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    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/151178


    Title: 鏡喻：《文心雕龍》「知音」批評觀新探
    Mirror Metaphor: A New Exploration of the Critical View of “The One Who Knows the Tone” in The Literary Mind and the Carving of Dragons
    Authors: 錢瑋東
    Chin, Wai-tong
    Contributors: 中文系
    Keywords: 文心雕龍;知音;鏡喻;味喻;六觀
    The Literary Mind and the Carving of Dragons;The One Who Knows the Tone;Mirror metaphor;Taste metaphor;Six views
    Date: 2023-03
    Issue Date: 2024-05-24 10:34:01 (UTC+8)
    Abstract: 《文心雕龍‧知音》有一饒富趣味的現象：有別於同書它篇多以「味」字喻示讀者對作品的賞玩,劉勰在該篇反覆以「鑒」、「照」等字詞指涉閱讀行為和審美活動。結合篇中「照辭如鏡」一語,本文將此種表述方式概括為「鏡喻」。〈知音〉全然不用慣常的「味喻」而改用「鏡喻」,從「概念譬喻」的認知理論視之,這現象關乎劉勰如何言說文學鑒賞或批評行為的問題,其背後隱現的則是劉勰的批評觀。本文論述即由此展開,首先釐析「味喻」和「鏡喻」在《文心雕龍》的定位,在檢討學界過度強調其「味喻」意義的同時,顯明「鏡喻」對詮釋劉勰「知音」批評觀的適用性;繼則落實到〈知音〉篇的討論,勘察劉勰於此篇中單用「鏡喻」的緣故,以及其所透顯的文學批評立場;進而在這基礎上聯繫「知音」之喻,反思學界聚訟已久的「六觀」批評方法與「知音」批評觀念之矛盾情形,冀能藉「鏡喻」所寓示的主體解蔽開顯工夫之視角釐清其間糾葛,以重新探究劉勰的知音論。
    Relation: 澳門科技大學學報, Vol.17, No.1, pp.1-30
    Data Type: article
    DOI link: https://doi.org/10.58664/mustjournal.2023.03.001
    DOI: 10.58664/mustjournal.2023.03.001
    Appears in Collections:[Department of Chinese Literature] Periodical Articles

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