English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113656/144643 (79%)
Visitors : 51722714      Online Users : 572
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/95342


    Title: Arts in Taipei: use of heritage sites and old buildings as public arts venues
    Authors: 康翠蘭
    Woods, Constance
    Contributors: 卜道
    Blundell, David
    康翠蘭
    Woods, Constance
    Keywords: Heritage
    Culture
    Conservation
    Meanings
    Values
    Benefits
    comparison of public art spaces
    volunteerism
    City of Taipei
    Date: 2009
    Issue Date: 2016-05-09 15:44:44 (UTC+8)
    Abstract: Culture is an active process. It does not lie dormant in things (that is, any commodity, object or event that can be made to signify), waiting patiently to be awoken by an appropriate consumer. It is the practice and making of meanings. Culture is not in the object but in the experience of the object: how we make it meaningful, what we do with it, how we value it.
    John Storey (2003) Inventing Popular Culture, page viii
    The traditional arts, dance theater, music, visual arts and multi media are all accepted as being part of culture. In the same way that culture can be defined by the perceptions and feelings of each individual the arts belong to everyone. Bruno Frey (2003) in his book Arts and Economics: Analysis and Cultural policy considers the ways in which the arts are funded and supported and argues that a decision making system involving the diverse participants, audience, experts, artists and administrators is best equipped to establish and safeguard the constitutional rights to artistic expression (Frey, 2003:17). Can the experience of the arts be protected in the same way? This is an examination of the process, physical, historical and emotional issues that all play a part in the definition of the arts in Taipei. Entering the experience as a mother, artist, foreigner and long time resident of Taipei gave the researcher the opportunity to use many lenses simultaneously. This multifaceted view informed the choice of this topic. Can heritage sites and old buildings be successfully made into public arts venues? Do the underlying elements of history and conservation contribute to the venue’s ability to reach a large audience? Can free access be in part supported by in these sites through the use volunteers instead of paid staff? In order to better understand the role of the arts in contemporary Taipei life, the researcher, under the parameters of the Volunteer Services Act of Taiwan, conducted her research while a volunteer in the venues.
    Reference: Periodicals
    Allen, J. R. (2007). Taipei parks: Signs of occupation. The Journal of Asian Studies, 66(1):63.
    Blundell, D. (1996). Aesthetic ethos. Bulletin of the Department of Anthropology National Taiwan University, 58:43-58.
    ________. (2003). Designating world heritage sites in Taiwan. Department of Anthropology [New research on Taiwan prehistory and ethnology: Celebrating the eightieth birth anniversary of emeritus professor Sung Wen-hsun: Department of Anthropology, National Taiwan University], Sec. 12. Retrieved July 10th, 2009, from http://ejournal.anu.edu.au/index.php/bippa/
    Cooper, D. (2008). Beautiful people, beautiful things. The British Journal of Aesthetics, 48(3): 247-260.
    Hohn, D. (2008). Through the open door: Searching for deadly toys in China’s Pearl River Delta. Haper’s. September, p. 52.
    Hsu, Y. (ed.). (1996). 100 years of hotsprings in Beitou. Beitou Community Magazine. November 5th, pp. 4, 6.
    Lowman, A. E. (1971). Some striking proportions in the music of Bela Bartok. Fibonacci Quarterly: 9:527-528.
    Maquet, J. (n.d.). Expressive space and Theravada values: A meditation monastery in Sri Lanka. Ethos, 3:1-21.
    Moreno, M. J. (2004). Art museums and socioeconomic forces: The case of a community museum. Review of Radical Political Economics, 36(4):506-527.

    Nonperiodicals
    Adamson, W. L. (1980). Hegemony and revolution: A study of Antonio Gramsci’s political and cultural theory. Berkeley: University of California Press.
    AIR Taipei - Arco Renz. (2008). [Brochure]. Taipei: Taipei Artist Village.
    AIR Taipei - arts in residence. (2008). [Brochure]. Taipei: Taipei Artist Village. Pp. 9, 14, 22.
    AIR Taipei object: East meets west objects of desire and microcosm. (2008). [Brochure]. Taipei: Taipei Artist Village.
    Anderson, B. (1998). Imagined communities. New York: Verso. P. 179.
    Berman, M. (1988). All that is solid melts into air: The experience of modernity. 2nd Edition. New York: Penguin. (Original work published 1982). Pp. 336-337.
    Bray, F. (1997). House form and meaning. In Technology and gender: Fabrics of power in late imperial China. Taipei: SMC Publishing in arrangement with the University of California Press. (Original work published 1997). Pp. 59-62.
    Brown, M. J. (2004). Is Taiwan Chinese? The impact of culture, power and migration on changing identities. Berkeley: University of California Press. Pp.134-65.
    Buckland, M. K. (2004). Histories, heritages, and the past: The case of Emmanuel Goldberg. In The history and heritage of scientific and technological information systems. W. Rayward and M. Bowden, ed. Medford, NJ: Information Today. Pp. 39-45.
    Chiang, S. (2000). Preface. In Culture museums: An introduction to the specialized museums of Taiwan’s counties and cities. Taipei: The Council for Cultural Affairs Executive Yuan. Pp. 2- 7.
    Crane, S. A. (ed.). Museums and memory. Palo Alto, CA: Stanford University Press. (Original work published 2000).
    Dickson, B. J. (1997). In Democratization in China and Taiwan: The adaptability of Leninist parties (pp. 5-8). New York: Clarendon.
    Ding, M. T., H. S. Tuen, J. Y. Chang, and E. A. (2008). Beitou Community College handbook on Beitou history English draft [Brochure]. Beitou: Beitou Community College.
    Duara, P. (1999). Local worlds: The poetics and politics of the native place in modern China. In Imagining China: Regional division and national unity. S. M. Huang and C. Kuang Hsu, ed. Nankang, Taipei: Institute of Ethnology, Academia Sinica]. Page 161.
    Eaton, M. M. (2008). The beauty that requires health. In Nature, aesthetics, and environment: From beauty to duty. A. Carlson & S. Lintott, eds. New York: Columbia University Press. P. 340.
    Ebery, P. B. (1999). In The Cambridge illustrated history of China. Cambridge: Cambridge University Press. (Original work published 1996).
    Featherstone, M. (2003). Localism, globalism and cultural identity. In Identities: Race, class, gender and nationality. L. M. Alcoff and E. Mendita, eds. Malden, MA: Blackwell. Pp. 343-356.
    The Fife Group new immigrant project-immigrants art workshop: “Come dine with us.” (2008). [Brochure]. Taipei: Taipei Artist Village. Organizers: Taipei Artist Village, AIR Taipei/Taishin Bank Foundation for Arts and Culture Co-organizers: The Pearl Buck Foundation, Taipei / Yi Hsing Elementary School, Taoyuan County New Immigrants Learning Center.
    Frey, B. S. (2003). Arts and economics: Analysis and cultural policy. Berlin, Heidelberg, New York: Springer. 2nd Edition. (Original work published 2000).
    Goodlad, S. and McIvor, S. (1998) Museum volunteers: good practices in the management of volunteers(pp. 3, 7,76,77). London New York: Routledge.
    Grass Mountain Artist Village. (2008). [Brochure]. Taipei: Taipei Artist Village.
    Haas, R. (1989). Santa Barbara road. In Human wishes. New York: Ecco. P. 54.
    Harrell, S., and C. C. Huang (eds.) (1994). Cultural change in post war Taiwan. Taipei: SMC Publishing.
    Hauser, A. (1951). The social history of art: Naturalism, impressionism, the film age. Vol. 4. New York: Vintage Books.
    Hayden, D. (1999). The Power of place: Urban landscapes as public history. Cambridge, MA: The MIT Press.
    Hooper-Greenhill, E. (1994). Museums and their visitors. London, New York: Routledge.
    Horkheimer, M., & Adorno, T. (2002). Dialectic of enlightenment. Palo Alto, CA: Stanford University.
    Jenks, C. (2005). Culture. New York: Routledge. (Original work published 1993).
    Karp, I. (1992). On civil society and social identity. In Museums and communities: The politics of public culture. I. Karp, C. M. Kreamer, and S. D. Levine, eds. Washington, DC: Smithsonian Institution Press.
    Katz, P. R. (2004). Chicken beheading rituals and dispute resolution in Taiwan. In The minor arts of daily life: Popular culture in Taiwan. D. K. Jordan, A. D. Morris, and M. L. Moskowitz, eds. Honolulu: University of Hawai‘i Press. Pp. 35-50.
    Koo, H. (1999). The middle classes in East Asian newly industrialized societies: Issues, preliminary findings and further questions. In East Asian middle class in comparative perspective. In H. H. M. Hsiao, ed. Nankang, Taiwan. P. 90.
    Kuo, J. C. (2000). Art and cultural politics in post war Taiwan. Taipei: SMC Publishing.
    Lamley, H. J. (1997). Sub-ethnic rivalry in the Ch’ing period. In The anthropology of Taiwanese society. E. M. Ahern and H. Gates, eds. Taipei: SMC Publishing. (Original work published 1981). Pp. 282-318.
    Levine, S. D. (1999). Audience, ownership and authority: Relations between museums and communities. In Museums and communities: The politics of public culture. I. Karp, C. M. Kreamer, and S. D. Levine, eds. Washington, DC: Smithsonian Institution. Pp. 136-143.
    Levi, P. (1984). The Periodic Table. New York: Penguin.
    Lynch, K. (1982). What time is this place? Cambridge, MA: The MIT Press. P.121.
    MacDonald, G. F. (1992). Change and challenge: Museums in the information society. In Museums and Communities: The politics of public culture. I. Karp, C. M. Kreamer, and S. D. Levine eds. Washington, DC: Smithsonian Institution Press. P. 165.
    Maquet, J. (1986). The aesthetic experience: An anthropologist looks at the visual arts. New York: Yale University Press.
    McLean, F. (1997). Marketing the museum. London: Routledge.
    Media Tek International lecture series: Speaker Julian Nida-Ruemelin, Democracy: Normative constituents, present challenges and future prospects (2007). [Brochure]. Taipei: Long Yingtai Cultural Foundation. P. 2.
    Mitchell, J. T., Ed. (1992). Utopia and critique. In Art and the public sphere [Introduction]. Chicago: University of Chicago Press. P. 3.
    Moore, K. (1997). Museums and popular culture. London: Leicester University Press.
    Muñoz Viñas, S. (2005). Contemporary theory of conservation. London: Elsevier Butterworth-Heinemann. Pp. 27, 55,59.
    National CKS Memorial Administrative Office. (2004). Museums and intangible heritage-social education organizations training day 2004 [Brochure]. Taipei: Bureau of Education.
    Numazaki, I. (1999). The real community under imagined states: The socio-economic transformation and rise of the new Taiwan consciousness in contemporary Taiwan. In Imagining China: Regional division and national unity. S. M. Huang and C. K. Hsu, eds. Nankang, Taipei Taiwan: Institute of Ethnology Academia Sinica Pp. 254,255.
    Roy, D. (2003). Taiwan A political history. Ithaca, PA: Cornell University Press.
    Spare room-installations by Jayne Dryer, Sue Pedley and Susan Andrews. (2007). [Brochure]. 7 Onslow Avenue, Elizabeth Bay: Elizabeth Bay House.
    Stiles, K. (1996). Language and concepts. In Theories and documents of contemporary art .K. Stiles and P. Selz eds. Berkeley: University of California Press.
    Storey, J. (2003). Inventing popular culture. Malden, MA: Blackwell Publishing.
    Taipei Artist Village. (n.d.). [Brochure]. Taipei Artist Village.
    Taipei’s museums: The doors are open (2001). Taipei: Department of Information, Taipei City Government. P. 36.
    Thorsby, D. (2003). Economics and Culture. Cambridge: Cambridge University. (Original work published 2001). Pp. 74,76,77,84,86,112.
    A Tour of hotsprings: Beitou hot springs tour map. (n.d.). [Brochure]. Taipei: Urban Development Department, Taipei City Government.
    Traveling through Beitou’s 400 year history. (n.d.). [Brochure]. Taipei: Beitou Hot Springs Museum.
    Tuan, Y. F. (1974). Topophilia: A study of environmental perception, attitudes and values. Englewood Cliffs, NJ: Prentice Hall.
    Tuan, Y. F. (1982). Segmented worlds and self: Group life and individual consciousness. Minneapolis: University of Minneapolis Press.
    2008 Winter open studio. (2008). [Brochure]. Taipei: Taipei Artist Village / Grass Mountain Artist Village.
    Wartenberg, T. E. (2007). What makes “art” such a problematic concept? In The nature of art (pp.3,8, 9)[Introduction]. Belmont, CA: Thomson Wadsworth.
    Wartenburg, T. E. (2007). Art as an institution: George Dickie. In The nature of art(p.219). Belmont, CA: Thomson Wadsworth.
    Wong, R. B. (1997). Confucian agendas for material and ideological control in modern China(pp.303,304, 305). In Culture and State in Chinese history: Conventions, accomodations and critiques. T. Huters, R. B. Wong, and P. Yu, eds. Taipei: SMC Publishing.
    Wu, C. T. (2002). The changing role of government in the arts. In privatizing culture: corporate intervention since the 1980s(pp.17,21,48)..London: Verso.
    Wu, H. F., and H. S. Chang (2008). Beitou hot spring museum volunteer training handbook [Brochure]. Taipei: Taipei City Government Department of Cultural Affairs.
    Yin, A. C.-C. (1997). Voluntary associations and rural-urban migration. In The anthropology of Taiwanese society. E. M. Ahern and H. Gates, eds. Taipei: SMC Publishing. (Original work published 1981). Pp. 319-337.
    Ze hui lai - come dine with us. Joint exhibition by Prilla Tania &Julie Chou. (2008). [Brochure]. Taipei: Taipei Artist Village. Supervisor: Taipei City Government Department of Cultural Affairs, Taipei Culture Foundation Organizer: Taipei Artist Village.

    Websites, e-sources
    Alliance of Artists Communities [Mission-Objectives]. (n.d.). Retrieved July 1st, 2009, from http://www.artistcommunities.org
    Badawi, I. M. (2003, Spring). Globalization of the B.O.T. system and its taxation problems. In Entrepreneur magazine (p 3.) [article]. Retrieved June 17th, 2009, from http://www.entrepreneur.com/tradejournals/article/102270936
    The challenge of policy in Taiwan: The governance of the new right. (n .d.). National policy foundation research reports [article]. Retrieved June 21st, 2009, from http://old.hpf.org.tw/PUBLICATION/cl/095/cl-R-095-024.htm
    Chang, B. Y. (2004, November / December). From Taiwanisation to de sinification: Culture construction since the 1990s. In Taiwan: New government and old themes, or the persistance of continuity (pp. 2, 10,4) [article]. Retrieved July 20th, 2009, from China Perspective, no. 56 Website: http://chinaperspectives.revues.org/document438.html
    Chen, K. N. (n.d.). The onward marching of museums in Taiwan. In Chinese association of museums [article]. Retrieved July 23rd, 2008, from http://www.cam.org.tw/english/about.htm
    Chu, J. C.-J. (n.d.). Museums and creative industries: A myth in Taiwan. In International Council of Museums intercom international committee on management (pp.1-7) [article]. Retrieved April 29th, 2008, from Department of Cultural Affairs, Taipei City Government Web site: http://media.rcip-chin.gc/ac/intercom/chu.html
    Commissioner profile. (n.d.). Department of Cultural Affairs [web site]. Retrieved June 16th, 2009, from http://www.culture.gov.tw/frontsite/english/contentAction.do
    Coote, J. (1992). The marvels of everyday vision: The anthropology of aesthetics and the cattle keeping Nilotes [Article]. Retrieved July 23rd, 2009, from http://ssl.brookes.ac.uk/anthro-art/papers/coote.pdf
    Cultural Policy White Paper [Document]. (2004). Retrieved April 6th, 2009, from http://english.cca.gov.tw/ct.asp?item=12114&CtNode+4133
    Cunningham, S. (2002). From cultural to creative industries: Theory, industry and policy implications [article]. Retrieved July 7th, 2009, from Creative industries task force mapping document(CITF(1998) 2001) database: http://Media International Australia-test.eprints.qut.edu.au
    Definition of museums. (n.d.). ICOM International Council of Museums [Statutes]. Retrieved July 12th, 2009, from http://icom.museum/definition.html
    Domanski, B. (2003). pp.133-153. In Economic trajectory, path dependency and strategic intervention in an old industrial region: The case of Upper Silesia [Article in Recent Advances in urban and regional studies, Polish Academy of Sciences]. Retrieved June 4th, 2008, from http://econlab.uom.grl-move/images/stories/articles/trajectory.pdf
    Exhibition figures 2007:Single work by Leonardo attracts over 10,000 a day. (2008, March). The arts newspaper. no.189 [article]. Retrieved June 28th, 2008, from http://www.kunstbeeldinl/artnewspaper_museums.pdf
    Galloway, S. (2006). Deconstructing the concept of ‘creative industries’ [Article]. Retrieved July 5th, 2009, from Humboldt University Web site: http://edoc.hu_berlin.de.ISBN 978-3-86004-203-8
    Galloway, S., & Dunlop, S. (2007). What’s cultural about the creative industries?(pp.7,9,12) [Article]. Retrieved December 7th, 2008, from http://www.regional-studies-assoc.ac.uk/events/lisbon.Galloway.pdf
    Habermas, J., Lennox, S., & Lennox, F. (1974, Fall). The Public Sphere: An Encyclopedia Article (1964). In Justor [article]. Retrieved July 3rd, 2009, from http://links.justor.org/sici?sici=0094-033x%28197423%290%3A3%3C49%3ATPSAEA%3E2.0.CO%3B2-Z
    Ikeda, O. (2009). On BankArt [Article]. Retrieved July 1st, 2009, from http://www.bankart1929.com
    ISEA- Inter Society for Electronic Arts [Res Artis: Mission and objectives]. (n.d.). Retrieved July 14th, 2009, from http://www,isea-web:org/eng/links2.html
    Loosening the Purse Strings. (2004, February 1). Taiwan Review [Article]. Retrieved June 18th, 2008, from http://taiwanreview.nat.gov.tw/Tr/ct.asp?xitem=9288node=119
    New York Museum Experience. (2004, December 20). EastSouthWestNorth [article]. Retrieved June 18th, 2008, from http://zonaeuropa.com/20041220_1.htm
    Symbolic ‘goods’ or ‘symbolic meaning’, page 4. (2007). What’s Cultural About Creative Industries? [Article]. Retrieved December 5th, 2008, from http://www.regional-studies-assoc.ac.uk/events/lisbon07/.../Gallaway.pdf
    The Himalaya Foundation. (2002, December 19). Overview of Taiwan’s Third Sector-Art and Culture. In Taiwan Philanthropic Information Center [article]. Retrieved December 7th, 2008, http://www,tpic.org.tw/Reports/Show Report.asp?Report_ID=6

    Legal sources
    Cultural Heritage Preservation Act, Article 60, Article 38, Article 76 Fed. Reg. 1 (2001), http://law.moj.gov.tw/Eng/fnewsContent.asp?msgid=138&msgType=en&keyword=undefined.
    Volunteer Services Act, 1 Fed. Reg. 1-3 (1-20-2001), http://law.moj.gov.tw/eng/Fnews/FNQueryList.asp. Laws and Regulations Database of the Republic of China.
    Description: 碩士
    國立政治大學
    臺灣研究英語碩士學程(IMTS)
    929240162
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G0929240162
    Data Type: thesis
    Appears in Collections:[台灣研究英語碩士學程(IMTS)] 學位論文

    Files in This Item:

    File SizeFormat
    index.html0KbHTML21282View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback