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    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/43398


    Title: 臺灣新郎 : 「編導式攝影」中的記錄思維
    Other Titles: The puppet bridegroom
    Authors: 游本寬
    Contributors: 廣告學系
    Keywords: 攝影
    Date: 2002
    Issue Date: 2010-07-29 12:21:19 (UTC+8)
    Publisher: 台北市:著者,2002
    Abstract: 從《真假之間》開始,攝影藝術家教師游本寬的創作主題意念,由過去比較純粹的影像形式,轉向對文化題材的興趣。2003年的新作《台灣新郎》在創作主題的關切方向上,延續了以《真假之間》、《法國椅子在台灣》為主的幾組影像創作系列作品,將個人對文化議題的注視,由客觀的、向外觀看的「台灣經驗」,轉而為融合了主觀與客觀的、對某些美國文化的描繪與個人經驗的自我關照。本書透過動人的圖、文編輯,加上獨特的「上翻」閱讀形式,深度論述「編導式攝影」與記錄之間相關的議題。精緻的書貌與內文,無論從攝影、設計的學術或實務等各方面,皆可見其匠心獨具之處。
    Relation: 政大八十週年校慶百本專書
    Source URI: http://small.lib.nccu.edu.tw/ncculib_book100/detail.php?p_id=33
    http://jenda.lib.nccu.edu.tw/record=b1982233*cht
    Data Type: book/chapter
    Appears in Collections:[廣告學系] 專書/專書篇章

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