Reference: | 一、 中文部分 王寧(2003)。《全球化與文化研究》。台北:揚智文化。 朱華瑄譯(2005)。《迷文化》。台北:韋伯文化。(原書Hills, M. (2002). Fan Cultures. London: Routledge.) 朱道凱譯(2002)。《全球化的迷思》。台北,群學。(原書Hirst P. and Thompson G. (1999). Globalization in Question: The International Economy and the Possibilities of Governance (2nd Edition). Cambridge: Polity Press.) 吳昌杰譯(1999)。《美國》。台北:時報。(原書Baudrillard, J. (1986). Amérique. Paris: Descartes.) 吳美真譯(1998)。《後現代主義或晚期資本主義的文化邏輯》。台北:時報。(原書Jameson, F. (1991). Postmodernism, or, The Cultural Logic of Late Capitalism. Durham, NC: Duke University Press.) 吳莉君譯(2005)。《觀看的方式》。台北,麥田出版。(原書Berger, J. (1972). Ways of Seeing. London: Penguin.) 吳叡人譯(1999)。《想像的共同體:民族主義的起源與散布》。台北:時報。(原書Anderson, B. (1991). Imagined Communities: Reflections on the Origin and Spread of Nationalism (2nd Edition). London: Verso.) 吳錫德譯(2003)。《文化全球化》。台北,麥田。(原書Warnier, J. (1999). La mondialisation de la culture. Paris: Éditions La Découverte.) 宋偉航譯(2004)。《實作綱要理論》。台北:城邦。(原書Bourdieu, P. (1972). Esquisse d`une théorie de la pratique. Genève:Droz.) 李天鐸譯(1993)。〈類型研究與電視〉,《電視與當代批評理論》,頁131-153。台北,遠流。(原書Feuer, J. (1987). Genre Study and Television. In R. C. Allen (Ed.), Channels of Discourse: Television and Contemporary Criticism (pp. 138-160). Chapel Hill: The University of North Carolina Press.) 李天鐸譯(1993)。〈英國文化研究與電視〉,《電視與當代批評理論》,頁263-301。台北,遠流。(原書Fiske, J. (1987). British Cultural Studies and Television. In R. C. Allen (Ed.), Channels of Discourse: Television and Contemporary Criticism (pp. 284-326). Chapel Hill: The University of North Carolina Press.) 李美華、孔祥明、李明寰、林嘉娟、王婷玉、李承宇譯(2004)。《社會科學研究方法》。台北:時英。(原書Babbie, E. (2001). The Practice of Social Research (9th Edition). Belmont, CA: Wadsworth.) 李根芳、周素鳳譯(2003)。《文化理論與通俗文化導論(第三版)》。台北:巨流。(原書Storey, J. (2001). Cultural Theory and Popular Culture: An Introduction (3rd Edition). London: Prentice Hall.) 尚衡譯(1990)。《性意識史:第一卷導論》。台北,桂冠。(原書Foucault, M. (1976). Histoire de la sexualité: v. 1. La volonté de savoir. Paris: Gallimard.) 周素鳳、陳巨擘譯(2006)。《後殖民主義-歷史的導引》。台北:巨流。(原書Young, R. J. C. (2001). Postcolonialism: An Historical Instruction. London: Blackwell.) 林佑盛、葉欣怡譯(2003)。《消費文化與現代性》。台北,弘智文化。(原書Slater, D. (1997). Consumer Culture and Modernity. Cambridge: Polity Press.) 林秀玲譯(2006)。〈文化研究,批判理論以及類型的問題-動作電影中的歷史〉,(原作Morris, M. (2002)),劉紀蕙(編),《文化的視覺系統II:日常生活與大眾文化》,頁125-149。台北,麥田出版。 房思宏(2004)。《全球化》。台北:揚智文化。 胡幼慧、姚美華(1996)。〈一些質性方法上的思考:信度與效度?如何抽樣?如何收集資料、登錄與分析?〉,胡幼慧(編),《質性研究:理論、方法及本土女性研究實例》,頁141-158。台北,巨流。 胡綺珍作、張秀敏譯(2003)。〈VCD世代或失落世代?香港VCD現象的矛盾性〉,《傳播與管理研究》,3(1): 1-13。 韋本、李尚遠譯(2002)。《帝國》。台北,商周。(原書Hardt, M. and Negri, A. (2000). Empire. Cambridge: Harvard University Press.) 徐子超譯(2001)。《BOBO族:新社會精英的崛起》。台北:遠流。(原書Brooks, D. (2000). Bobos in Paradise: The New Upper Class and How They Got There. New York: Touchstone.) 財團法人台灣網路資訊中心。(2007 年1 月)。〈九十六年度台灣寬頻網路使用狀況調查〉。上網日期:2007年11月23日,取自TWNIC-財團法人台灣網路資訊中心網頁http://www.twnic.net.tw/download/200307/96305d.zip 馮建三譯(1995)。《電視,觀眾與文化研究》。台北,遠流。(原書Morley, D. (1992). Television, Audiences and Cultural Studies. London: Routledge.) 陳光興(2006):《去帝國:亞洲作為方法》。台北,行人出版社。 陳芸芸譯(2004)。《電視的社會學分析》。台北:韋伯文化。(原書Abercrombie, N. (1996). Television and Society. U.K.: Polity Press.) 陳素秋譯(2006)。《文化社會學的實踐》。台北,韋伯文化。(原書Edles, L. D. (2002). Culture Sociology in Practice. Malden: Blackwell.) 張正霖、陳巨擘譯(2006)。《藝術社會學:精緻與通俗形式之探索》。台北:巨流。(原書Alexander, V. D. (2003). Sociology of the Arts: Exploring Fine and Popular Forms. London: Blackwell.) 張君玫譯(2001)。《文化消費與日常生活》。台北:巨流。(原書Storey, J. (1999). Cultural Consumption and Everyday Life. London: A Hodder Arnold.) 張郁蔚(2005)。〈日常生活資訊尋求模式之探討〉,《國家圖書館館刊》,94(2): 73-99。 黃博郎(2007年10月16日)。〈拼湊碎片 還原肇事現場〉,《自由時報電子報》。上網日期:2008年1月29日,取自http://www.libertytimes.com.tw/ 楊雪冬(2003)。《全球化》。台北:揚智文化。 董洪川譯(2005)。《媒介、傳播、文化—一個全球性的途徑》。北京,商務印書館。(原書Lull, J. (2000). Media, communication, culture: a global approach. New York: Columbia University Press.) 趙旭東、方文譯(2002)。《現代性與自我認同》。台北,左岸文化。(原書Giddens, A. (1991). Modernity and Self-Identity: Self and Society in the Late Modern Age. Stanford: Stanford University Press.) 蔡孟璇譯(2007)。《開機》。台北:早安財經文化。(原書Johnson, S. (2005). Everything Bad is Good for You. New York: Penguin Group.) 劉維公(2006)。《風格社會》。台北:天下雜誌。 鄭明椿譯(1993)。《解讀電視》。台北,遠流。(原書Fiske, J. and Hartley, J. (1978). Reading Television. London: Routledge.) 賴心瑩(2007年9月3日)。〈蘇建和案 重建1:1現場〉,《壹蘋果網絡:蘋果日報》。上網日期:2008年1月29日,取自http://1-apple.com.tw/apple/ 魏玓譯(2003)。《科幻電影奇航:遊走虛擬螢幕空間》。台北,書林。(原書King, G. and Krzywinska, T (2000). Science Fiction Cinema: From Outerspace to Cyberspace. London: Wallflower Press.) 羅彥傑(2007年4月13日)。〈霹靂車夥計成真/智慧自駕房車 英國亮相〉,《自由時報電子報》。上網日期:2008年1月29日,取自http://www.libertytimes.com.tw/ 蘇蘅、陳雪雲(2000):〈全球化下青少年收看本國及外國電視節目之現況及相關影響研究〉,《新聞學研究》,64: 103-138。 蘇蘅(1995):《開放天空下的文化衝擊:台灣民眾收看外國節目研究報告》。台北:電視文化研究委員會。 二、 西文部分 Abercrombie, Nicholas and Longhurst, Brian (1998). Audiences: A Sociological Theory of Performance and Imagination. London: Sage. “The reality of Reality TV in the Middle East.” (Al-Bawaba Reporters. (Mar 7, 2004). Al-Bawaba. p. 1. London: Albawaba.com.) Ang, Ien (1996). Living Room Wars: Rethinking Media Audiences for a Postmodern World. New York: Routledge. Balides, C. (2003). Immersion in the Virtual Ornament: Contemporary “Movie Ride” Films. In D. Thorburn & H. Jenkins (Eds.), Rethinking Media Change: The Aesthetics of Transition (pp. 315-336). Cambridge: The MIT Press. Banks, J. M. (2004). A Boy for All Planets: Roswell, Smallville and Teen Male Melodrama. In G. Davis and K. Dickinson (Eds.), Teen TV: Genre, Consumption and Identity (pp. 17-28). London: British Film Institute. Barker, Chris (1999). Television, Globalization and Cultural Identities. Buckingham: Open University Press. Benjamin, W. (1936/1968). The Work of Art in the Age of Mechanical Reproduction. In H. Arendt (Ed.), Illuminations: Essays and Reflections (pp. 217-251). New York: Schocken Books. Bielby, D. D., Harrington, C. L., and Bielby, W. T. (1999). Whose Stories Are They? Fans` Engagement with Soap Opera Narratives in Three Sites of Fan Activity. Journal of Broadcasting & Electronic Media, 43(1): 35-51. Bignell, Jonathan (2000). Postmodern Media Culture. Edinburgh: Edinburgh University Press. Bird, S. Elizabeth (2003). The Audience in Everyday Life. New York: Routledge. Burton, Graeme (2000). Talking Television: An Introduction to the Study of Television. London: Arnold. Davis, G. and Dickinson, K. (2004). Introduction. In G. Davis and K. Dickinson (Eds.), Teen TV: Genre, Consumption and Identity (pp. 1-13). London: British Film Institute. Friedberg, A. (2003). The Virtual Window. In D. Thorburn & H. Jenkins (Eds.), Rethinking Media Change: The Aesthetics of Transition (pp. 337-353). Cambridge: The MIT Press. Gauntlett, David and Hill Annette (1999). TV Living. London: Routledge. Giddens, Anthony (1990). The Consequences of Modernity. Stanford, Calif.: Stanford University Press. Hartley, J. (2006). Television and Globalisation: National and International Concerns. In G. Creeber (Ed.), Tele-Vision: An Introduction to Studying Television (pp. 137-152). London: British Film Institute. Hills, M. (2006). Television and Its Audience: Issues of Consumption and Reception. In G. Creeber (Ed.), Tele-Vision: An Introduction to Studying Television (pp. 93-106). London: British Film Institute. Hills, M. (2004). Dawson’s Creek: ‘Quality Teen TV’ and ‘Mainstream Cult’? In G. Davis and K. Dickinson (Eds.), Teen TV: Genre, Consumption and Identity (pp. 54-67). London: British Film Institute. Iwabuchi, K. (2000). To Globalize, Regionalize, or Localize Us, That Is the Question: Japan’s Response to Media Globalization. In G. Wang, J. Servaes and A. Goonasekera (Eds.), The New Communications Landscape: Demystifying Media Globalization (pp. 142-159). London: Routledge. Jenkins, Henry (2006). Convergence Culture. New York: New York University Press. Kim, H. M. (2005). Korean TV Dramas in Taiwan: With an Emphasis on the Localization Process. Korea Journal, 45(4): 183-205. Kompare, Derek (2005). Rerun Nation: How Repeats Invented American Television. New York: Routledge. Lemish, D. and Tidhar, C. E. (2001). How global does it get? The Teletubbies in Israel. Journal of Broadcasting & Electronic Media, 45(4): 558-574. Lotz, A. D. (2006, September 22). Rethinking Meaning Making: Watching Serial TV on DVD. Flow TV, 4(12). Retrieved September 18, 2007, from http://flowtv.org/?p=13 Luntley, Michael (1995). Reason, Truth and Self: The Postmodern Reconditioned. London; New York: Routledge. Miller, W. L. and Crabtree, B. F. (1999). Depth Interview. In B. F. Crabtree and W. L. Miller (Eds.). Doing Qualitative Research (Second Edition) (pp. 89-107). Thousand Oaks: Sage. Mittell, J. (2006). Narrative Complexity in Contemporary American Television. The Velvet Light Trap, 58: 29-40. Mittell, Jason (2004). Genre and Television. New York: Routledge. Moores, Shaun (2000). Media and Everyday Life in Modern Society. Edinburgh: Edinburgh University Press. Morley, D. (2004). At Home with Television. In L. Spigel and J. Olsson (Eds.), Television after TV: Essays on a Medium in Transition (pp. 303-323). Durham: Duke University Press. Ruddock, Andy (2007). Investigating Audiences. London: Sage. Ruddock, Andy (2001). Understanding Audiences: Theory and Method. London: Sage. Shefrin, E. (2004). Lord of the Rings, Star Wars, and Participatory Fandom: Mapping New Congruencies between the Internet and Media Entertainment Culture. Critical Studies in Media Communication, 21(3): 261-281. Straubhaar, J. D. (2000). Culture, Language and Social Class in the Globalization of Television. In G. Wang, J. Servaes and A. Goonasekera (Eds.), The New Communications Landscape: Demystifying Media Globalization (pp. 199-224). London: Routledge. Tomlinson, John (1999). Globalization and Culture. Cambridge, U.K.: Polity Press. Tulloch, John (2000). Watching Television Audiences: Cultural Theories and Methods. London: Arnold. U2. (1991). Even Better Than the Real Thing. On Achtung Baby [CD]. Dublin: Island Records. Wenger, Etienne (1998). Communities of Practice: Learning, Meaning, and Identity. Cambridge: Cambridge University Press. Zilberg, J. (1995). Yes, It`s True: Zimbabweans Love Dolly Parton. Journal of Popular Culture, 29(1): 111-125. |