政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/132505
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113656/144643 (79%)
Visitors : 51719174      Online Users : 639
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/132505


    Title: Globetrotters and Exotic Creatures: The Imaginary Others in Dr. Seuss
    Authors: Yang, Li-chung
    Contributors: 文山評論:文學與文化
    Keywords: Dr. Seuss ; Cold War Orientalism ; exoticism ; picture books ; children`s literature
    Date: 2019-06
    Issue Date: 2020-11-12 14:25:18 (UTC+8)
    Abstract: Over and above the linguistic pleasures he offers, there seems to be something exotic, a play of the foreign and the familiar, in Dr. Seuss`s picture books. Drawing on Christina Klein`s concept of "Cold War Orientalism," this essay attempts to situate or contextualize the Asian or exotic others in three of Seuss`s books of the 1950s. They are If I Ran the Zoo (1950), Scrambled Eggs Super! (1953), and On Beyond Zebra! (1955). It seeks to consider how exoticism may be utilized as a textual strategy for self-identification in the three books, and how the exoticism deployed is connected with the cultural politics of Seuss`s times. By attending to the cultural politics of the Cold War, the essay recognizes that Seuss`s books are products of historical and social circumstances, demanding a further understanding of the contexts surrounding textual representation. It suggests that Dr. Seuss not only appropriates exoticist codes of cultural representation but also converts them into tropes representing new experiences for the children who learn to read.
    Relation: 文山評論:文學與文化, 12(2), 165-186
    Data Type: article
    DOI link: https://doi.org/10.30395/WSR.201906_12(2).0008
    DOI: 10.30395/WSR.201906_12(2).0008
    Appears in Collections:[Wenshan Review of Literature and Culture] Articles

    Files in This Item:

    File Description SizeFormat
    8.pdf908KbAdobe PDF2175View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback