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| Title: | 現場獨立搖滾樂迷新部落：音樂、身體與情感的集體性
Live Indie Rock Fans as Neotribes: Collectivity of Music, the Body and Affect |
| Authors: | 林益睿
Lin, Yi-Rui |
| Contributors: | 高國魁
林益睿
Lin, Yi-Rui |
| Keywords: | 獨立搖滾
音樂場景
樂迷
新部落
集體性
另類陽剛性
Indie rock
Music scene
Fans
Neo-tribes
Collectivity
Alternative masculinity |
| Date: | 2023 |
| Issue Date: | 2023-04-06 18:05:00 (UTC+8) |
| Abstract: | 本文旨在構築一幅獨立搖滾樂迷的集體面貌，不透過預先分類法的定義來確立獨立搖滾樂迷的屬性，而是藉由「此時此地」的場景參與及互動，刻畫獨立搖滾樂迷的特殊文化定位。
分析與討論上，本文圍繞在個人／集體、差異／同一的二元框架，然而研究目標不在於確立獨立搖滾樂迷究竟傾向何者，而是呈現樂迷在場景中既有意識地表達個體意識，也受到集體共鳴的吸引，尋求社群連帶的歸屬感。本文納入多元性別的探討視角，透過非二元性別的群體認同來理解獨立搖滾文化如何在差異與同一之間產生衝突政治，甚至發展出獨特的性別詮釋。
本文將音樂、身體、情感納入分析要素，指出獨立搖滾樂迷的集體性有賴於難以控制的場景體驗品質。這些感受時而增強集體認同，時而限縮對於不同場景、群體的偏好。研究者進一步應用新部落理論佐證獨立搖滾樂迷的特殊集體性，並且反過來從該社群現象對新部落概念提出問題。最後，本文與其說是在「獨立搖滾樂迷是什麼」上作出回答，不如說研究者力圖解釋「是什麼形成了獨立搖滾樂迷的認同」。
This research aims to build a collective profile of indie rock fans. Instead of assigning a categorical definition to the attributes of indie rock fans, the research focuses on the musical scene of “here-and-now” to portray a participatory and interactive culture of indie rock fans.
The thesis revolves around a framework of two binary structures, that is, “individual/collective” and “difference/identity” to analyze empirical phenomana. We seek to argue that indie rock fans consciously express their individuality while looking for a sense of belonging to communal solidarity at the same time as they are attracted to collective resonance. Therefore, we found that indie rock fans do not fall into any side in the binary structure. Besides, the thesis incorporates a perspective of gender diversity into the analysis. By observing the practices of music fans bending the binary gender culture, we could better understand how a politics of conflicts results from the dynamic of difference and identity within the subculture of indie rock. Furthermore, we might even develop a novel conception of gender diversity from these conflicts.
By bringing elements of music, the body and affect into the analysis, this research proposes that the collective nature of indie rock fans is manifested in the experiential quality of music scenes. The effects of live music listening experiences may sometimes enhance collective identification, and sometimes restrict choices of preference for specific events and groups. Moreover, the research applies the notion of neo-tribalism to examine the unique collectivity of indie rock fans, and then reflexively poses questions to the received notion. In short, rather than asking “what are indie rock fans?”, the research attempts to answer “the elemental conditions that constitute the identity formation of indie rock fans”. |
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| Description: | 碩士
國立政治大學
社會學系
108254014 |
| Source URI: | http://thesis.lib.nccu.edu.tw/record/#G0108254014 |
| Data Type: | thesis |
| Appears in Collections: | [社會學系] 學位論文
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| 401401.pdf | | 2474Kb | Adobe PDF2 | 164 | View/Open |
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