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| Title: | "戲箱"：台灣與法國偶戲團的跨文化邂逅
“In Flesh and Wood”: “The Box”:The encounter between a French and a Taiwanese puppet theater companies. |
| Authors: | 杜曼笛
Dubois, Amandine |
| Contributors: | 藍美華
Lan, Mei-Hua
杜曼笛
Dubois, Amandine |
| Keywords: | 文化交流
紀錄片
布袋戲
intercultural communication and exchange
documentary film
puppet |
| Date: | 2008 |
| Issue Date: | 2009-09-11 16:19:59 (UTC+8) |
| Abstract: | Synopsis
As soon as the fingers of the French accordionist, and of the two Taiwanese harpist and pipa player start to run on their instruments the different melodies influenced by each of their culture, the audience is immersed in the multicultural atmosphere set by the collaboration between the two puppet companies.
In front of the public stands a box, reminding the traditional tool of puppeteers, but this very box is a massive one of 4 meters on 4 meters. On left and right side of it, three Taiwanese and their puppets and three French and their puppets. As they are walking around the box so as to express the distance they cross, they finally meet. Then on start a Shakespearian love story, and a friendship grows between the 6 puppeteers.
The box, fixed on a rolling structure, rotates on itself and gives each time the audience the occasion to see a new face of it, a new part of the plot, new interactions between actors, as well as new elements of each countries’ puppet tradition.
This documentary follows the thread of “The Box” from besides the coulisse’s curtains of this one year long collaboration between the French Puppet Company “Les Zonzons” with the Taiwanese “Taiyuan” Company. Following the chronology of their collaboration, traveling back and forth from Taipei to Lyon for Guignol’s 200 years birthday and back to Taipei for the Art Festival, the film will not only shows parts of the live representations and their rehearsals, but also it tries to give audience the occasion to grasp more understandings on those two old puppet’s traditions. Beyond this introduction, the film also questions the current state of both Puppet Theater and the problem of transmission of these traditions. Meantime, through relating this artistic co-realization where puppets play somehow a mediating role, a kind of ‘bridge’ of reflection, creation, communication and respect between those two companies with differences of life and lifestyle, way of thinking, environment, language, code, etc, this film evokes the issue of intercultural dialogue. As a mirror of the play it presents, and trying to get out from the usual clichés of portraits made on both culture, this non-fictional film depicts an encounter between people from these two cultures and tries to give some insights on the exchanges and the process of mutual understanding that underlie beneath.
Keywords: intercultural communication; intercultural awareness; intercultural performance; exchanges of knowledge; transmission of traditions; documentary film; non-fiction film.
－ 片名：（法文）En chair et en bois
（英文）In flesh and wood
－ 型態、規格 ： 紀錄片； DV
－ 長度：77分鐘 |
| Reference: | Film and documentary
BARNOUW, Erik, Documentary: A History of the Non-Fiction Film, New York, 1974.
BENJAMIN, Walter, Illuminations, The work of Art in the Age of Mechanical Reproduction, Schocken Books, New York, 1969, p217.
BRUZZI, Stella, New Documentary: A Critical Introduction, London: Routledge. 2000,199p.
COLLEYN, Jean-Paul, Le regard documentaire, Paris: Centre Georges Pompidou, 1993, p160.
HOCKINGS, Paul, Principles of visual anthropology, La Haye, Mouton, 1975.
JOURNOT, Marie-Thérèse, Le vocabulaire du cinéma, Coll.128,ed.Nathan Université, 2002.
MACDOUGALL, David, Beyond observational cinema, pp.109-132, in Paul Hockings, Principles of of visual anthropology, La Haye, Mouton, 1975.
MACDOUGALL, David, and TAYLOR, Lucien, Transcultural cinema, Princeton University Press, 1998, p318.
MEAD, Margaret, Visual anthropology in a discipline of words, pp.3-10, in Paul Hockings, Principles of of visual anthropology, La Haye, Mouton, 1975.
METAIS-CHASTANIER, Barbara, “l’Art” du montage chez Reza”, in “ Ce que le cinéma fait à la littérature (et réciproquement),Fabula L.H.T, ( Littérature, histoire, théorie) no2,1 décembre 2006.
METZ, Chrisian, Essais sur la signification au Cinéma, Tome 1, Paris, Klincksieck, 1968.
NICHOLS, Bill, Introduction to Documentary, Bloomington and Indianapolis: Indiana University Press, 2001, p223.
RENOV, Michael, Toward a Poetics of Documentary, in Theorizing Documentary, London and New York, Routledge, 1983, p12.
ROSENTHAL, Alan- New Challenges for Documentary. – Berkeley and Los Angeles: University of California Press, 1988.
http://www.fabula.org/lht/2/Metais.html
http://leportique.revues.org/document307.html
Puppet Theater
BEAUCHAMP, Hélène, La marionette, conscience critique et laboratoire de théâtre, usages théoriques et sceniques de la marionette entre les années 1890 et les années 1930 (Belgique, Espagne, France), thèse de doctorat, Université Paris 4, Sorbonne, 2007.
VON KLEIST, Heinrich, Sur le théâtre de marionnettes, Berliner Abendblatter, 1810, Trans. Pierre Deshusses Gallimard, 1999:
http://www.theatre-contemporrain.net/art/art.html
Intercultural issues
SAUQUET, Michel, L’intelligence de l’autre: prendre en compte les differences culturelles dans un monde à gérer en commun, Paris, Editions Charles Leopold Mayer, 2007,p331.
VERHELST,Thierry, Cultures entre elles: dynamiques ou dynamite? Vivre en paix dans un monde de diversité, Paris, Editions Charles Léopold Mayer, 1994,p354.
SIZOO, Edith, Ce que les mots ne disent pas. Quelques pistes pour réduire les malentendus interculturels, Paris, Editions Charles Léopold Mayer, 2000,p106. |
| Description: | 碩士
國立政治大學
新聞研究所
94451029
97 |
| Source URI: | http://thesis.lib.nccu.edu.tw/record/#G0094451029 |
| Data Type: | thesis |
| Appears in Collections: | [新聞學系] 學位論文
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