Loading...
|
Please use this identifier to cite or link to this item:
https://nccur.lib.nccu.edu.tw/handle/140.119/156042
|
| Title: | 從敘事理論分析戀愛實境秀文本：以《單身即地獄》為例
Analyzing Romantic Stories in Dating Reality Shows through Narrative Theory: A Case Study of Single's Inferno |
| Authors: | 曾文蕙
Tseng, Wen-Hui |
| Contributors: | 許瓊文
關尚仁
曾文蕙
Tseng, Wen-Hui |
| Keywords: | 敘事理論
實境秀
戀愛實境秀
Narrative Theory
Reality television
Dating reality shows |
| Date: | 2023 |
| Issue Date: | 2025-03-03 14:49:05 (UTC+8) |
| Abstract: | 以「真實性」作為賣點、「戀愛」作為主題的戀愛實境秀近年來蓬勃發展，然而台灣對戀愛實境秀的學術探討仍不多，戀愛實境秀的敘事方式又有什麼特別之處？本研究以敘事理論進行梳理，以 Greimas的行動元模型作為分析框架，分析戲劇元素中的「人物」，以Chatman提出的敘事功能做為主要分析「情節」的框架，同時以亞里斯多德《詩學》引發觀眾情緒動因的情節、Sternberg的敘事功能分析「情節」，並參考過往戀愛實境秀的文獻分析「場面」，以文本分析法分析三個類目，試圖彙整出戀愛實境秀敘事方法，找出戀愛實境秀具有吸引力的原因。
本研究將韓國知名戀愛實境秀《單身即地獄》第一季節目文本作為案例分析。研究發現如下：（1）戀愛實境秀不僅跟戲劇一樣提供帥哥美女的角色，又賦予人物多元設定，讓觀眾容易自我投射到角色；（2）主持人扮演節目組與閱聽眾的橋樑，不僅引導觀眾的觀看視角，點出角色間的浪漫互動，塑造心動的刺激感，還成為了觀眾的投射角色；（3）戀愛實境秀透過核心事件設計，引發觀眾情感投射，其塑造的浪漫心動氛圍，能滿足觀眾對愛情的憧憬與想像；（4）節目運用懸念、好奇與驚喜的敘事手法，創造引人入勝的情節設計，讓觀眾必須持續觀看，創造節目吸引力。本研究結果提供了戀愛實境秀的敘事方法，希望能為未來實境秀研究提供基礎。
In recent years, dating reality shows emphasizing "authenticity" as their selling point and "romance" as their core theme has experienced significant growth. However, academic studies on dating reality shows in Taiwan remain limited. This study analyzes dating reality shows from Narrative Theory. Drawing on Greimas's actantial model as a framework for examining dramatic elements—specifically "characters"—and adopting Chatman's narrative functions to analyze "plot," the study further incorporates insights from Aristotle's Poetics on affective triggers within narratives, as well as Sternberg's functional theory of narrative analysis. In addition, previous literature on dating reality shows is referenced for scene analysis. A textual analysis of character, plot, and scene explores dating reality shows' narrative strategies and attractivity.
The analysis focuses on the first season of the well-known Korean dating reality show Single’s Inferno as a case study. The findings suggest that: (1) Dating reality shows not only provide attractive characters similar to those in scripted dramas but also offer diverse character settings that facilitate audience self-projection; (2) Hosts act as a vital link between the production team and the audience, skillfully guiding viewing perspectives, highlighting the romantic interactions between participants, and fostering a sense of excitement and anticipation, and serving as viewer surrogates; (3) The design of core events in these shows offers multiple forms of stimulation that, unlike traditional hero-versus-villain dynamics, emphasize the excitement of romance and cater to viewers’ aspirations and imaginations about love; and (4) Narrative techniques employing suspense, curiosity, and surprise help create compelling plot designs that encourage sustained audience engagement. The study's findings provide a preliminary framework for understanding the narrative strategies of dating reality shows. They may serve as a foundation for future research in reality television. |
| Reference: | 一、中文書目
王友輝（2019）。〈立體書「場面」研究－以《西遊記》相關作品為例〉，《竹蜻蜓．兒少文學與文化》，5，51-114。
吳泓渺譯（1999）。《結構語義學：方法研究》。生活．讀書．新知 三聯書店。（原書Greimas, A. J. [1983] Structural semantics: an attempt at a method. University of Nebraska Press.）。
吳紅雨（2012）。〈愛情的想像-中國熱播愛情劇的文本演變與受眾的解讀偏好〉，《傳播與社會學刊》，19，105-140。
李怡穎（2021）。《婚姻中的性別角色：已婚閱聽人對治癒型節目《妻子的浪漫旅行》之接收分析》。臺灣師範大學教育學院社會教育學系碩士論文。
李素月、陳延昇（2015）。〈偶像劇中愛情與性別角色的再現與迷思：以台灣偶像劇的男女主角互動為例〉，《中華傳播學刊》，28，157-196。
林欣誼（2008）。《共構生存與成功的敘事：從語藝觀點看實境節目『誰是接班人』的故事敘說》。世新大學口語傳播學系碩士論文。
林璐（2020），《明星的日常企劃：韓國觀察類真人秀的創造力與社會對話》，臺灣師範大學大眾傳播研究所碩士論文。
施百俊（2016）。《故事與劇本寫作 : 文創、電影、電視、動漫、遊戲》。五南。
洪禎璐（2006）。《日式純愛情：解構日本純愛劇之愛情敘事公式、特色與心理原型意涵》。臺灣藝術大學應用媒體藝術研究所碩士論文。
夏春祥（1997）。〈文本分析與傳播研究〉，《新聞學研究》，54，141-166。
高淑清（2008）。《質性研究的18堂課－首航初探之旅》。麗文文化。
張卿卿、陶振超（2022）。《臺灣傳播調查資料庫第二期第五次（2021年）調查：新傳播科技與人際延伸》。中央研究院臺灣傳播調查資料庫。https://doi.org/10.6141/TW-SRDA-D00224_1-1 。
張榮富（2006）。〈年齡對擇偶年齡與身高偏好門檻的影響〉，《中華心理學刊》，48(3)，275-289。
章馨文（2019）。《真實與想像視界：以 Instagram 社群媒介互動初探韓國真人秀《新西遊記》之媒介景觀》。淡江大學大眾傳播學系碩士班碩士論文。
莊克仁（2014）。《圖解電視節目編導》。五南。
莊幃婷（2011）。《「偶像假結婚」作為理想浪漫婚姻典範？—韓國實境綜藝節目《我們結婚了》之台灣女性閱聽人分析》。臺灣師範大學大眾傳播研究所碩士論文。
許如婷（2014）。〈台灣閱聽眾之實境／真人秀《Running Man》節目觀看的「迷」身份實踐〉，《國際文化研究》，10(1)，25-55。
許瀞文（2007）。〈解讀偶像劇中的愛情文本公式〉，《網路社會學通訊》，61。2022年10月18日取自：http://www.nhu.edu.tw/~society/e-j/61/61_09.htm
陳中梅譯（2001）。《詩學》。臺灣商務。（原書 Aristotle. [n.d.] The Poetics.）
陳書梅（2014）。〈愛情小說之情緒療癒效用研究－以遭遇感情困擾的大學生為例〉，《圖書資訊學刊》，12(2)，39-79。
陳聖薇譯（2016）。《韓國影視講義》。大家。（原書 鄭淑 [2016]. 《방송 콘텐츠 스토리텔링》）
陳鈺盈（2022）。《《心動的信號》：型塑浪漫愛情指南的中國素人戀愛觀察類真人秀節目》。臺灣師範大學大眾傳播研究所碩士論文。
陳麓舟、陳重任（2009）。〈以戲劇之「悲劇美學」看電影《投名狀》劇情表現〉，《美容科技學刊》，6(2)，129-146。
游美惠（2000）。〈內容分析、文本分析與論述分析在社會研究的運用〉，《調查研究》，8，5-42。
游起鳳（2017年12月）。〈從影視作品《絕命毒師》第一季劇中戲劇情節的衝突性來討論主要角色所面臨的人生危機〉。載於《2017跨界對談12－表演藝術研究學術研討會論文集》（頁193-215）。國立臺灣藝術大學表演藝術學院表演藝術研究所。
黃怡潔（2011）。《置入性行銷、休閒涉入與依附影響關係之研究-以韓劇為例》。國立高雄餐旅大學碩士論文。
黃閔慧（2016）。《韓國真人實境節目《超人回來了》之台灣閱聽人解讀分析》。政治大學新聞學系碩士論文。
楊喬如（2016）。《臺灣言情小說之敘述模式與文化生產－－以喬軒為例》。清華大學臺灣研究教師在職進修碩士學位班碩士論文。
熊睦群（2002）。〈亞里斯多德「詩學」於影視編劇之應用〉，《復興崗學報》，75，251-274。
趙庭輝（2006）。〈偶像劇《流星花園》的文本分析：青少年次文化的建構與再現〉，《藝術學報》，78，101-123。
劉伊倩（2005）。《韓劇閱聽人研究－以台北女性為例》。臺灣大學新聞學研究所碩士論文。
劉效鵬（2010）。《亞里斯多德詩學論述》。秀威資訊科技。
蕭秀琴譯（2016）。《跟莎士比亞學創作：連好萊塢金牌編劇都搶著學的20個說故事密技》。商周。（原書 J.M. Evenson. [2013]. Shakespeare for screenwriters: Timeless writing tips from the master of drama. Labuan, Malaysia: Big apple agency. Labuan, Malaysia: Big apple agency.）
賴盈心（2020）。《真人實境秀節目之收視動機與行為研究 ─以韓國節目《一日三餐》為例》。臺灣藝術大學廣播電視學系碩士論文。 取自https://hdl.handle.net/11296/437984
簡妙如（2008a）。〈全球化的“更真實”狂熱：真人實境節目的心理技術〉，《新聞學研究》，94，1-60。
簡妙如（2008b）。〈觀看與被觀看：台灣真人秀的慾望監控、螢幕機體與偽裝後現代〉，《廣播與電視》，28，95-124。
闕奕婷（2008）。《華文社群之「韓劇迷」解讀型態研究－以《我叫金三順》一劇為例》。元智大學資訊傳播學系碩士班碩士論文。
魏家瑜（2013）。《從收視到行動：女性偶像劇迷觀看偶像劇對親密關係之經驗詮釋》。臺北教育大學教育學院心理與諮商學系碩士論文。
蘇文賢、江吟梓譯（2018）。《洞悉媒體：教學視野的精闢分析》。學富文化。（原書 Berger, A. A. [1991] Media analysis techniques, Sage Publications）
蘇俐雯（2019）。《臺灣偶像劇中熟齡單身角色形象再現 （2009-2018）》。臺灣藝術大學廣播電視學系碩士班碩士論文。
二、英文書目
Albertini, B. (2003). So wrong it’s right: The guilty pleasures of reality television. Iris: A Journal About Women, (47), 12-18.
An, J. (2022). K-Drama 2.0: Updating tropes with intertextuality and cinematic visuals in Crash Landing on You. Journal of Japanese & Korean Cinema, 14(2), 131–147.
Andrejevic, M. (2004). Reality TV: The work of being watched. Rowman & Littlefield.
Angell, K. (2023). The ever-beating heart: Constructions of femininity and centrality in south Korean dramas [Senior Honors Thesis]. University of North Carolina at Chapel Hill.
Aqeel, M., Waqar, S., Naseer, K., Noor, H., & Mustafa, G. (2023). Critical analysis and character narration of snow white under Propp’s model. Jahan-e-Tahqeeq, 6(4), 645-666.
Barthes, R. (1977/1988). Image, music, text (Heath, S., Trans.). The Noonday Press.
Boateng, J. (2023). The perception of intimacy: Are dating reality tv shows affecting relationships? Canadian Journal of Family and Youth, 15(2), 33-43.
Bojovic, B. (2012). Reality show and rhetoric. International Journal of Scholarly Papers for Media and Society Research, 14(3), 89-96.
Booth, W. C. (1983). The Rhetoric of Fiction. University of Chicago Press.
Bremond, C. (1966/1980). The Logic of Narrative Possibilities (Elaine, D., Trans.). New Literary History, 11(3), 387-411.
Chang, C. (2024). Enjoyment of love-related dramas and the implications of perspective taking. Communication Research, 1-30.
Chatman, S. B. (1978). Story and discourse: Narrative structure in fiction and film. Cornell University Press.
Chatman, S. B. (1990). Coming to terms: The rhetoric of narrative in fiction and film. Cornell University Press.
Chen, S. (2016). Disciplining desiring subjects through the remodeling of masculinity. Modern China, 43(1), 95–120.
Chu, D. (2020). An (un) romantic journey: Authentic performance in a Chinese dating show. Global Media and China, 5(1), 40-54.
Cong, Z., Hong, Y., Liu, X., & Zhang, Z. (2021, December). The “de-celebrity” trend of the Chinese reality show industry from the perspective of the main audience. In 2021 4th International Conference on Humanities Education and Social Sciences (ICHESS 2021) (pp. 923-928). Atlantis Press.
Dowd, J. J., & Pallotta, N. R. (2000). The end of romance: The demystification of love in the postmodern age. Sociological Perspectives, 43(4), 549-580.
Dubrofsky, R. E. (2007). Therapeutics of the self: Surveillance in the service of the therapeutic. Television & New Media, 8(4), 263-284.
Dunn, R. E., & Goldman, M. (1966). Competition and noncompetition in relationship to satisfaction and feelings toward owngroup and nongroup members. The Journal of Social Psychology, 68, 299-311.
Farias, C., Seremani, T., & Fernández, P.D. (2021). Popular culture, moral narratives and organizational portrayals: A multimodal reflexive analysis of a reality television show. Journal of Business Ethics, 171, 211–226.
Folayan, B. J., Ajibade, O., Dipo-Adedoyin, O., Onayinka, T. S., & Folayan, T. T. (2021). The big brother naija tv reality show as coordinate of media functions and dysfunctions. Journal of Social Science Research, 17, 61-72.
Fox, R. (2013). "You are not allowed to talk about production": Narratization on (and off) the set of CBS's Big Brother. Critical Studies in Media Communication, 30(3), 189-208.
Glebatis, L. M. (2007). “Real” love myths and magnified media effects of The Bachelorette, Critical Thinking About Sex, Love, and Romance in the Mass Media (pp. 275-288). Routledge.
Greimas, A. J. (1983). Structural semantics: an attempt at a method / by A.-J. Greimas ; translated by Daniele McDowell, Ronald Schleifer, and Alan Velie ; with an introduction by Ronald Schleifer. University of Nebraska Press.
Jiang, C. (2023). Film and television communication in the new media era: Content innovation in the age of short videos. Highlights in Art and Design, 4(3), 164-167.
Johnson, K. R., & Holmes, B. M. (2009). Contradictory messages: A content analysis of Hollywood-produced romantic comedy feature films. Communication Quarterly, 57(3), 352-373.
Ju, H. (2019). Korean TV drama viewership on Netflix: Transcultural affection, romance, and identities. Journal of International and Intercultural Communication, 13(1), 32-48.
Keating, P. (2013). Narrative dynamics in the competitive reality show. Storyworlds: A Journal of Narrative Studies, 5(1), 55–75.
Kenasri, P. A., & Sadasri, L. M. (2021). Romanticized abusive behavior by media narrative analysis on portrayal of intimate partner violence romanticism in Korean drama. Humaniora, 33(3), 202-211.
Kilborn, R. (1994). ‘How real can you get?’: Recent developments in ‘reality' television. European Journal of Communication, 9(4), 421-439.
Kilger, M. (2023). Psychologizing childhood in the reality show Biggest Loser temporal ordering and narrating a fat identity. Narrative Inquiry, 33(1), 91-111.
Labov, W. (1972). Language in the inner city: Studies in the black English vernacular. University of Pennsylvania Press.
Labov, W. (2013). The language of life and death : The transformation of experience in oral narrative. Cambridge University Press.
Labov, W., & Waletsky, J. (1967). Narrative analysis: Oral versions of personal experience. In J. Helm (Ed.), Essays on the verbal and visual arts (pp. 12-44). University of Washington Press.
Luo, W., & Sun, Z. (2015). Are you the one? China's TV dating shows and the Sheng Nü's predicament. Feminist Media Studies, 15(2), 239-256.
Magliano, J. P., Taylor, H. A., & Kim, H.-J. J. (2005). When goals collide: Monitoring the goals of multiple characters. Memory & Cognition, 33(8), 1357–1367.
Mayagita, A. (2021). The role of tv reality show in contributing to changes in people's behaviour: A phenomenological approach. Technium Soc. Sci. J., 24, 208.
McAlpine, L. (2016). Why might you use narrative methodology? A story about narrative. Eesti Haridusteaduste Ajakiri. Estonian Journal of Education, 4(1), 32-57.
McClanahan, A. M. (2007). “Must marry TV”: The role of heterosexual imaginary in The Bachelor, Critical thinking about sex, love, and romance in the mass media (pp. 261-274). Routledge.
Moore, M. M. & Ophir, Y. (2023). Predicting romantic comedy success from content. International Journal of Communication, 17, 22.
Nurjanah, H., & Shofa, A. H. (2023). A morphological reading of JK Rowling’s novels using Propp’s narrative theory. Journal of Language and Literature, 1(1), 25-31.
Peek, H. S., & Beresin, E. (2016, February). Reality check: How reality television can affect youth and how a media literacy curriculum can help. Academic Psychiatry, 40(1), 177-181.
Propp, V. (1968). Publications of the American folklore society: Morphology of the folktale (2nd ed.). University of Texas Press.
Pujiastuti, D. S. (2016). Illocutionary act of participant’s speech on blind dating reality show [Doctoral dissertation]. Universitas Negeri Islam Maulana Malik Ibrahim.
Radway, J. A. (1983). Women read the romance: The interaction of text and context. Feminist Studies, 9(1), 53–78.
Reiss, S., & Wiltz, J. (2004). Why people watch reality TV. Media Psychology, 6(4), 363 Nabi, R. L., Biely, E. N., Morgan, S. J., & Stitt, C. R. (2003). Reality-based television programming and the psychology of its appeal. Media Psychology, 5, 303–330.-378.
Rusdianti, A. (2019). Comparative study: Characters and characterization in twilight movie, twilight movie script, Dascandants of The Sun drama, and Descendants of The Sun drama script [Doctoral dissertation]. UIN Sunan Gunung Djati Bandung.
Sternberg, M. (1992). Telling in time (II): Chronology, teleology, narrativity. Poetics Today, 13(3), 463-541.
Syvertsen, T. (2001). Ordinary people in extraordinary circumstances: A study of participants in television dating games. Media, Culture & Society, 23(3), 319–337.
Todorov, T. (1969). Grammar of narrative. Mouton.
Tropiano, S. (2009). Playing it straight: Reality dating shows and the construction of heterosexuality. Journal of Popular Film and Television, 37, 60-69.
Wang, N., & Xiang, J. (2022, February). Research on the creative techniques of “reality show” TV Programs. In 2021 Conference on Art and Design: Inheritance and Innovation (ADII 2021) (pp. 306-310). Atlantis Press.
Zhang, S. (2023, September). Analyzation of the Chinese dating show love actually using social penetration theory. In 2023 9th International Conference on Humanities and Social Science Research (ICHSSR 2023) (pp. 109-114). Atlantis Press.
三、中文線上資料
林保宏（2013年5月10日）。〈真相好殘酷／演藝圈「素人」當道 一切都是包裝出來？〉，《今日新聞NOWnews》。取自https://tw.yahoo.com/news/%E7%9C%9F%E7%9B%B8%E5%A5%BD%E6%AE%98%E9%85%B7-%E6%BC%94%E8%97%9D%E5%9C%88-%E7%B4%A0%E4%BA%BA-%E7%95%B6%E9%81%93-%E5%88%87%E9%83%BD%E6%98%AF%E5%8C%85%E8%A3%9D%E5%87%BA%E4%BE%86-013233373.html
自由時報即時新聞（2022年1月20日）。〈宋智雅業配價碼有多高？ 1篇文驚人費用遭起底「比巨星還過分」〉，《自由時報》。取自https://ent.ltn.com.tw/news/breakingnews/3807271
劉盈玓（2022年8月3日）。〈交換伴侶、盲眼相親，戀愛實境秀為何讓人「慾罷不能」？〉，《天下雜誌》。取自https://www.cw.com.tw/article/5122234?template=fashion
四、英文線上資料
Flixpatrol (2022). TOP 10 on Netflix in Taiwan in 2022. Retrieved December 20, 2022, https://flixpatrol.com/top10/netflix/taiwan/2022/ |
| Description: | 碩士
國立政治大學
傳播學院傳播碩士學位學程
109464009 |
| Source URI: | http://thesis.lib.nccu.edu.tw/record/#G0109464009 |
| Data Type: | thesis |
| Appears in Collections: | [傳播學院傳播碩士學位學程] 學位論文
|
Files in This Item:
| File |
Size | Format | |
|---|
| 400901.pdf | 1677Kb | Adobe PDF | 0 | View/Open |
|
All items in 政大典藏 are protected by copyright, with all rights reserved.
|
