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| 題名: | Dickie的藝術制度理論
Dickie’s institutional theory of art |
| 作者: | 李佳穎
Lee, Chia Ying |
| 貢獻者: | 鄭光明
Cheng, Kuang Ming
李佳穎
Lee, Chia Ying |
| 關鍵詞: | George Dickie
藝術制度理論
反本質主義
分析美學
藝術的定義
George Dickie
institutional theory of art
anti-essentialism
analytical aesthetics
the definition of art |
| 日期: | 2016 |
| 上傳時間: | 2016-07-11 17:40:14 (UTC+8) |
| 摘要: | 寫作這篇論文的動機，是為了探討哲學家George Dickie的藝術制度理論(Dickie’s institutional theory of art)。在第一章中，回顧哲學家Arthur Danto與Morris Weitz的反本質主義(anti-essentialism)，及其如何影響Dickie藝術制度理論的發展，以及研究制度理論的重要性；第二章中，說明Dickie的藝術制度理論內容，並以實際的作品為例子講述藝術制度理論的應用；第三章至第四章中，整理反對藝術制度理論的數個哲學家(Jeffery Wieand, Robert Stecker, Stephen Davis, Richard Wollheim, Noël Carroll)的重要論點，並為Dickie的藝術制度理論辯護。最後第五章為結論，提出「藝術眼鏡」此一觀點用以修正藝術制度理論。
The purpose of this paper is to investigate George Dickie’s institutional theory of art. I will first discuss Arthur Danto and Morris Weitz’s anti-essentialism, which is the groundwork for Dickie’s institutional theory of art. I will then discuss Dickie’s institutional theory of art, which has been developed as two versions. Both versions have been widely criticized. Stephen Davis argues that art created outside any institution seems possible, although Dickie’s institutional theory of art rules it out. Noël Carroll argues that Dickie’s definition of art is circular, and his institutional theory of art fails to distinguish art institutions from other social institutions. Jeffery Wieand argues that Dickie’s perceptually indistinguishable objects argument fails to show that his institutional theory of art is tenable. In this paper, I will argue that Dickie’s theory can be modified as “the glass theory of art.” If this is true, then these criticisms fail to undermine Dickie’s theory, and Dickie’s theory is still powerful. |
| 參考文獻: | Carroll, Noël. (1999). Philosophy of Art. London, UK: Routledge.
Carroll, Noël. (2001). Identifying Art. In Beyond Aesthetics: Philosophical Essays (pp. 75-100). Cambridge, UK: Cambridge University Press.
Danto, A.C. (1981). Works of Art and Mere Real Things. In The Transfiguration of the Commonplace (pp. 1-32). Cambridge, MA: Harvard University Press.
Davis, Stephen. (1991). Definitions of Art. Ithaca, NY: Cornell University Press.
Dickie, George. (1974). What Is Art? An Institutional Analysis. In Art and the Aesthetic: An Institutional Analysis (pp. 426-437). Ithaca, NY: Cornell University Press.
Dickie, George. (1997). The Art Circle: A Theory of Art. Evanston, IL: Chicago Spectrum Press.
Dickie, George. (1998). Wollheim’s Dilemma. British Journal of Aesthetics, 38, 2: 127-135.
Dickie, George. (2000). The Institutional Theory of Art. In Theories of Art Today (pp. 93-108). Edited by Noël Carroll. Madison, WI: University of Wisconsin Press.
Edmunds, David & Nigel Warburton, (2010). Philosophy Bites. Oxford, UK: Oxford University Press.
Stecker, Robert. (1986). The End of an Institutional Definition of Art. The British Journal of Aesthetics, 26, 2: 124-132.
Weitz, Morris. (1956). The Role of Theory in Aesthetics. Journal of Aesthetics and Art Criticism, 15: 27-35; reprinted in P. Lamarque and S. H. Olsen eds. (2004). Aesthetics and the Philosophy of Art: The Analytic Tradition (pp. 12-18). UK, Oxford: Blackwell.
Weitz, Morris. (1977). Art as an Open Concept. In The Opening Mind. Chicago, IL: University of Chicago Press.
Wieand, Jeffery. (1994). Perceptually Indistinguishable Objects. In Institutions of Art: Reconsiderations of George Dickie’s Philosophy (pp. 39-49), ed. Robert J. Yanal. Pennsylvania State University Press.
Wittgenstein, Ludwig. (1953). Philosophical Investigations. Translate by G. E. M. Anscomb. Oxford, UK: Blackwell.
Wollheim, Richard. (1980). The Institutional Theory of Art. In Art and Its Objects, 2nd edition (pp. 157-166). Cambridge, UK: Cambridge University Press.
Wollheim, Richard. (1987). Painting as an Art. Princeton, NJ: Princeton University Press. |
| 描述: | 碩士
國立政治大學
哲學系
102154001 |
| 資料來源: | http://thesis.lib.nccu.edu.tw/record/#G1021540011 |
| 資料類型: | thesis |
| 顯示於類別: | [哲學系] 學位論文
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