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Title:	Ti West 的創作視角：以《X》三部曲為例 Ti West's Creative Perspective: A Case Study of the X Trilogy
Authors:	林子婷 Lin, Tzu-Ting
Contributors:	陳儒修 Chen, Ru-Shou 林子婷 Lin, Tzu-Ting
Keywords:	恐怖電影作者論 Ti West 《X》三部曲後現代敘事策略 Horror Films Auteurism Ti West X Trilogy Post-modern Aesthetics
Date:	2025
Issue Date:	2025-09-01 14:25:55 (UTC+8)
Abstract:	美國導演Ti West所執導的《X》（X，2022）、《血色珍珠》（Pearl，2022）與《血腥瑪辛》（MaXXXine，2024）被稱作「《X》三部曲（X Trilogy）」。他透過對於不同類型電影的拼貼、諧仿與文本互涉，並採用後設電影的技巧──在電影中拍電影──來講述有關電影工藝、衰老與欲望的故事。《X》模仿1970年代砍殺電影的視覺風格，利用恐怖電影的敘事手法講述色情電影產業在歷史中的位置以及對於衰老的恐懼；《血色珍珠》則是使用特藝彩色技術，參考1950年代家庭喜劇的視覺風格，以黑色童話的方式呈現劇情上的壓抑、血腥與暴力；《血腥瑪辛》融合多種類型電影風格，展現出1980年代洛杉磯的社會陰暗面，描繪當時好萊塢電影產業的樣態。本研究旨在檢視Ti West的《X》三部曲，探究其作品中的後現代敘事策略，在這些被拼貼、諧仿的類型經典電影中，找出與《X》三部曲的文本互涉關聯。透過對三部電影之中的類型電影符號分析，探究其中所建構的時代背景脈絡、電影產業的歷史以及社會意識形態，從中梳理Ti West的作者視角、觀點以及詮釋方式。在作者論與結構主義的混合性觀點基礎上，處理Ti West《X》三部曲的創作視角。 The X Trilogy—comprising X (2022), Pearl (2022), and MaXXXine (2024)—is a series of American horror films directed by Ti West. Through the use of pastiche, parody, and intertextual references to various cinematic traditions, Ti West adopts strategies of metacinema—films about the making of films—to explore themes of cinematic craft, aging, and desire. X imitates the visual style of 1970s slasher films, using horror genre conventions to address the historical marginalization of the pornography industry and the cultural fear of aging. Pearl, by contrast, adopts the saturated Technicolor aesthetic reminiscent of 1950s family melodramas, presenting repression, gore, and violence through a dark fairy-tale lens. MaXXXine synthesizes multiple genre film styles to portray the shadowy underside of 1980s Los Angeles, while critically examining the workings of the Hollywood film industry. This study aims to investigate the postmodern narrative strategies employed in Ti West’s X Trilogy, particularly by analyzing how each film engages in intertextual dialogue with genre cinema. Through a close reading of genre-specific symbols across the trilogy, the research seeks to uncover how Ti West constructs historical contexts, reflects on film industry practices, and comments on prevailing ideological structures. Situated at the intersection of auteur theory and structuralist film analysis, this project explores Ti West’s authorial perspective and interpretive approach, tracing how his trilogy reconfigures genre conventions within a reflexive cinematic framework.
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Description:	碩士國立政治大學傳播學院傳播碩士學位學程 110464020
Source URI:	http://thesis.lib.nccu.edu.tw/record/#G0110464020
Data Type:	thesis
Appears in Collections:	[Master`s Program in Communication] Theses

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