla R. 1991.“Emerald Thrones and Living Statues: Theater and Theatricality on the Russian Estate.”The Russian Review, 50(1): 1-23.
    4. Senelick, Laurence. 1991.“The Erotic Bondage of Serf Theatre.”The Russian Review, 50(1): 24-34.
    5. Thurston, Gary. 1983.“The Impact of Russian Popular Theatre, 1886-1915.” The Journal of Modern History, 55(2): 220-241.
    6. Thurston, Gary. 1984.“Theatre and Acculturation in Russia from Peasant Emancipation to the First World War.”Journal of Popular Culture, 18 (2) : 3-16.
    *網路資料
    1. A Short History of the Moscow Art Theatre, from http:// www. theatre. ru: 8083 / mhat / ehistory. Htm
    參?俄文資料
    1. Y.Y. Tdhtqyjd, 1925. Rhtgjcnyst Frnths,《農奴演員》, Ktybyuhfl.
    2.C. C. Djkr, I. V. Ktdby cjcn., 1967. Rhfnrbq jxthr bcnjhbb heccrjq rek]nehs c lhtdytqib[ dhtvty lj 1917 ujlf,《俄國文化史綱,從遠古時代至1917年》, Ktybyuhfl: Bplfntkmcndj《Yferf》.
    3. Nfnbzyf Lbyybr, 1933. Rhtgjcnysq Ntfnh,《農奴劇院》, Vjcrdf.
    Description: 碩士
    國立政治大學
    俄羅斯研究所
    Source URI: http://thesis.lib.nccu.edu.tw/record/#A2002001661
    Data Type: thesis
    Appears in Collections:[俄羅斯研究所] 學位論文

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