English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113656/144643 (79%)
Visitors : 51709767      Online Users : 225
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    政大機構典藏 > 學術期刊 > 俄語學報 > 期刊論文 >  Item 140.119/97056
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/97056


    Title: Поэтика пейзажа И.С.Тургенева-На материале повестей: «Ася», «Первая любовь» и «Вешние воды»
    Other Titles: The Poetics of Turgenev’s Scenery -Based on Ayesha, First Love and Spring Tide
    Authors: 王立業
    Wang, liye
    Keywords: Тургенев;пейзаж;поэтика;объёмная картина;психология;гармония;контраст
    Turgenev;scenery;The Poetics;connotatio;psychology;harmony;contrast
    Date: 2011-06
    Issue Date: 2016-05-31 15:41:08 (UTC+8)
    Abstract: Пейзаж является сильным поэтическим фактором в художественном мире И. С. Тургенева. В данной статье анализируется поэтическая объемность и многообразие типов пейзажа (философский, полемический, символический) в повестях «Ася», «Первая любовь» и «Вешние воды», которые имеют основания считаться художественным целым и заслуживают широкое изучение как в России, так и в Китае. В статье акцентируется внимание на выявлении в повестях поэтических мотивов не только цветовой гаммы описаний, но и запахов и звукового колорита в пейзаже, на том, как пейзаж отражает психологическое состояние героев и субъективное настроение писателя.
    Scenery is the most powerful factor in the artistic world of Ivan Sergeevich Turgenev. Ayesha, First Love and Spring Tide, which are regarded as an artistic whole, have been extensively studied both in Russia and China. This article is an analysis of the connotation and diversity (the philosophical, dialectical, symbolic elements) of the scenery in these novels. This article also made attempts to explore the poetic style of the scenery from the aspects of colors, as well as sounds and smells, and to clarify how the scenery reflect the inside world of the heroes in these novels and the author’s personal emotion.
    Relation: 俄語學報,18,1-36
    Journal of Russian Philology
    Data Type: article
    Appears in Collections:[俄語學報] 期刊論文

    Files in This Item:

    File Description SizeFormat
    36.pdf13873KbAdobe PDF2893View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback