政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/108124

政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/108124

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政大機構典藏 > 傳播學院 > 國際傳播英語碩士學程 > 學位論文 > Item 140.119/108124

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題名:	針對台灣大學生對印度形象之探究 India`s Image among English Speaking Taiwanese University Students
作者:	孟立誠 Noman, Al Haris
貢獻者:	王淑美 Wang, Sumei 孟立誠 Al Haris Noman
關鍵詞:	意象想像寶萊塢文化互動呈現教科書 Image Imagination Bollywood Mediated cultural interaction Representation Textbooks
日期:	2016
上傳時間:	2017-04-05 15:37:54 (UTC+8)
摘要:	I would first like to thank my thesis advisor Dr. Sumei Wang. Dr. Wang’s office has been always accessible. I could always go to her whenever I needed help in regard to my research or writing. She has allowed me to pursue my research interest, and has guided me back on track whenever I lost track of my work. It is through her support, when I ran into personal problems and was finding it difficult to carry on with my research, that my research endeavor has been successful. She has been a constant source of inspiration and strength. I would also like to thank the experts, who were committee members for this thesis, Dr. Tingyu Kang and Dr. Eva Tsai. Their critical and encouraging comments have been helpful in carrying out this research. I must not fail to acknowledge the contribution of students of the International Masters in International Communication Studies (IMICS) and other Taiwanese students who participated in my focus group discussions. They took time from their busy schedules to participate in them. I must express my profound gratitude to my parents and to my friends for providing me with unfailing support and continuous encouragement throughout my study and research. This thesis would not have been possible without them. Finally, I would like to thank the Government of Taiwan, Taiwan’s Embassy in India and the Taiwan Education Center in JMI University, New Delhi. They provided the Ministry of Education (MOE) scholarship, which allowed me to undertake this master’s degree and research. I’m here, under the blue sky of Taiwan, but I feel India so close to my heart. It’s a matter of pride to tell my friends about India. Describing the beauty and incredibleness of my country to my friends here gives me immense pleasure.
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Retrieved January 11, 2017, from http://www.fashionencyclopedia.com/fashion_costume_culture/The-Ancient-World-India/Forehead-Markings.html Foucault, M. (1980). Power-knowledge: Selected interviews and other writings, 1972–1977.Brighton, UK: Harvester Press Gabriel, K. (2010). Melodrama and the nation: sexual economies of Bombay cinema, 1970- 2000. New Delhi: Women Unlimited, an associate of Kali for Women Garoo, R. (2016, March 17). Mehndi Designs For Men - Don`t Miss The 10 Cool And Artistic. Retrieved December 11, 2016, from http://www.thebridalbox.com/articles/mehndi-designs-for-men_0031633/ Ghose, A. (2006). Of Names of Women in Hindi Cinema: An Exploration in Semantics (No. id: 617) Hall, S. (1996). Introduction: Who needs ‘Identity’? in: Hall, S. – Du Gay, P. (ed.) (1996):Questions of Cultural Identity. Sage Publication, London. pp. 1-17 Hall, S. (1997). Representation: Cultural representations and signifying practices. London:Sage in association with the Open University Press Image. (n.d.). Oxforddictionaries.com. Retrieved May17, 2016, from http://www.oxforddictionaries.com/definition/english/image Janes, B. (2012) Theoretical and Practical Issues in Measuring Country Image: Dimension and Measurement Model of Country Image and Country Brand. Thesis submitted for the degree of doctor of philosophy, School of business administration, Corvinus University of Budapest Jogdand, Y. (2013). Humiliated by caste: Understanding emotional consequences of identity denial. Junior Scholar Blog, International Society of Political Psychology. Retrievedfrom http://www.ispp.org/jsc/blog/humiliated-by-caste-understanding-emotional-consequences-of-identity-denial Kaplan, R. D. (1994, February). The Coming Anarchy. Retrieved February 12, 2017, from https://www.theatlantic.com/magazine/archive/1994/02/the-coming-anarchy/304670/ Khan, S. (2009). Nationalism and Hindi Cinema: Narrative Strategies in Fanaa. Studies in South Asian Film & Media, 1(1), 85-99 Kotler, P. and Gertner, D. (2002). Country as Brand, Product and Beyond: A Place Marketing and Brand Management Perspective. Brand Management, Vol. 9. No. 4-5. pp. 249-261 Krueger, Richard A.& Casey,Elly Anne.(2000). Focus Group: A practical guide for applied research. California: Sage publications Kumar, S. (2013). Constructing the Nation’s Enemy: Hindutva, popular culture and the Muslim ‘other’ in Bollywood cinema. Third World Quarterly, 34(3), 458-469 Lee, S., Toth, E.L. and Shin, H. (2008). Cognitive categorization and routes of national reputation formation: US opinion leaders’ view on South Korea. Place Branding and Pubic Diplomacy 4(4): 272–286 Lippmann, W. (1922). Public opinion. New York Free Press Martin, I. M., and Eroglu, S. (1993). Measuring a multi-dimension construct: Country image.Journal of Business Research, 28(3):191-210 Maurya, R. K. (2016). Do Hindi Cinema & Television Serials Propagate Caste Stereotypes through Surnames of Characters: A Content Analysis. The International Journal of Indian Psychology, 3(3). DIP: 18.01.055/20160303 Morley, D. (2000). Home territories: Media, mobility and identity. London and New York: Routledge. p.149, p.151 Nagashima, A. (1970). A comparison of Japanese and U.S. attitudes toward foreign products.Journal of Marketing, 34:68-74 Nandy, Ashis (1995 [1990c]). “An intelligent critic’s guide to Indian cinema,” in The Savage Freud and Other Essays on Possible and Retrievable Selves. New Delhi: Oxford University Press Nimmo, D. (1978). Political communication and public opinion in America. California: Good Year.Nye Jr, J.S. (2004). Soft Power: The Means to Success in World Politics. Cambridge, MA: Public Affairs (Perseus Books Group), p.226 Nye Jr, J.S. (2004) Soft Power: The Means to Success in World Politics. Cambridge, MA: Public Affairs (Perseus Books Group) Orgad, S. (2012). Media Representation and the Global Imagination. Cambridge, UK: Polity. p.15-23, p.126 Pandey, G. (2013). A history of prejudice: race, caste, and difference in India and the United States. Cambridge University Press Pearce PL. (1988). The Ulysses Factor: Evaluating Visitors in Tourist Settings. Springer- Verlag: New York. p.62 Raviv, Y. (2002). National Identity on a Plate. The Palestine-Israel Journal, 9(1). Retrieved January1, 2017, from http://www.pij.org/details.php?id=805 Sarkar, B. (2010). Mourning the nation: Indian cinema in the wake of Partition. New Delhi: Orient Black Swan Taiwan-India relations, roc-taiwan.org, Retrieved November 14, 2016 from http://www.roc-taiwan.org/in_en/post/39.html Thompson, J.B. (1995). The Media and Modernity. Cambridge: Polity Wang, S. (2007). Becoming Taiwanese: Everyday Practices and Identity Transformation Thesis submitted for the degree of doctor of philosophy, Department of sociology, Lancaster University Wang, J. (2006). Managing national reputation and international relations in the global era: Public diplomacy revisited. Public Relations Review 32(2): 91–96 Wight LT, Crimp M. (2000). The Marketing Research Process (5th Ed). Prentice Hall
描述:	碩士國立政治大學國際傳播英語碩士學位學程(IMICS) 103461020
資料來源:	http://thesis.lib.nccu.edu.tw/record/#G1034610201
資料類型:	thesis
顯示於類別:	[國際傳播英語碩士學程] 學位論文

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