English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113822/144841 (79%)
Visitors : 51815644      Online Users : 201
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/129922


    Title: 頌缽者療遇初探(一):頌缽之音與心靈冥視關連之探討
    Exploring Healing Encounters (Part I): Relationships between Sound Space and the Internal Experience of Singing Bowl Playing
    Authors: 林蒔慧
    Lin, Melissa Shih-Hui
    余德慧
    Yee, Der-Heuy
    李維倫
    Lee, Wei-Lun
    99頌缽團
    Group, 99 Tibetan Singing Bowl
    Contributors: 斯拉夫文系
    Keywords: 頌缽 ;聲音空間 ;德勒茲 ; 內在性 ;柏格森 ;身體現象學
    Tibetan singing bowls ; sound space ; imminence ; body phenomenology ; Deleuze ;Bergsonism
    Date: 2012-06
    Issue Date: 2020-05-26 14:25:18 (UTC+8)
    Abstract: 本研究是透過西藏頌缽者的頌缽經驗之現象描述,探討缽聲所形成的經驗意識的內涵。聲音空間是經常被頌缽者提起的一個描述詞,由於缽聲本身並無調子,聲音的迴盪構成聲音空間。頌缽者在經驗的描述之所以認為是「空間」乃是來自聲音的迴盪有上下、前後、內外等方向,以及在空間的運動速度。此聲音空間的出入涉及頌缽者的進出內在體驗的程度,在不能進入內在經驗並停留裡頭,聲音空間就消失了。因此,本文認為聲音空間其實是身體的內在空間,但並非生理的條件,而是身體的人文生產,此人文的具象成為「心靈冥視」,亦即在意識出來主導之前的「暗冥」感受。本研究就頌缽過程發生的自我解離所描述的「自我的流動」,亦即那被視為堅實的自我變成流動的團塊,我們將此層面歸諸於德勒茲的內在平面的「符碼新生地」,其自我的意義並沒有堅定的挺出,反而只是一團模糊不確定的自我感。此現象與柏格森談到「影像召喚意識」有所吻合。這結果將我們帶領入身體意義的範疇,一種沈入自身的運動。
    This study explored a sound realm, arisen by playing Tibetan singing bowls, and assumed to be located at the intersection of bodily sensation and mental imagery by inter-disciplinary efforts from clinical psychology and Schmitz`s New Phenomenology. The sound realm can be regarded as a virtual rather than reality. It must be actualized otherwise material reality, its actualization must be through some particular mediums or situations to induce a temporary state, where mental imagery is not yet well formed, and the meaning not yet realized. In this state our consciousness feels its existence in the dark, no clear mental sense but a creation a flesh realm other than bodily sensations. The realm possesses a new sense very close to what Schmitz describes in his New Phenomenology. The empirical data presented in this study were taken from various Tibetan singing bowl players and patients, using phenomenological terminology to rewrite those self-reports in phenomenological terms. A self-dissociation phenomenon was illustrated and the nature of self-identity was explored.
    Relation: 《應用心理研究》, No.54, pp.105-131
    Data Type: article
    Appears in Collections:[斯拉夫語文學系] 期刊論文

    Files in This Item:

    File Description SizeFormat
    385.pdf1959KbAdobe PDF2361View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©  2006-2024  - Feedback