English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文笔数/总笔数 : 113656/144643 (79%)
造访人次 : 51735165      在线人数 : 602
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜寻范围 查询小技巧：
  • 您可在西文检索词汇前后加上"双引号"，以获取较精准的检索结果
  • 若欲以作者姓名搜寻，建议至进阶搜寻限定作者字段，可获得较完整数据
    •  进阶搜寻
    政大機構典藏 > 文學院 > 中國文學系 > 期刊論文 >  Item 140.119/43644


    请使用永久网址来引用或连结此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/43644


    题名: 身體、慾望與空間疆界──晚明《唐詩畫譜》女性意象版圖的文化展演
    其它题名: Body, desire and the boundary of the space the cultural performance of female symbolism in Tang Poem`s Picture collection from late Ming dynasty
    作者: 鄭文惠
    Cheng, Wen-huei
    关键词: 唐詩畫譜;身體;慾望;女性;空間疆界
    日期: 2004-12
    上传时间: 2010-09-04 15:53:19 (UTC+8)
    摘要: 性別的銘記與操弄是一個基本而普遍的文化結構。在不同文化世代中，女性－身體往往是不同意識形態交相指涉的文化操演空間。本文以《唐詩畫譜》中女性意象版圖的文化展演為論述主軸，探討晚明新型消費社會下，《唐詩畫譜》女性決象版圖作為禮教／情教、雅／俗相互指涉、辯證的文化演練空間，男性論述主體如何建構以性別差异作為欲望、權力的論述？在詩畫轉喻、互典的視覺藝術中，女性如何被塑造成帶著欲念的男性觀視之物？詩畫轉喻、互典的視覺意象與性別論述如何展現男性權力／父權體系的文化主宰結構？在晚明社會層級逐漸松動，及文化消費的動作機制與道德／欲望移位的文化氛圍中，女性意象版圖又如何逸離、擺湯於你權體制外而展演出女性－身體欲望之多元流動的變貌？一場跨越理／情、雅／俗文化範域的性別革命實踐，又是如何展演於詩／畫轉喻、互典的女性－身體空間疆界中？全文分從禮教圖式與讬喻美學、風月空間與情欲隱喻、觀視行為與欲力廻路、消閒空間與姐妹情誼四方面論述《唐詩畫譜》中女性－身體空間疆界滑移、越界所開啟性別、欲望、階級多重存在的流動認同的可能性。
    The symbol of gender and its manipulation is a basic and common cultural structure. In the different cultural era, female and body usually are the space where different consciences are mixed. This paper focuses on the cultural development of the female symbolism in the Tang Poem`s picture collection, and discusses its cultural meaning used and argued by rite/emotion, elegance/lowness in the new consumers`society of late Ming Dynasty. In the visual art using the analogy between poems and pictures, how would female have been modeled into an object containing male desire? How was the male power/the system of fatherhood demonstrated by the visual symbol and gender argument? In the late Ming Dynasty, under the gradually loosing social hierarchy, mechanism of cultural consumption, and cultural atmosphere of dislocated ethics/desire, how would the female symbolism derail and waver out of the system of fatherhood and develop an diversified face containing the concepts of female, body and desire. How was a gender revolution, crossing the cultural boundary of sense/sensibility and elegance/lowness, developed in the female/body`s boundary of space of the analogy between poems/picture? This paper was divided into the four areas-(1) the pictorial examples of rites and analogy of esthetics (2) romantic space and analogical desire (3) behavior and desirous loop (4) the space of pastime and sisterhood-to discuss the possibility of agreement in co-existing gender, desire and hierarchy caused by the movement of the boundary of female/body.
    關聯: 政大中文學報, 2, 53-87
    数据类型: article
    显示于类别:[中國文學系] 期刊論文

    文件中的档案:

    档案 大小格式浏览次数
    2.pdf4289KbAdobe PDF2927检视/开启


    在政大典藏中所有的数据项都受到原著作权保护.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回馈