政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/63344
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113822/144841 (79%)
Visitors : 51833454      Online Users : 493
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/63344


    Title: 在想像與批判之間——署名康德
    Other Titles: Between Imagination and Critique– Signed Kant
    Authors: 黃冠閔
    Huang, Kuan-Min
    Contributors: 哲學系
    Keywords: 批判;想像;署名;崇高;優美
    Beauty;Critique;Imagination;Signature;Sublime
    Date: 2005-07
    Issue Date: 2014-01-07 17:18:08 (UTC+8)
    Abstract: 想像力的中介作用乃是康德批判哲學的一個重要課題，本文嘗試從批判與想像的軸線檢討此種中介作用與書寫之間的關係。由於批判所定下的界限，使得主體機能的越界與斷裂成為迫切的體系內部問題，而想像也在此顯現其聯繫感性、知性、理性機能之間的特殊角色。想像力的中介也意味著主體的形構作用，此種中介引入了特殊的書寫策略；理性的印記隨著主體的認識判斷或反省判斷而有別，故而，想像力的書寫總是帶著理性現身的銘刻，而有著抽離（優美）或犧牲（崇高判斷）的異樣形式。最終，這是理性自身的書寫，具體呈現為人格，並形成理性生命的教化；但是，對於藝術來說，此種生命乃是藝術的反諷，見證了理性的簽署，也使得作品與主體的意義超越了單純的同一性，而開啟了無限的意義空間。
    Granting the mediation of imagination as an important Kantian theme, this paper tries to describe the relation between mediation and writing by way critique and imagination. Constrained by the limitation thrown by critique, the rupture of subjective faculties becomes an urgent systematic problem, while the imagination plays a role in mediating sensibility, understanding and reason. But this mediation of imagination also means the formation of subject, which introduces a particular strategy of writing. The marks of reason are different following the epistemic judgment or reflective judgment, thus the writing of imagination inscribes the trace of reason, and forms different types in detachment (beauty) or sacrifice (sublime). This writing of the reason concretizes itself in moral personality, and forms the culture of rational life. For art, this life is an irony, which attests the signature of reason; therefore, the meaning of work and of subject transcends the simple identity, an infinite space of meaning is thus opened.
    Relation: 政治大學哲學學報, 14, 71-105
    The national Chengchi university philosophical, 14, 71-105
    Data Type: article
    Appears in Collections:[NCCU Philosophical Journal] Articles

    Files in This Item:

    File Description SizeFormat
    71105.pdf503KbAdobe PDF21449View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback