政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/101589
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    题名: 合製文化：反思全球化下的國際電影合製
    其它题名: Co-Producing Culture:Reflections on International Film Co-Production in the Age of Globalization
    作者: 魏玓
    Wei, Ti
    关键词: 文化全球化;國族電影;國際電影合製;電影政策;歐影
    cultural globalization;national cinema;international film co-production;film policy;Eurimages
    日期: 2006-10
    上传时间: 2016-09-08 11:25:46 (UTC+8)
    摘要: 在好萊塢電影工業的強勢主控以及文化全球化的脈絡下，各國經常採用國際合製（international co-production）策略以維繫本國電影工業；台灣政府近年來也加入推動行列。但國際電影合製不僅是經濟行為，更涉及了不同文化與藝術之交流以及其間複雜的權力動態關係。本文從國際電影合製的發展歷史與爭議切入，並以重要國際合製計劃與組織為例回應相關議題和辯論，嘗試對台灣電影政策有所啟發和提示。
    In the context of cultural globalization and Hollywood’s domination in the global film market, many national governments have adopted international co-production as a strategy of maintaining and developing the domestic film industry. Recently, the Taiwan government has also proposed similar co-production projects. However, the international co-production of film is not only an economic practice but also relates to a cultural and artistic inter-exchanges and complex power dynamics. The paper starts with a critical review of the history and theories of international co-production and then takes some major international co-production programs and organizations as case studies in responding to related issues and debates. Based on the findings the paper aims to provide some suggestions on Taiwan’s co-production policy.
    關聯: 新聞學研究, 89, 127-164
    Mass Communication Research
    数据类型: article
    显示于类别:[新聞學研究 TSSCI] 期刊論文

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