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    Title: 桌遊劇本殺《山河明月》之創作論述及沈浸感研究
    The Writer’s Note on the Script of Murder Mistery Game “The Imperial Age” and It’s Immersion Study
    Authors: 尹相琨
    Yin, Xiang-kun
    Contributors: 王亞維
    Wang, Yae-Wei
    尹相琨
    Yin, Xiang-kun
    Keywords: 劇本殺
    沈浸互動
    代入感
    Illusion of presence
    Script-based murder mystery game
    Immersion
    Date: 2023
    Issue Date: 2023-08-02 14:09:08 (UTC+8)
    Abstract: 本文為研究者自撰《山河明月》這一三男三女古風情感沈浸沈浸式戲劇遊戲作品並以創作者的角度探究影響劇本殺文本代入感的因素和劇本殺遊戲的沈浸互動方式,試圖為寫作者提供優質的劇本殺作品的創作理論。
    本文包含創作論述、劇本創作和沈浸感測量三個部分。創作論述是劇本創作的基礎,包含故事的創作動機、主題和類型調查、理論探討等。作品完成後,採用了結構式訪談和問卷調查分別對創作文本及沈浸程度進行了測量,並從回饋和反思中嘗試建立劇本殺創作理論的基礎。
    This article delves into the factors that influence the immersion experienced by players in a script-based murder mystery game, from the perspective of the game writer/creator. Its primary objective is to offer theoretical guidance to creators in crafting high-quality script-based murder mystery works. The article is divided into three main sections: creator’s notes/guidance, script creation, and immersion measurement. Guidance could form the basis for script creation, encompassing aspects such as the motivation behind story development, exploration of themes and genres, and theoretical discussions. Subsequently, structured interviews and questionnaire surveys were conducted to assess the immersion and creative aspects of script-based murder mysteries, providing valuable insights and reflections that contribute to the development of a foundation for script-based murder mystery creation theory.
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    四、報刊
    阿 之(2019),〈從觀看變成互動,被顛覆的戲劇形式是未來趨勢嗎〉,《文學報》,2019-12-26(022)
    五、參考影片、劇本殺作品(按照發行時間排序)
    (一)電視劇
    《如懿傳》(2018)中國大陸
    《東宮》(2019)中國大陸
    (二)劇本殺
    《刀鞘》(2019)。深圳:老玉米聯合工作室
    《成化十四年之暮雨灑江天》(2019)。昆明:桌立方工作室
    《捨離》(2019)。昆明:桌立方工作室
    《鳶飛戾天》(2019)。杭州:慢熱TUO劇本工作室
    《白衣傾城》(2020)。西安:樹人工作室
    《歡迎來到萬事屋》(2020)。西安:西安蛛絲馬跡工作室
    《金陵有座東君書院》(2020),南京:黑羽毛工作室&larp原創工作室
    《第二十二條校規》(2020)。西安:戲精大偵探工作室
    《陰緣》(2020)。貴陽:葵花工作室
    《你好》(2020)。貴陽:劇魚工作室$夢墨發行工作室
    《七月十三日》(2020)。北京:灰燼工作室
    《就像水消失在水中》(2020)。杭州:麻心湯圓工作室
    《挾劍驚風》(2021)。成都:青門引工作室
    《破曉》(2021)。成都:青門引工作室
    《雲使》(2021)。杭州:慢熱TUO劇本工作室
    《日日是好日》(2021)。西安:西安蛛絲馬跡工作室
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    Description: 碩士
    國立政治大學
    傳播學院傳播碩士學位學程
    108464066
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G0108464066
    Data Type: thesis
    Appears in Collections:[傳播學院傳播碩士學位學程] 學位論文

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