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    政大機構典藏 > 文學院 > 中國文學系 > 期刊論文 >  Item 140.119/70945


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    题名: 庾信賦之世變與情志書寫－宮體•國殤•桃花源
    其它题名: The Changing Situation and Sentimental Writing of Yu Xin`s Rhapsodies: Palace-style Poetry, National Calamity, and the Peach Blossom Spring
    作者: 許東海
    Hsu, Tong-Hai
    贡献者: 中文系
    关键词: 庾信;賦;宮體;南北朝;桃花源
    Yu Xin庾信;rhapsody;palace-style;Northern & Southern Dynasties;Peach Blossom Spring
    日期: 2006.06
    上传时间: 2014-10-31 18:05:01 (UTC+8)
    摘要: 作為文學史上之宮體典範而言，庾信賦及其宮體書寫之重要意義乃是多面向。宮體基本上是一種新變文風，以貴遊引領風騷。其次，宮體又是一種身分與文化之表徵，其間藉由庾信宮體賦的書寫載體及其話語符碼，巧妙地映現當代王室權貴偏安江左的樂園隱喻建構。然則透過庾信賦由宮體樂園、國觴輓歌到桃源失落書寫之前後觀照，宮體書寫更深化為作者與世變對話的內在途徑及其心靈符碼，其中宮體賦內化為庾信情志世界與歷史記憶的獨特隱喻，宮體賦既是庾信緬懷舊梁風華的美麗見證與文化脈絡，同時又成為他凝思世變與追憶家國的情志線索。因此藉由宮體賦之書寫依據，展開文學、文化、政治、歷史、世界之多層次與多面向之書寫與對話，既是庾信賦語言與情志之具體示現，亦為庾信賦世變及其情志書寫之內在脈絡與深層底蘊。
    As a model of ”palace-style” (gongti宮體) poetry in the history of Chinese literature, and Yu Xin`s庾信 rhapsodies, and its form of gongti, was extremely significant. Basically, the gongti, whose theme was nobles` travel, represented a new fad in writing during the Six Dynasties period. Moreover, gongti was also a symbol of status and culture; through the genre and implication of Yu Xin`s rhapsodies, the author presented a structure of metaphor, the technique that skilfully reflected the contemporary situation of the imperial family: they were content to retain sovereignty over a part of the country. Furthermore, Yu Xin`s rhapsodies also reflected the change from a paradise of gongti, to an elegy of national calamity, and finally to the perishing of the ideal of the ”Peach Blossom Spring”; therefore, the writing of gongti further became a means to express the author`s innermost thoughts and feelings about the changing world. In summary, Yu Xin`s rhapsodies, with their deep implication and sequence of ideas, revealed the nature of the changing world through his sentimental writing.
    關聯: 漢學研究, 24(1), 141-173
    数据类型: article
    显示于类别:[中國文學系] 期刊論文

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