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政大機構典藏 > 文學院 > 哲學系 > 期刊論文 > Item 140.119/98767

Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/98767

Title:	對生命反思所表現的「記號」與「信號」 ─ 胡塞爾與海德格的差異
Authors:	汪文聖 Wang, Wen-Sheng
Contributors:	哲學系
Keywords:	胡塞爾;海德格;現象學;記號;信號 Husserl;Heidegger;Phenomenology;Sign;Indication
Date:	2016-01
Issue Date:	2016-07-07 15:55:44 (UTC+8)
Abstract:	本文始於討論胡塞爾的《邏輯研究》的〈第一研究〉對「記號」與「信號」的區分，有關問題將涉及到〈第六研究〉。接著對海德格在《存有與時間》第十七節「指涉與記號」（Verweisung und Zeichcn）做闡釋，並延伸到其〈藝術作品的起源〉視記號為一種象徵的另一種觀點。但這裡的記號根本即是胡塞爾所說的信號。海德格所謂的記號能向更深邃涵義去指引，胡塞爾以記號能清楚明白表達意義，二者的立場因此有所不同。 This article begins with the discussion of Husserl`s differentiation of sig n and indication in his ＂First Investigation＂ of Logical Investigations, referring to the ＂Six Investigation＂ regarding some issues. Then the theme of ＂References and Signs＂ in the §17 of Heidegger`s Being and Time will be explicated. extending to ＂The Origin of the, ＂work of Art,＂ where the sign is viewed as a symbol. However. what the sign is meant by Heidegger in origin means the indication by Husserl The so-called sign by Heidegger can indicate a more profound meaning; sign by Husserl can clearly and distinctly express meanings, therefore their posit ions are different.
Relation:	哲學與文化月刊, 43(1), 123-137
Data Type:	article
Appears in Collections:	[哲學系] 期刊論文

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