政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/49904

政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/49904

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题名:	台灣漢語饒舌歌之節奏類型 The Rhythmic Types of Chinese Raps in Taiwan
作者:	熊芮華 Hsiung,Jui hua
贡献者:	蕭宇超 Hsiao,Yuchau E. 熊芮華 Hsiung,Jui hua
关键词:	漢語饒舌歌節奏類型語料庫優選理論並存音韻理論浮動制約 Chinese Raps Rhythmic Types Corpus Optimality Theory Cophonology Theory Floating Constraints
日期:	2009
上传时间:	2010-12-09 12:35:39 (UTC+8)
摘要:	本文以優選理論的觀點分析台灣漢語饒舌歌的節奏類型。主要論點包括三個部份：節拍對應、音節對應與韻句分析。本研究建立一個漢語饒舌歌語料庫，提出數據佐證分析，認為漢語饒舌歌的節奏類型不只一種，不同的節奏類型可透過並存音韻理論(Cophonology Theory)來解釋，另外，本文也提出浮動制約(Floating Constraints)來預測漢語饒舌歌中不同節奏型態出現的比例。在節拍對應方面，透過虛詞左向附著與其他制約的排序變化，可以篩選出音節與節拍不同的對應方式。在音節對應方面，當一韻句需要滿足簡單律時，就會產生音節跨越現象。而在韻句分析方面，透過左界對整(U,x)與其他制約的排序變化，可以預測兩韻句間之間隔1/2拍或1/4拍的例子。整體而言，本篇研究就漢語饒舌歌中豐富的節奏類型提出語料以及理論上的分析基準。 This thesis analyzes the rhythmic structure of Chinese raps in Taiwan from the perspective of Optimality theory. Three factors are in order: the demibeats mapping, the syllable mapping and the utterance phrasing. The thesis adopts the corpus-based analysis. This thesis proposes that rhythmic variants can be accounted for through the constraint re-ranking in terms of the Cophonology Theory. The positing of floating constraints can then predict the percentages of the rhythmic variants. In demibeat mapping, the interaction between F-share-L(the left-adjunction of functors) and other constraints results in different ways of demibeat-syllable correspondence; in syllable mapping, Simplicity decides the syllable-straddling phenomenon. Finally, in utterance phrasing, the interaction between Align-L(U,x) and other constraints predicts different lengthens of the utterance breaks. To conclude, this thesis provided a corpus and theoretical basis for the rhythmic structures of Chinese raps.
參考文獻:	[英文部分] Anttila, Arto. (1997). Deriving variation from grammar. Variation, Change and Phonological Theory, eds. By Frans Hinskens, et al, 35-68. Amsterdam: John benjamins. Anttila, Arto. (2000). Morphological conditioned phonological alternations. ROA-425. Bing, J. (1979). Aspects of English Prosody. University of Massachusetts at Amherst. Bynoe, Y. (2006). Encyclopedia of Rap and Hip Hop culture (pp. 327-328). Westport, Conn. : Greenwood Press. Chinese hip hop (n.d.) Retrieved June 8, 2008, from the World Wide Web: http://en.wikipedia.org/wiki/Chinese_rap Downing, B. (1970). Syntactic structure and phonological phrasing in English. University of Texas at Austin. Downing, J. (1973). Parenthesization Rules and Obligatory Phrasing. Papers in Linguistics, 6, 108-128. Duanmu, San. (2004). A corpus study of Chinese regulated verse: phrasal stress and the analysis of variability. Phonology, 21: 43-89. Duanmu, San and Nathan Stiennon. (2005). Tonal patterns in Chinese regulated verse: a courpus study. Taiwan Journal of Linguistics, 3.1: 1-32. Hsiao, Yuchau E. (1991) Syntax, rhythm and tone: a triangular relationship. Taipei: Crane Publishing Co. Hsiao, Yuchau E. (2007). The metrical structure of Taiwanese nursery rhymes: a corpus study. In David L. Hoover and Sharon Latting (Eds.), Stylistics: Prospect & retrospect. (pp. 85-106). New York, Amsterdam: Rodopi. Inkelas, Sharon. (1989). Prosodic constituency in the Lexicon. Ph. D. dissertation, Stanford University. Inkelas, Sharon & Cheryl Zoll. (2005). Reduplication: Doubling in Morphology. Cambridge: Cambridge University Press. Inkelas, Sharon & Cheryl Zoll. (2007). Is grammar dependence real? A comparison between cophonological and indexed constraint approaches to morphologically conditioned phonology. Linguistics 45: 133-171. Kawahara, Shigeto. (2007). Half rhymes in Japanese rap lyrics and knowledge of similarity. Journal of East Asian Linguistics16, 113-144. McCarthy, J. J. & Prince, A. S. (1993). Generalized aligment. Year Book of Morphology. 79-153. Dordrecht: Kluwer. Nagy, Naomi G.. & William Reynolds. (1997). Optimality theory and variable word-final deletion in Faetar. Language Variation and Change, 9: 37-55. Nespor, M. & Vogel, I. (1986). Prosodic phonology. Dordrecht: Foris. Orgun, Cemil Orhan. (1996). Sign-based morphology and phonology: with special attention to Optimality Theory. Unpublished doctoral dissertation, University of California, Berkeley. Pierrehumbert, J. (1980). The phonology and phonetics of English intonation. MIT. Prince, Alan S. & Paul Smolensky. (1993,2004). Optimality Theory: Constraint interaction in Generative Grammar. Oxford: Blackwell. Reynolds, William. (1994). Variation and Optimality Theory. Ph.D. dissertation. University of Pennsylvania. Selkirk, E. (1984). Phonology and syntax: the relation between sound and structure. Cambridge, Mass.: MIT Press. Selkirk, E. (1986). On derived domains in sentence phonology. Phonology Yearbook 3, 371-405. Shih, C. (1986). The prosodic domain of tone sandhi in Chinese. University of California, San Diego. UCSD. Shih, C. (1990). Mandarin third tone sandhi and prosodic structure. Studies in Chinese Phonology. Wang, J-L & N. Smith, eds. University of California Press. Zuo, Yan. (2002). Classical Chinese Verse Grammar Coexiting Sub-grammars and Formal Grounding. Ph. D Dissertation. Tilburg University, Netherlands. [中文部分] 蕭宇超、吳瑾瑋（1997）。漢語饒舌歌的口語節奏：從語言類型談起。中國境內語言暨語言學論文集，4，323-342。蕭宇超、黃婷（2007）。〈華語手指謠之韻律研究〉。《華語文教學研究》。第四卷，第2期。頁29-42。蕭宇超（2010）。從語料庫觀點探討古詩節律。《華語文教學研究》。第七卷，第1期。頁1-25。饒舌 (n.d.) Retrieved Oct 20, 2009, from the World Wide Web: http://zh.wikipedia.org/wiki/%E9%A5%92%E8%88%8C MC Hotdog. 2006. [1月]. <馬祖小夜曲>. 台北：滾石唱片 MC Hotdog. 2006. [1月]. <我的生活II>. 台北：滾石唱片 MC Hotdog. 2008. [10月]. <我愛台妹>. 台北：滾石唱片 MC Hotdog. 2008. [10月]. <差不多先生>. 台北：滾石唱片 MC Hotdog. 2008. [10月]. <毒>. 台北：滾石唱片周杰倫. 2003. [7月]. <梯田>. 台北：索尼音樂周杰倫. 2004. [8月]. <止戰之殤>. 台北：索尼音樂周杰倫. 2004. [8月]. <外婆>. 台北：索尼音樂周杰倫. 2005. [11月]. <四面楚歌>. 台北：索尼音樂周杰倫. 2005. [11月]. <逆鱗>. 台北：索尼音樂
描述:	碩士國立政治大學語言學研究所 96555009 98
資料來源:	http://thesis.lib.nccu.edu.tw/record/#G0096555009
数据类型:	thesis
显示于类别:	[語言學研究所] 學位論文

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