English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113303/144284 (79%)
Visitors : 50822964      Online Users : 806
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/152945


    Title: 衰敗的預言 : 論《亞瑟王之死》中行使暴力與掌控命運之聯繫
    The Intrinsic Failure of Chivalry: Violence and Fate in Le Morte d'Arthur
    Authors: 謝丞璋
    Hsieh, Cheng-Jang
    Contributors: 施堂模
    Thomas J. Sellari
    謝丞璋
    Hsieh, Cheng-Jang
    Keywords: 亞瑟王之死
    暴力
    預言
    命運
    喻象
    Le Morte d'Arthur
    Violence
    Prophecy
    Fate
    Figura
    Date: 2024
    Issue Date: 2024-08-05 15:00:30 (UTC+8)
    Abstract: 《亞瑟王之死》纂於紛亂不息的動盪年代,然書中仍充滿著騎士行俠仗義的高貴情操。在不詳預言與悲劇收尾間,圓桌武士遊歷犯險的奇幻與血腥使隱約滾動的歷史與四散各處的命運交織。本文聚焦解析騎士承受強烈傷痛的鮮明軀體與蒙昧未來時壟時散的徵候,探索兩者是否有尚未釐清的連結引導此中古傳奇的發展。首先以Erich Auerbach和Roland Barthes的觀點分別檢視角色面對預兆和暴力展演的百態,解讀其於注定限制下的挑戰與釋然;並以Walter Benjamin對暴力本質的探討及Jacques Derrida和Giorgio Agamben的衍生評判,將人類對純粹秩序的追求與否應用於亞瑟王傳奇,從而雖猶見勢力抗衡傾軋的世俗輪迴,亦有投身現實專注行動構建理想之思冀,使騎士劍下或宿命掌中之暴力,無復僅係嚴守定數的規矩,而係在完滿轉瞬即逝下持續前進、最終形塑出命定之途的人本之氣。
    Le Morte d’Arthur features gory violence and ominous prophecies within knights’ adventures, and this thesis tries to answer whether violence of characters or fate has any connection with the seemingly unavoidable tragedy in the end of the story. By consulting Erich Auerbach’s argument on figura and Roland Barthes’ discussion on violent spectacle, we recognize how prophetic events and knightly violence work respectively in the prophecies-shrouded Logres, and how characters can attain autonomy within these extant restrictions imposed by divinity or humans. Meanwhile, based on Walter Benjamin’s Critique of Violence and Jacques Derrida’s and Giorgio Agamben’s derivative arguments, the application of their dissection on humans’ pursuit of absolute order to the story enlightens our view on the inevitable course of the decadent legend, pointing out that the irreversible history and inexorable fate are fulfilled only by human agency. Since the temporal cycle of initiation and termination are the inherent part of humans’ struggle towards eternal truth, our urge for perfection both dooms us to corruption before unreachable ideals while prompting further breakthrough in extant boundaries.
    Reference: Alter, Robert. The Art of Biblical Narrative. New York: Basic Books, 1981.
    Arkenberg, Megan. “‘A Mayde, and Last of Youre Blood’: Galahad’s Asexuality and Its Significance in ‘Le Morte Darthur.’” Arthuriana, vol. 24, no. 3, 2014, pp. 3–22.
    Auerbach, Erich. “Figura” 1938, In Auerbach, Scenes from the Drama of European Literature. Gloucester, Mass. Peter Smith, 1973.
    Auerbach, Erich. Mimesis: The Representation of Reality in Western Literature. Trans. Willard R. Trask. Princeton University Press, [1953] 2003.
    Auerbach, Erich. “Vico and Aesthetic Historism.” The Journal of Aesthetics and Art Criticism, vol. 8, no. 2, 1949, pp. 110–18.
    Barron, W. R. J. English Medieval Romance. Longman, 1987.
    Barthes, Roland. Mythologies. Trans. Annette Lavers. New York, Noonday Press, 1972.
    Benjamin, Walter. “Critique of violence.” Reflections: Essays, aphorisms, autobiographical writings. New York, Schocken Books, 1978, pp. 277-300.
    Benson, Larry Dean. King Arthur’s Death: The Middle English Stanzaic Morte Arthur and Alliterative Morte Arthure. Exeter, Devon, U.K: University of Exeter, 1986.
    Bliss, Jane. “Prophecy in the ‘Morte Darthur.’” Arthuriana, vol. 13, no. 1, 2003, pp. 1–16.
    Collingwood, R. G., and T. M. Knox. The Idea of History. Oxford, England: Clarendon Press, 1946.
    Cooper, Helen. The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare. Oxford University Press, 2004.
    Corrie, Marilyn. “‘God May Well Fordo Desteny’: Dealing with Fate, Destiny, and Fortune in Sir Thomas Malory’s ‘Le Morte Darthur’ and Other Late Medieval Writing.” Studies in Philology, vol. 110, no. 4, 2013, pp. 690–713.
    Corrie, Marilyn. “Self-Determination in the Post-Vulgate ‘Suite Du Merlin’ and Malory’s ‘Le Morte Darthur.’” Medium Ævum, vol. 73, no. 2, 2004, pp. 273–89.
    Feather, Jennifer. Writing combat and the self in early modern English literature: the pen and the sword. Springer, 2011.
    Field, Peter J. C. Romance and Chronicle: A Study of Malory’s Prose Style. Barrie and Jenkins, 1971.
    Finke Laurie A., and Martin B. Schichtman. “No Pain, No Gain: Violence as Symbolic Capital in Malory’s ‘Morte d’Arthur.’” Arthuriana, vol. 8, no. 2, 1998, pp. 115–34.
    Grosz, Elizabeth. “The Time of Violence; Deconstruction and Value.” College Literature, vol. 26, no. 1, 1999, pp. 8–18.
    Holte, Stine. “Legal, Mythic, and Divine Violence: Post-secular Entanglements in Walter Benjamin’s ‘Toward the Critique of Violence’.” Literature & Theology 36.3 (2022): 316-341.
    Houswitschka, Christoph. “Masculinity in Thomas Malory’s Morte Darthur”. Configuring Masculinity in Theory and Literary Practice. Leiden, The Netherlands: Brill, 2020.
    Hovind, Jacob. “Figural Interpretation as Modernist Hermeneutics: The Rhetoric of Erich Auerbach’s ‘Mimesis.’” Comparative Literature, vol. 64, no. 3, 2012, pp. 257–69.
    Huizinga, Z. Johan. Homo Ludens: A Study of the Play-Element in Culture. Routledge & K. Paul, 1980
    Huizinga, Z. Johan. The Waning of the Middle Ages: A Study of the Forms of Life, Thought and Art in France and the Netherlands in the XIVth and Xvth Centuries. Edward Arnold, 1924.
    Kaeuper, Richard W., Elspeth Kennedy, and Geoffroi de Charny. The book of chivalry of Geoffroi de Charny: Text, context, and translation. 1996.
    Kapelle, Rachel. “Merlin’s Prophecies, Malory’s Lacunae.” Arthuriana, vol. 19, no. 2, 2009, pp. 58–81.
    Kennedy, Beverly. “Notions of adventure in Malory’s ‘Morte Darthur.’” Arthurian Interpretations, vol. 3, no. 2, 1989, pp. 38–59.
    Kennedy, Beverly. “The Idea of Providence in Malory’s ‘Le Morte Darthur.’” Arthuriana, vol. 11, no. 2, 2001, pp. 5–19.
    Lewis, C. S. The Discarded Image: An Introduction to Medieval and Renaissance Literature. Cambridge University Press, 1964.
    Luis Guzmán. “Benjamin’s Divine Violence: Unjustifiable Justice.” CR: The New Centennial Review, vol. 14, no. 2, 2014, pp. 49–64.
    Lynch, Andrew. Malory’s Book of Arms: The Narrative of Combat in Le Morte d’Arthur. Brewer, 1997.
    Malory, Thomas. Works. Ed. Eugene Vinaver. Second Edition. Oxford: Oxford UP, 1971.
    Mann, Jill, and Mark David Rasmussen. Life in Words: Essays on Chaucer, the Gawain-Poet, and Malory; University of Toronto Press, 2014.
    Mccausland, Elly. “‘Mervayle What Hit Mente’: Interpreting Pained Bodies in Malory’s ‘Morte Darthur.’” Arthuriana, vol. 26, no. 4, 2016, pp. 89–113.
    Morley, Neville. “Decadence as a Theory of History.” New Literary History, vol. 35, no. 4, 2004, pp. 573–85.
    Morris, Aubrey. “‘Here Is My Glove’: Introductory Oath-Taking and Trial by Combat in ‘Le Morte Darthur.’” Arthuriana, vol. 28, no. 1, 2018, pp. 20–37.
    Morson, Gary Saul. Narrative and Freedom: The Shadows of Time. Yale University Press, 1994.
    Oyarzún, Pablo. “Law, Violence, History: A Brief Reading of the Last Paragraph of Walter Benjamin's “Toward the Critique of Violence”.” Critical Times 2.2 (2019): 330-337.
    Porter, James I. “Disfigurations: Erich Auerbach’s Theory of Figura.” Critical Inquiry, vol. 44, no. 1, 2017, pp. 80–113.
    Robeson, Lisa. “Noble Knights and ‘Mischievous War’: The Rhetoric of War in Malory’s ‘Le Morte Darthur.’” Arthuriana, vol. 13, no. 3, 2003, pp. 10–35.
    Ross, Alison. “The Distinction between Mythic and Divine Violence: Walter Benjamin's “Critique of Violence” from the Perspective of “Goethe's Elective Affinities”.” New German Critique 41.1 (2014): 93-120.
    Sanders, Arnold A. “Malory’s Transition Formulae: Fate, Volition, and Narrative Structure.” Arthurian Interpretations, vol. 2, no. 1, 1987, pp. 27–46.
    Schneider, Thomas R. “Malory’s ‘Fyne Force’: Motion in Le Morte Darthur.” Arthuriana, vol. 30, no. 4, 2020, pp. 56–69.
    Sinnerbrink, Robert. “Deconstructive Justice and the “Critique of Violence”: On Derrida and Benjamin.” Social Semiotics 16.3 (2006): 485-497.
    Spellmire, Adam. “The Questing Beast and the Noise of Adventure.” Arthuriana, vol. 27, no. 2, 2017, pp. 73–86
    Stuhmiller, Jacqueline. “‘Iudicium Dei, Iudicium Fortunae’: Trial by Combat in Malory’s ‘Le Morte Darthur.’” Speculum, vol. 81, no. 2, 2006, pp. 427–62.
    Tuchman, Barbara Wertheim. A Distant Mirror: the Calamitous 14th Century. 1st trade ed. New York: Knopf, 1978. Print.
    Vinaver, Eugène. The Rise of Romance. D.S. Brewer, 1984.
    Wace, and Judith (Judith Elizabeth) Weiss. Wace’s Roman de Brut: A History of the British: Text and Translation. Rev. ed. Exeter, U.K: University of Exeter Press, 2002.
    Williams, Rosemary. Keywords: A Vocabulary of Culture and Society. Flamingo, 1983.
    Zacharias, Robert. ““And yet”: Derrida on Benjamin’s divine violence.” Mosaic: A journal for the interdisciplinary study of literature (2007): 103-116.
    Description: 碩士
    國立政治大學
    英國語文學系
    110551015
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G0110551015
    Data Type: thesis
    Appears in Collections:[英國語文學系] 學位論文

    Files in This Item:

    File Description SizeFormat
    101501.pdf1014KbAdobe PDF3View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback