政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/108124

政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/108124

English | 正體中文 | 简体中文 | Post-Print筆數 : 27 | 全文笔数/总笔数 : 113318/144297 (79%)
造访人次 : 50998228 在线人数 : 882

RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.

搜寻范围

查询小技巧：

您可在西文检索词汇前后加上"双引号"，以获取较精准的检索结果

若欲以作者姓名搜寻，建议至进阶搜寻限定作者字段，可获得较完整数据

进阶搜寻

主页 ‧ 登入 ‧ 上传 ‧ 说明 ‧ 关于政大典藏 ‧ 管理

到手机版

政大機構典藏 > 傳播學院 > 國際傳播英語碩士學程 > 學位論文 > Item 140.119/108124

请使用永久网址来引用或连结此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/108124

题名:	針對台灣大學生對印度形象之探究 India`s Image among English Speaking Taiwanese University Students
作者:	孟立誠 Noman, Al Haris
贡献者:	王淑美 Wang, Sumei 孟立誠 Al Haris Noman
关键词:	意象想像寶萊塢文化互動呈現教科書 Image Imagination Bollywood Mediated cultural interaction Representation Textbooks
日期:	2016
上传时间:	2017-04-05 15:37:54 (UTC+8)
摘要:	I would first like to thank my thesis advisor Dr. Sumei Wang. Dr. Wang’s office has been always accessible. I could always go to her whenever I needed help in regard to my research or writing. She has allowed me to pursue my research interest, and has guided me back on track whenever I lost track of my work. It is through her support, when I ran into personal problems and was finding it difficult to carry on with my research, that my research endeavor has been successful. She has been a constant source of inspiration and strength. I would also like to thank the experts, who were committee members for this thesis, Dr. Tingyu Kang and Dr. Eva Tsai. Their critical and encouraging comments have been helpful in carrying out this research. I must not fail to acknowledge the contribution of students of the International Masters in International Communication Studies (IMICS) and other Taiwanese students who participated in my focus group discussions. They took time from their busy schedules to participate in them. I must express my profound gratitude to my parents and to my friends for providing me with unfailing support and continuous encouragement throughout my study and research. This thesis would not have been possible without them. Finally, I would like to thank the Government of Taiwan, Taiwan’s Embassy in India and the Taiwan Education Center in JMI University, New Delhi. They provided the Ministry of Education (MOE) scholarship, which allowed me to undertake this master’s degree and research. I’m here, under the blue sky of Taiwan, but I feel India so close to my heart. It’s a matter of pride to tell my friends about India. Describing the beauty and incredibleness of my country to my friends here gives me immense pleasure.
參考文獻:	Ahmed, I. (2011, November). Muslim Themes in Bollywood. New age Islam. Retrieved June 16, 2016, from http://www.newageislam.com/islam-and-the-media/muslim-themes-in-bollywood-/d/6421 Anholt, S. (2007). Competitive Identity. Palgrave Macmillan, New York Barnouw, E and S Krishnaswany (1963). Indian Film, Columbia University Press, New York Barthes, R. (1977). Image, music, text (S. Heath, Trans.). London: Fontana Beck, U.(2003). Toward a new critical theory with a cosmopolitan intent. Constellations, 10(4), 453-468 Chisnall P. (2001). Marketing research (6th Ed). McGraw-Hill: London Denscombe M. (2007). The Good Research Guide, 3/e. McGraw Hill/ Open University Press: Maidenhead, p.27 Dwyer, R. (2014). Bollywood’s India: Hindi cinema as a guide to contemporary India.London/Chicago: Reaktion Books, p.8 Dwyer, R. (2006). 13 The Saffron Screen? Hindu Nationalism and the Hindi Film. Religion, Media, and the Public Sphere, 273 Forehead Markings. (n.d.). Retrieved January 11, 2017, from http://www.fashionencyclopedia.com/fashion_costume_culture/The-Ancient-World-India/Forehead-Markings.html Foucault, M. (1980). Power-knowledge: Selected interviews and other writings, 1972–1977.Brighton, UK: Harvester Press Gabriel, K. (2010). Melodrama and the nation: sexual economies of Bombay cinema, 1970- 2000. New Delhi: Women Unlimited, an associate of Kali for Women Garoo, R. (2016, March 17). Mehndi Designs For Men - Don`t Miss The 10 Cool And Artistic. Retrieved December 11, 2016, from http://www.thebridalbox.com/articles/mehndi-designs-for-men_0031633/ Ghose, A. (2006). Of Names of Women in Hindi Cinema: An Exploration in Semantics (No. id: 617) Hall, S. (1996). Introduction: Who needs ‘Identity’? in: Hall, S. – Du Gay, P. (ed.) (1996):Questions of Cultural Identity. Sage Publication, London. pp. 1-17 Hall, S. (1997). Representation: Cultural representations and signifying practices. London:Sage in association with the Open University Press Image. (n.d.). Oxforddictionaries.com. Retrieved May17, 2016, from http://www.oxforddictionaries.com/definition/english/image Janes, B. (2012) Theoretical and Practical Issues in Measuring Country Image: Dimension and Measurement Model of Country Image and Country Brand. Thesis submitted for the degree of doctor of philosophy, School of business administration, Corvinus University of Budapest Jogdand, Y. (2013). Humiliated by caste: Understanding emotional consequences of identity denial. Junior Scholar Blog, International Society of Political Psychology. Retrievedfrom http://www.ispp.org/jsc/blog/humiliated-by-caste-understanding-emotional-consequences-of-identity-denial Kaplan, R. D. (1994, February). The Coming Anarchy. Retrieved February 12, 2017, from https://www.theatlantic.com/magazine/archive/1994/02/the-coming-anarchy/304670/ Khan, S. (2009). Nationalism and Hindi Cinema: Narrative Strategies in Fanaa. Studies in South Asian Film & Media, 1(1), 85-99 Kotler, P. and Gertner, D. (2002). Country as Brand, Product and Beyond: A Place Marketing and Brand Management Perspective. Brand Management, Vol. 9. No. 4-5. pp. 249-261 Krueger, Richard A.& Casey,Elly Anne.(2000). Focus Group: A practical guide for applied research. California: Sage publications Kumar, S. (2013). Constructing the Nation’s Enemy: Hindutva, popular culture and the Muslim ‘other’ in Bollywood cinema. Third World Quarterly, 34(3), 458-469 Lee, S., Toth, E.L. and Shin, H. (2008). Cognitive categorization and routes of national reputation formation: US opinion leaders’ view on South Korea. Place Branding and Pubic Diplomacy 4(4): 272–286 Lippmann, W. (1922). Public opinion. New York Free Press Martin, I. M., and Eroglu, S. (1993). Measuring a multi-dimension construct: Country image.Journal of Business Research, 28(3):191-210 Maurya, R. K. (2016). Do Hindi Cinema & Television Serials Propagate Caste Stereotypes through Surnames of Characters: A Content Analysis. The International Journal of Indian Psychology, 3(3). DIP: 18.01.055/20160303 Morley, D. (2000). Home territories: Media, mobility and identity. London and New York: Routledge. p.149, p.151 Nagashima, A. (1970). A comparison of Japanese and U.S. attitudes toward foreign products.Journal of Marketing, 34:68-74 Nandy, Ashis (1995 [1990c]). “An intelligent critic’s guide to Indian cinema,” in The Savage Freud and Other Essays on Possible and Retrievable Selves. New Delhi: Oxford University Press Nimmo, D. (1978). Political communication and public opinion in America. California: Good Year.Nye Jr, J.S. (2004). Soft Power: The Means to Success in World Politics. Cambridge, MA: Public Affairs (Perseus Books Group), p.226 Nye Jr, J.S. (2004) Soft Power: The Means to Success in World Politics. Cambridge, MA: Public Affairs (Perseus Books Group) Orgad, S. (2012). Media Representation and the Global Imagination. Cambridge, UK: Polity. p.15-23, p.126 Pandey, G. (2013). A history of prejudice: race, caste, and difference in India and the United States. Cambridge University Press Pearce PL. (1988). The Ulysses Factor: Evaluating Visitors in Tourist Settings. Springer- Verlag: New York. p.62 Raviv, Y. (2002). National Identity on a Plate. The Palestine-Israel Journal, 9(1). Retrieved January1, 2017, from http://www.pij.org/details.php?id=805 Sarkar, B. (2010). Mourning the nation: Indian cinema in the wake of Partition. New Delhi: Orient Black Swan Taiwan-India relations, roc-taiwan.org, Retrieved November 14, 2016 from http://www.roc-taiwan.org/in_en/post/39.html Thompson, J.B. (1995). The Media and Modernity. Cambridge: Polity Wang, S. (2007). Becoming Taiwanese: Everyday Practices and Identity Transformation Thesis submitted for the degree of doctor of philosophy, Department of sociology, Lancaster University Wang, J. (2006). Managing national reputation and international relations in the global era: Public diplomacy revisited. Public Relations Review 32(2): 91–96 Wight LT, Crimp M. (2000). The Marketing Research Process (5th Ed). Prentice Hall
描述:	碩士國立政治大學國際傳播英語碩士學位學程(IMICS) 103461020
資料來源:	http://thesis.lib.nccu.edu.tw/record/#G1034610201
数据类型:	thesis
显示于类别:	[國際傳播英語碩士學程] 學位論文

文件中的档案:

档案	大小	格式	浏览次数
020101.pdf	5711Kb	Adobe PDF2	322	检视/开启

在政大典藏中所有的数据项都受到原著作权保护.

社群 sharing

著作權政策宣告 Copyright Announcement

1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.

DSpace Software Copyright © 2002-2004 MIT & Hewlett-Packard / Enhanced by NTU Library IR team Copyright © - 回馈