政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/68597
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文筆數/總筆數 : 113656/144643 (79%)
造訪人次 : 51763751      線上人數 : 522
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜尋範圍 查詢小技巧:
  • 您可在西文檢索詞彙前後加上"雙引號",以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋,建議至進階搜尋限定作者欄位,可獲得較完整資料
  • 進階搜尋
    政大機構典藏 > 文學院 > 宗教研究所 > 期刊論文 >  Item 140.119/68597
    請使用永久網址來引用或連結此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/68597


    題名: 地方宗教中的道法關係:以臺南和意堂為核心的考察
    其他題名: The Web of Local Religions as Seen in the Way (Dao) and the Technique (Fa): An Investigation of the Heyitang in Tainan
    作者: 謝世維
    Hsieh, Shu-Wei
    貢獻者: 宗教所
    關鍵詞: ;;和意堂;黑頭法;王炎山
    dao;fa;Heyitang;black-head rituals;Wang Yenshan
    日期: 2014.03
    上傳時間: 2014-08-12 14:49:27 (UTC+8)
    摘要: 本文將從「道」與「法」的面向來探討區域的宗教與文化網絡。本文先論述宋元以來「道」與「法」在經典當中的意涵與變遷,以及在儀式當中的定位與功能。然後以地方宗教的觀點,探討「道」與「法」在地方宗教所展現的宗教職能。本文以臺南地區為主要考察區域,並以和意堂為考察核心。和意堂為臺南黑頭法,系屬普庵法教黑頭小法團,傳承上屬於連吉成一系,至王炎山的時候建立和意堂。王炎山與當時臺南重要道壇有許多合作,包括陳榮盛的穎川道壇,以及吳西庚的延靈道壇,建立道壇、法壇共同在民間道教儀式中合作的模式,在過程中,「道」與「法」有合作也有融合。這種模式從王炎山延續到下一代王正裕,本文考察在歷史中臺南的「道」、「法」模式,以及當代在儀式當中的「道」、「法」模式的實踐。
    This study draws a distinction between the way (dao) and the technique (fa) to analyze the intersections between religion and culture. I begin by discussing the distinction between the way and the technique as seen in scriptures written during the Song and Yuan dynasties. By focusing on how writers used these two terms, we arrive at a new understanding of the religious function of the way and the technique. I also incorporate fieldwork conducted in the Tainan region, especially the Heyitang Altar.Heyitang employs the black-head rituals belonging to Pu`an school. They are also affiliated with Lian Jicheng. Wang Yanshan established the Heyitang and there is now extensive cooperation between Wang Yanshan`s Heyitang and other temples in Tainan. Chen Rongsheng and Wu Xigeng established new ritual model of daotan (Daoist altar) and fatan (technique altar) in order to foster deeper cooperation. In this process, the way and the technique are again fused together. The same practice has been carried out by Wang`s successor, Wang Zhengyu. In this paper, I investigate the model of Way/Technique and how it has been put into practice.
    關聯: 民俗曲藝, 183, 139-190
    資料類型: article
    顯示於類別:[宗教研究所] 期刊論文

    文件中的檔案:

    檔案 描述 大小格式瀏覽次數
    139189.pdf2110KbAdobe PDF21238檢視/開啟


    在政大典藏中所有的資料項目都受到原著作權保護.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回饋