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| Title: | 描繪白色恐怖的台灣電影：從《悲情城市》到《幸福路上》
Portraying White Terror in Taiwan Cinema Through the Decades: Marching away from Sadness City to Happiness Road |
| Authors: | 楊雅雯
Van, Duong Nha |
| Contributors: | 陳儒修
Robert Chen
楊雅雯
Duong Nha Van |
| Keywords: | 悲情城市
超級大國民
幸福路上
白色恐怖
本土化
台灣意識
A City of Sadness
Super Citizen Ko
On Happiness Road
White Terror
Taiwanization
Taiwanese consciousness |
| Date: | 2023 |
| Issue Date: | 2023-07-06 15:19:46 (UTC+8) |
| Abstract: | 自從蔣經國總統宣布解除戒嚴以來已經過了六十多年，但白色恐怖仍然是台灣史上最重要的時期之一。當島嶼開始踏上尋找自我認同並尋求國際認可之旅時，白色恐怖也更加重要，因為這證明只有像台灣這種民主自由國家才能克服最黑暗的一段歷史。這個觀念也延伸到電影界，白色恐怖仍然是許多電影製作者的靈感來源。
根據白色恐怖對於台灣電影的重要性，本研究將探討三部不同年代的電影，包括《悲情城市》（1989年），《超級大國民》（1995年）和《幸福路上》（2017年），來探究白色恐怖在電影中的呈現方式。研究將論證每部電影中持續而獨特的白色恐怖議題，對於建構台灣意識有怎麼樣重大的貢獻，而這也是本土化的重要建構過程之一。本研究將定位為文化研究，採用符號學和文本分析兩種主要方法。透過此研究，將經典和當代電影連起來，進行比較分析，提供對於台灣電影中白色恐怖的描繪，以及對本土化與台灣意識的影響。
More than six decades have passed since former president Chiang Ching-kuo declared the lifting of martial law, yet White Terror continues as one of the most important historical periods in Taiwanese history. As the island embarks on a journey to define its own identity and seek for international recognition, White Terror becomes even more essential of a topic than ever because it is a solid proof that only a democratic, free nation like Taiwan can embrace one of the darkest, if not the darkest, past sufferings. This idea also expands to the film industry, where White Terror persists to be an inspiration for generations of filmmakers.
Given the importance of White Terror in Taiwan cinema, this study will be examining the representation of White Terror in three different films from three distinct decades, including A City of Sadness (悲情城市, 1989), Super Citizen Ko (超級大國民, 1995) and On Happiness Road (幸福路上, 2017). From then, it argues that the persistent yet distinctive presence of White Terror in each film contributes to the building of Taiwanese consciousness, which is also one of the crucial constructs in the Taiwanization movement (本土化). In order to achieve the proposed objectives, this study identifies itself as a cultural studies project and adopts two primary methodologies including semiotics and textual analysis. In doing so, this research connects the classic and the contemporary films to create a comparative study that provides an outlook into the portrayals of White Terror in Taiwan cinema and its future prospects as a part of Taiwanization. |
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| Description: | 碩士
國立政治大學
國際傳播英語碩士學位學程(IMICS)
109461023 |
| Source URI: | http://thesis.lib.nccu.edu.tw/record/#G0109461023 |
| Data Type: | thesis |
| Appears in Collections: | [國際傳播英語碩士學程] 學位論文
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