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政大機構典藏 > 外國語文學院 > 英國語文學系 > 期刊論文 > Item 140.119/72490

Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/72490

Title:	翻譯、番易、褪色的現代主義：以王文興《家變》英譯本為例
Other Titles:	Translation, Transformation, and Faded-out Modernism: A study of English translation of Wang Wen-hsing’s Family Catastrophe
Authors:	劉建基 Liu, Chien-Chi
Contributors:	英語系
Keywords:	翻譯;番易;王文興;家變;現代主義 translation;transformation;Wang Wen-hsing;＂Family Catastrophe＂;modernism
Date:	2010-01
Issue Date:	2014-12-30 11:17:54 (UTC+8)
Abstract:	本論文以杜玲英譯的《家變》Family Catastrophe 為例，闡釋王文興的中文原著如何經過文化翻譯形成一部褪色的「現代主義」譯本。論文旨在析論英譯本如何透過「歸化」策略，形成一種嶄新的「建構體」。此外，論文將闡明英譯本如何展現「差異性重複」，形成一個「看似神似卻不盡相同」的相異主體與「番易」文本。 This paper aims to probe into how Wang Wen-hsing’s Family Catastrophe, a classic modernist novel in Taiwan, becomes a work of faded-out modernism in English translation. Besides, it seeks to explore how the English translator adopts the translation strategy of domestication, instead of foreignization, to reconstruct a “translation-and-transformation” copy, a “repetition in difference,” which is “almost the same, but not quite.”
Relation:	廣譯：語言、文學與文化翻譯, 3, 43-54
Data Type:	article
Appears in Collections:	[英國語文學系] 期刊論文

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