政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/131578

政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/131578

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政大機構典藏 > 文學院 > 中國文學系 > 學位論文 > Item 140.119/131578

請使用永久網址來引用或連結此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/131578

題名:	文體視角：曹操作品研究 A Study of Cao Cao`s Works from a Stylistic Perspective
作者:	張峻源 Zhang, Jun-Yuan
貢獻者:	曾守正 Tseng, Shou-Cheng 張峻源 Zhang, Jun-Yuan
關鍵詞:	文體曹操公牘文樂府詩 style of writing Cao Cao official documents Yuefu poems
日期:	2020
摘要:	曹操，字孟德，沛國譙縣（今安徽亳州市）人。東漢末年著名的政治家、軍事家、文學家。史家記載曹操手不釋卷，晝論武冊，夜思經傳，登高必賦。著有〈短歌行〉等樂府詩篇、〈求賢令〉等政論公文、兵法《孟德新書》，並為《孫子兵法》作注。作為建安文學的奠基人與「建安風骨」的代表文人，曹操在文學史上的地位不容小覷。而現有相關曹操文學的研究，卻多受到人物研究的影響，同時也多針對於曹操的詩歌作品。本研究將回歸中國古代文體的本來面貌，釐清中國古代文體論中的「辨體意識」及其多方面的影響，以中國古代文體觀分析曹操的文本，並參考顏崑陽所提出的「完境文學」觀念，全面「在境」的考察。正文分為四章，分別從曹操所作下行「教」、「令」諸體，上行「表」、「上書」、「奏」諸體，書體和樂府詩體進行研究。每章首先以劉勰《文心雕龍》中提出的「原始以表末」、「釋名以章義」，梳理所討論的體類源流、發展，及至東漢所形成的「常體」典範。根據曹操所作文本討論其文體的運用，並將其運用與典範對舉，分析曹操在文體上的繼承、變革及新造。在研究中雖以體類分章節，內文則打破辨體分類討論單一文體的形式，將多種文體進行關聯，以發掘曹操在文體運用上的特徵。最終總結曹操運用文體時，從內心情感出發、從實用目的出發、從文體本質出發三者之間的關係權衡，及多文體之間的互相藉用等問題，探究曹操的詩文之體。 Cao Cao, was born in Qiaoxian County of Pei kingdom . He was a famous statesman, strategist and litterateur in the late Eastern Han Dynasty. According to historians’ record, in Cao Cao’s daily life, he had been always holding books in his hand, studying military works during the day, and think of biographical classics at night; whenever Cao Cao has visited some places of interest, he must write itinerary poetry. Cao Cao’s works include many Yuefu poems, political documents, military strategy, and annotations for “the Art of War by Sun Wu”. As the founder of Jian’an literature and the representative literati of Jian’an Literary Style, Cao Cao’s status in literary history cannot be underestimated. The existing studies on Cao Cao`s literature are mostly influenced by character researches, meanwhile, addressing more of Cao Cao`s poetic works. This research will regress to the original appearance of ancient Chinese styles, the “stylistic discrimination consciousness”（辨體意識）in ancient Chinese stylistics and its influence in many aspects will be clarified, while Cao Cao’s writings will be analyzed under the view of ancient Chinese stylistics. The body text consists of four chapters, which are respectively studied from the genres of Cao Cao’s work issued to the lower levels and those reported to the throne and, as well as chirography and Yuefu poems. In each chapter, the author begins with the “origins and evolution of various genres”（原始以表末）and “names of various genres and their meanings”（釋名以章義）put forward in Liu Xie’s “Wen Xin Diao Long”（《文心雕龍》）, to sort out the origin and development of the discussed style of writing and the direct style as the prototype formed in the Eastern Han Dynasty. Based on Cao Cao’s writings, it is discussed the application of his style of writing, and have it compared with the prototype, thereby analyzed Cao Cao’s inheritance, change and new creation in terms of style of writing. Although chapters in the study is listed according to by different styles of writing, the content breaks the formality of classification based on stylistic discrimination as the way of discussing a single style of writing, and correlates a variety of styles of writing, so as to explore Cao Cao’s characteristics in the use of styles of writing. Eventually, it is summarized that in Cao Cao use of the styles of writing, from the issues including the balance among the three of the inner emotion, the practical purpose, and the essence of a style of writing, as well as the mutual use of multiple styles, Cao Cao’s style of writing is being explored.
描述:	碩士國立政治大學中國文學系 105151027
資料來源:	http://thesis.lib.nccu.edu.tw/record/#G0105151027
資料類型:	thesis
顯示於類別:	[中國文學系] 學位論文

文件中的檔案:

檔案	描述	大小	格式	瀏覽次數
102701.pdf		6237Kb	Adobe PDF2	1159	檢視/開啟

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