English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113656/144643 (79%)
Visitors : 51743010      Online Users : 509
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/96891


    Title: 點鐵成金:湯顯祖《牡丹亭》傳奇的改寫策略及其文化意蘊
    Other Titles: From Mediocre Short Story to Famous Play:Tang Xianzu’s Transformation of The Peony Pavilion from Fiction to Play
    Authors: 郭英德
    Guo, Ying-de
    Keywords: 湯顯祖;牡丹亭;改寫;至情理想;個性意識
    Tang Xianzu;The Peony Pavilion;transformation;cult of emotions;individual consciousness
    Date: 2010-12
    Issue Date: 2016-05-23 15:31:14 (UTC+8)
    Abstract: 湯顯祖《牡丹亭》傳奇以明代闕名的文言小說〈杜麗娘記〉為藍本,在杜麗娘與柳夢梅愛情故事的主線上,繼承了小說原作「夢中情」、「人鬼情」、「人間情」的三段式情節結構,但卻以「至情」理想為指導,採取刪略、增飾、衍生、反諷等手法,對文言小說進行了「點鐵成金」式的改寫。在「夢中情」部分,《牡丹亭》傳奇重構了杜麗娘的客觀生存環境,並且更為詳盡地揭示了杜麗娘的精神覺醒過程,充分揭示杜麗娘之所以「出生入死」的社會文化背景和心理性格動因。在「人鬼情」部分,《牡丹亭》傳奇著重刻畫柳夢梅與杜麗娘先天註定的「夫婦分緣」,並展現了杜麗娘鬼魂自覺、主動、積極地追求戀情與實現婚姻的過程。在「人間情」部分,《牡丹亭》傳奇對小說原有的情節內容進行了全方位的改寫,重新建構了柳、杜婚姻的團圓結局,生動地描寫了杜麗娘「從一而終」愛情理想的最終實現過程。全劇充分地展開了杜麗娘的個性意識與現實社會、文化傳統之間的對立與衝突,具有深刻的文化意蘊。
    The real source of Tang Xianzu’s The Peony Pavilion is a literary language tale named The Story of Du Liniang. The Peony Pavilion goes on the plots and structures of the story, but gives the transformation in writing by ingenious use of decreasting, increaseing, fabricating, and irony. In the paragraph of “the love in the dream”, The Peony Pavilion renewed Du’s exist circumstance and described the process of Du’s spiritual awakenig more exhaustively. In the paragraph of “the love between man and ghost”, The Peony Pavilion emphasized the marriage of Liu Mengmei and Du Liniang gone by destiny, further more emerged the process of Du Liniang pursuing love and achieving marriage consciously, initiatively and actively. In the paragraph of “the love in the world”, The Peony Pavilion wholly rewrote the original plots, rebuild the reunion end of the marriage of Liu and Du and lively described the success of Du’s love ideal about “be faithful to a husband till death”. The play fully spread the antagonism between the cult of emotions and the society, the individual consciousness and the cultural tradition.
    Relation: 政大中文學報, 14, 1-26
    Bulletin of the Department of Chinese Literature National Chengchi University
    Data Type: article
    Appears in Collections:[政大中文學報 THCI Core] 期刊論文

    Files in This Item:

    File SizeFormat
    14(1-26).pdf3060KbAdobe PDF2995View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback