政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/79205

政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/79205

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政大機構典藏 > 資訊學院 > 資訊科學系 > 學位論文 > Item 140.119/79205

請使用永久網址來引用或連結此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/79205

題名:	以體感方式參與敘事的3D互動敘事系統 Participating in Narratives with Motion-sensing Technologies in a 3D Interactive Storytelling System
作者:	楊奇珍 Yang, Chi Chen
貢獻者:	李蔡彥 Li, Tsai Yen 楊奇珍 Yang, Chi Chen
關鍵詞:	互動數位敘事情境感知人機介面 Interactive Storytelling Context-Aware Human-Computer Interaction
日期:	2015
上傳時間:	2015-11-02 14:49:50 (UTC+8)
摘要:	在目前大部分的互動數位敘事(Interactive Digital Storytelling)研究中，使用者都是以滑鼠或鍵盤作為輸入的選擇方式來進行互動，鮮少可以讓使用者以參與表演的方式互動。在本研究中，我們希望透過體感偵測系統輸入使用者的手部姿勢，同時以引導的方式來給予使用者選擇故事腳本演出的路線，並記錄使用者所有的演出過程。本研究目的在於設計出一個適合互動敘事的故事腳本，使用者以Leap Motion、Oculus Rift等輸出入裝置來參與演出，系統會提供引導式人機介面讓使用者能夠參考圖示選擇想呈現的表演。使用者是以第一人稱的視角來參與互動敘事的演出，透過各種手部動作的輸入，故事的發展路線也會有所不同。在參與過程中，我們錄下使用者在表演過程中的對白語音資訊，演出結束後提供使用者回顧整體故事的演出過程，以創造二次創作的價值。我們的系統提供使用者更多表演的空間，增加使用者對於故事的沉浸感，並能透過不同的角度觀看故事內容，提高故事的趣味性。透過設計實驗來驗證系統價值，顯示本研究的系統是有符合故事性、互動性、想像性與沉浸性的，使用者對於我們系統所創作出來的作品感到非常的有趣，並且會嘗試體驗不同的故事劇情，證實了我們的系統是有重玩價值的。 At present, in most of the interactive digital storytelling studies, users use the mouse or the keyboard as an input device to interact with the story. The current systems rarely allows users to participate in the interactive performance. In our study, we use a somatosensory detection system to detect the user`s hand gestures, while guiding the user to select the desired choice of story line. We also hope that the user’s performance in the process can be recorded. The purpose of this study is to design a suitable interactive storytelling storyboard and allow a user to use Leap Motion, Oculus Rift, Microphone, etc. as I/O devices to participate in the performance of a 3D interactive story. The system also provides guidance in the human-machine interface such that the users can use gesture icons as reference to select the desired story path. The user participates in the interactive performance in a first-person perspective. By performing a variety of hand motions, the development of story line will also be different. At the same time, we record the user`s voice to provide the users a review of the overall story. Our system provides the users more performance space and enhances immersion of the users when the story is played. Being be able to view the story through different perspectives also has made the story more interesting. We have conducted an experiment to verify the value of the system. The results of this study showed that 3D interactive stories produced by our system are interactive, imaginative and immersive. Users are much interested in our work and try to experience different story lines, which confirm the replay value of our system.
參考文獻:	[1] “Leap Motion \| Mac & PC Motion Controller for Games, Design, Virtual Reality & More.” [Online]. Available: https://www.leapmotion.com/. [Accessed: 14-Sep-2013]. [2] 吳蕙盈, “打破第四道牆：以敘事理論為基礎之個人化3D互動敘事創作系統,” 國立政治大學, 2012. [3] F. Kistler and E. André, “User-defined body gestures for an interactive storytelling scenario,” in Human-Computer Interaction--INTERACT 2013, Springer, 2013, pp. 264–281. [4] M. O. Cavazza, F. Charles, and S. J. Mead, “Character-based interactive storytelling,” IEEE Intell. Syst., 2002. [5] W. Swartout, R. Hill, J. Gratch, W. L. Johnson, C. Kyriakakis, C. LaBore, R. Lindheim, S. Marsella, D. Miraglia, and B. Moore, “Toward the holodeck: Integrating graphics, sound, character and story,” in Proc. Autonomous Agents 2001 Conf., ACM Press, 2006. [6] M. Cavazza, F. Charles, and S. J. Mead, “AI-based animation for interactive storytelling,” in Computer Animation, 2001. The Fourteenth Conference on Computer Animation. Proceedings, 2001, pp. 113–120. [7] I. Machado, A. Paiva, and P. Brna, “Real characters in virtual stories,” in Virtual Storytelling Using Virtual Reality Technologies for Storytelling, Springer, 2001, pp. 127–134. [8] N. M. Sgouros, G. Papakonstantinou, and P. Tsanakas, “A framework for plot control in interactive story systems,” in AAAI/IAAI, Vol. 1, 1996, pp. 162–167. [9] D. Grasbon and N. Braun, “A morphological approach to interactive storytelling,” in Proc. CAST01, Living in Mixed Realities. Special issue of Netzspannung. org/journal, the Magazine for Media Production and Inter-media Research, 2001, pp. 337–340. [10] V. Propp, Morphology of the Folktale, vol. 9. University of Texas Press, 1958. [11] R. McKee, Story: style, structure, substance, and the principles of screenwriting. Harper Collins, 1997. [12] M.-L. Ryan, Avatars of story. U of Minnesota Press, 2006. [13] P. Gervás, B. Díaz-Agudo, F. Peinado, and R. Hervás, “Story plot generation based on CBR,” in Knowledge-Based Systems, vol. 18, no. 4, Elsevier, 2005, pp. 235–242. [14] M. O. Riedl, “Incorporating Authorial Intent into Generative Narrative Systems.,” in AAAI Spring Symposium: Intelligent Narrative Technologies II, 2009, pp. 91–94. [15] U. Spierling, S. A. Weiß, and W. Müller, “Towards accessible authoring tools for interactive storytelling,” in Technologies for Interactive Digital Storytelling and Entertainment, Springer, 2006, pp. 169–180. [16] G. Burdea and P. Coiffet, “Virtual reality technology,” in Presence: Teleoperators and virtual environments, vol. 12, no. 6, MIT Press, 2003, pp. 663–664. [17] M. Csikszentmihalyi, Beyond boredom and anxiety. Jossey-Bass, 2000. [18] T. R. Trigo and S. R. M. Pellegrino, “An analysis of features for hand-gesture classification,” in 17th International Conference on Systems, Signals and Image Processing (IWSSIP 2010), 2010, pp. 412–415. [19] T. B. Dinh, V. B. Dang, D. Duong, T. T. Nguyen, D.-D. Le, and others, “Hand gesture classification using boosted cascade of classifiers,” in Research, Innovation and Vision for the Future, 2006 International Conference on, 2006, pp. 139–144. [20] “Unity - Game Engine.” [Online]. Available: https://unity3d.com/. [Accessed: 14-Sep-2013].
描述:	碩士國立政治大學資訊科學學系 101753005
資料來源:	http://thesis.lib.nccu.edu.tw/record/#G0101753005
資料類型:	thesis
顯示於類別:	[資訊科學系] 學位論文

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