政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/96828
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文笔数/总笔数 : 114205/145239 (79%)
造访人次 : 52920623      在线人数 : 747
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜寻范围 查询小技巧：
  • 您可在西文检索词汇前后加上"双引号"，以获取较精准的检索结果
  • 若欲以作者姓名搜寻，建议至进阶搜寻限定作者字段，可获得较完整数据
    •  进阶搜寻


    请使用永久网址来引用或连结此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/96828


    题名: 視域融合：《文心雕龍》審美心物觀之建構論
    其它题名: Visional Integration:The Constructivism of Appreciation Of Aesthetic As Well As Mind-matters of Wen-xin-diao-long
    作者: 陶禮天
    Tao, Li-tian
    关键词: 視域融合;心物觀;儒道釋;言意觀
    visional integration;mind-matters thoughts;Confucianism;Daoism and Buddhism
    日期: 2005-12
    上传时间: 2016-05-23 11:46:16 (UTC+8)
    摘要: 本文對《文心雕龍》審美心物理論之建構予以分析詮釋，通過對其「各種視域融合」的研究認為：先秦時期儒家重視心對物的積極作用，當是劉勰強調審美主體感物而動的思想基礎，是《文心雕龍》審美心物觀強調「物以貌求，心以理應」的重要理論「視域」，戰國至兩漢時期，從《易傳》、《呂氏春秋》、《禮記》及《春秋繁露》等著作中，可以看到儒學融人了陰陽五行的學說，其孕發了「氣之動物，物之感人」的文藝思想，並構成《文心雕龍》審美心物觀「物色感召」的基礎；劉勰審美「虛靜」說以及「入興貴閑」的理論，與道家「虛而待物」的思想也是貫通的；六朝時期玄學、佛學的心物觀念，特別是般若學的本無，即色、心無三宗思想，對《文心雕龍》審美心物觀的潛在作用也是深刻的；在心物與言意的關係上，劉勰認為心物交融的過程，正是以語言作為其「交融」的思維形式。《文心雕龍》這種心物交融的審美內涵，成為中國文學藝術創造的獨特特徵。
    In this paper, I analyze and interpret the theory of appreciation of aesthetic as well as mind-matters of Wen-xin-diao-long (《文心雕龍》) and through its study of various kinds of visional integration, the Confucians mind-matters thoughts in the Pre-Qing dynasty might be Liu-xie’s (劉勰) thinking foundation. In the famous texts from Zhan-guo to the Han Dynasty, we can obviously find the combination among divinations and Confucianism. In addition, Liu-xie’s opinions are related to Daoism and Buddhism. He thinks that the process of the integration is a thinking form by languages and influenced by different theories among Confucianism, Daoism and Buddhism. The purpose of this paper is to know that the mind-matters thoughts are Chinese inherent traditions and through Liu-xie’s opinions especially the construction of Wen-xin-diao-long, they become the unique characters of Chinese art creations.
    關聯: 政大中文學報, 4, 3-28
    Bulletin of the Department of Chinese Literature National Chengchi University
    数据类型: article
    显示于类别:[政大中文學報 THCI Core] 期刊論文

    文件中的档案:

    档案 描述 大小格式浏览次数
    4(3-28).pdf1077KbAdobe PDF2675检视/开启


    在政大典藏中所有的数据项都受到原著作权保护.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回馈