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    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/101589


    Title: 合製文化：反思全球化下的國際電影合製
    Other Titles: Co-Producing Culture:Reflections on International Film Co-Production in the Age of Globalization
    Authors: 魏玓
    Wei, Ti
    Keywords: 文化全球化;國族電影;國際電影合製;電影政策;歐影
    cultural globalization;national cinema;international film co-production;film policy;Eurimages
    Date: 2006-10
    Issue Date: 2016-09-08 11:25:46 (UTC+8)
    Abstract: 在好萊塢電影工業的強勢主控以及文化全球化的脈絡下，各國經常採用國際合製（international co-production）策略以維繫本國電影工業；台灣政府近年來也加入推動行列。但國際電影合製不僅是經濟行為，更涉及了不同文化與藝術之交流以及其間複雜的權力動態關係。本文從國際電影合製的發展歷史與爭議切入，並以重要國際合製計劃與組織為例回應相關議題和辯論，嘗試對台灣電影政策有所啟發和提示。
    In the context of cultural globalization and Hollywood’s domination in the global film market, many national governments have adopted international co-production as a strategy of maintaining and developing the domestic film industry. Recently, the Taiwan government has also proposed similar co-production projects. However, the international co-production of film is not only an economic practice but also relates to a cultural and artistic inter-exchanges and complex power dynamics. The paper starts with a critical review of the history and theories of international co-production and then takes some major international co-production programs and organizations as case studies in responding to related issues and debates. Based on the findings the paper aims to provide some suggestions on Taiwan’s co-production policy.
    Relation: 新聞學研究, 89, 127-164
    Mass Communication Research
    Data Type: article
    Appears in Collections:[Mass Communication Research] Articles

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