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政大典藏 > College of Foreign Languages and Literature > Department of English > Theses > Item 140.119/86416

Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/86416

Title:	海市蜃樓：尚.惹內之劇作《女僕》、《陽臺》、《黑人》與《屏風》 The architecture of emptiness in jean genet`s the maids, the balcony, the blacks and the screens
Authors:	陳雅婷 Chen, Ya-Ting
Contributors:	阮若缺 Juan, Ra-Chel 陳雅婷 Chen, Ya-Ting
Keywords:	法國戲劇後現代戲劇 French drama Postmodern drama
Date:	1997
Issue Date:	2016-04-27 11:20:58 (UTC+8)
Abstract:	第一章討論的是惹內運用劇中劇的形式，來凸顯他的劇作是經由人為精心策劃的這個事實。他更認為所謂的真實，也和虛幻一樣，是人建構出來的東西。第二章則是關於作者如何以後現代諧擬的手法，打破他劇作的虛構性，刻意使觀眾察覺幕後製作技巧的運作方式。第三章要談論的是他劇作所展現出的不定性及流動性。第四章旨在指出他劇中人物主體性的定義，是基於他們角色的不同，和他們相互間的差異性。本章並且探討作者如何以二元對立的形式，解構傳統中一尊一卑的二元對立模式。 This thesis aims at exploiting the postmodern characteristics of Jean Genet`s plays: The Maids, The Balcony, The Blacks and The Screens.
Description:	碩士國立政治大學英國語文學系 82551004
Source URI:	http://thesis.lib.nccu.edu.tw/record/#B2002001870
Data Type:	thesis
Appears in Collections:	[Department of English] Theses

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