 |
English
|
正體中文
|
简体中文
|
Post-Print筆數 : 27 |
Items with full text/Total items : 113656/144643 (79%)
Visitors : 51729431
Online Users : 625
|
|
|
Loading...
|
Please use this identifier to cite or link to this item:
https://nccur.lib.nccu.edu.tw/handle/140.119/87608
|
| Title: | 白先勇小說中的現代主義──《台北人》的記憶與鄉愁 |
| Other Titles: | Modernism in “Taipei jen” and the fiction of Pai Hsien-yung |
| Authors: | 山口守
Yamaguchi, Mamoru |
| Contributors: | 日本大學文理學部 |
| Keywords: | 白先勇;現代主義;主體性;本土運動;五四運動 |
| Date: | 2009-06 |
| Issue Date: | 2016-04-28 15:19:59 (UTC+8) |
| Abstract: | 現代主義在一九六○年代台灣文學的特徵，或許可從它對於書寫主體性的獲取上加以定位。這樣的定位可能可以視之為實驗性地達到現代性，而不是一種（追求）文學的新風格或新概念的運動。在認同危機的基礎上，年輕作家如白先勇與其文學同伴們，在黨國的審查制度之下積極地針對中國古典進行現代性的詮釋，並以西方文學作為想像的現代性的範例。此一黨國的審查制度實質上阻斷了兩個文學的發展進程：一是五四運動的文學傳統；另一是一九四五年以前日本統治時期的本土台灣文學。台灣文學中的現代主義可以被視為一種論述形式，在戰後台灣的特殊社會與歷史環境之下，想像並創造文學的現代性。白先勇身為此一運動的代表性作家，他的現代性特別表現在《台北人》一書。該書開始對抗著此系列故事所書寫的那一個時代，重層的空間、時間與文化；技巧則迴盪著優美旋律般地鄉愁，形塑成一種失落與墮落的美學，為那些腐敗的人們唱成一首文學輓歌，也為鼓舞那些生活著的人們而唱成一首歡頌。他藉由忠實、誠摯地對一九六○年代的現代主義進行重新想像，以對抗歷史的重量以及認同危機的陰影，對於那些戰後在台灣生活的人致上真實的敬意。
Modernism in the Taiwanese literature of the 1960s might be characterized by its orientation toward an acquisition of its subjectivity of writing, which properly could be considered experimental to achieve modernity rather than a movement for a new style or a new concept of a literature. With a foundation on their identity crises, young writers like Pai Hsien-yung and his coterie made zealous efforts to practice a modern interpretation of Chinese classics and use Western literature as an example of imagining modernity under the censorship imposed by the Nationalist party, which essentially blocked the progress of both the May Fourth literary tradition and that of nativist Taiwanese literature carried out under Japanese rule before 1945. Modernism in Taiwan literature can be considered a form of discourse that, while undertaken during specific set of social and historical circumstances, imagined and created literary modernity in Taiwan during the post war years. As a representative writer of this movement, Pai Hsien-yung particularly reveals his own modernity in Taipei People, which is set in against the contemporary era in which the stories were written, multi-layering a space, a time, and a culture, his technique reverberates a melodious nostalgia that produces an aesthetic of loss and depravity, providing a literary elegy to the people who rot away, singing a paean to inspire people who live on. It pays true homage to the people who lived in Taiwan after the war, by means of a sincere and earnest reimagination of 1960s modernism written against the weight of history and in the shadow of an identity in crisis. |
| Relation: | 臺灣文學學報,14,1-18 |
| Data Type: | article |
| Appears in Collections: | [Bulletin of Taiwanese Literature] Journal Articles
|
Files in This Item:
| File |
Description |
Size | Format | |
|---|
| 14(p.1-18).pdf | | 2371Kb | Adobe PDF2 | 614 | View/Open | | index.html | | 0Kb | HTML2 | 580 | View/Open |
|
All items in 政大典藏 are protected by copyright, with all rights reserved.
|
著作權政策宣告 Copyright Announcement1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.
2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(
nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(
nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
