English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113648/144635 (79%)
Visitors : 51687993      Online Users : 518
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/86512


    Title: 後現代作家中的第二個我：朱利安‧拔恩斯對抗丹‧卡瓦納
    Other Titles: The Postmodern Writer and His Alter Ego: Julian Barnes versus Dan Kavanagh
    Authors: Hwang, Pao-I
    Keywords: 後現代主義;文學;「通俗」文學;「嚴肅」作品;美學;小說
    postmodernism;literature;“popular” fiction;“serious” fiction;aesthetics;novel
    Date: 2008-12
    Issue Date: 2016-04-27 11:34:50 (UTC+8)
    Abstract: 本文審視後現代主義作家面臨的困境—作家究竟應該因能實踐更高的文學理念而出類拔萃？還是應該因能迎合出版市場而揚名立萬？有別於僅僅兩個世紀前的作家，現今作家的文名主要植基於作品的銷售成績。英國作家朱利安．拔恩斯的作品和寫作生涯，貼切地反映出他在此困境中的掙扎。拔恩斯一方面以追求文學境界為念而創作了一些「嚴肅」作品；另一方面，拔恩斯的第二自我以卡瓦那為筆名寫了一些意在快速求現的「通俗」文學。雖然拔恩斯持續增加的作品證明了他對於調和純文學作家和通俗作家這兩種身分的自信，但純文學和通俗文學間的拉鋸在他的作品中一直隱然若現，二者間的差異比乍看之下更難以化解。
    This paper is an examination of the postmodern writer’s dilemma: Should a writer be good by serving a higher literary purpose or by playing to the book market? Unlike those who have been writing merely two centuries ago, the literary reputation of writers today rest fundamentally on financial success. The career and the works of British writer Julian Barnes closely reflect his struggle with this dilemma. On the one hand, Barnes writes “serious” works in the sense that they are crafted with a “literary” purpose in mind. On the other hand, his pseudonymous alter-ego, Kavanagh writes “popular” works that are aimed at making some quick cash. Although Barnes’ growing oeuvre evidences an egotistical conciliation between the “serious” writer and the “popular” writer, they are never far from suggesting that the struggle is near the surface and the differences are more insurmountable than can be seen at first glance.
    Relation: 文山評論：文學與文化, 2(1),1-29
    The Wenshan Review of Literature and Culture
    Data Type: article
    Appears in Collections:[文山評論：文學與文化 THCI Core] 期刊論文

    Files in This Item:

    File Description SizeFormat
    2(1)p1-29.pdf316KbAdobe PDF2339View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback