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    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/123939


    Title: 歌仔戲電影所由產生的社會歷史
    The Social History That the Taiwanese Opera Films Evolve From
    Authors: 施如芳
    Shih, Ju-Fang
    Contributors: 新聞學研究
    Keywords: 台語片;歌仔戲電影
    The Taiwanese Dialect Film;The Taiwanese Opera Film
    Date: 1999-04
    Issue Date: 2019-06-25 09:03:12 (UTC+8)
    Abstract: 在台語片史上，將歌仔戲搬上銀幕的「歌仔戲電影」，締造了不少「第一」的紀錄，從產量來說，它也是非常重要的影片類型。電影固然是典型工業科技的產物，但在其發展歷程中，非科技因素卻往往扮演更關鍵的角色。在這篇論文裡，筆者嘗試從社會歷史的觀點，探討台灣產生歌仔戲電影的背景：「台語片時代」為何會由歌仔戲電影揭開序幕？歌仔戲代表什麼樣的社會藝術傳統，具備哪些方面的社會資源，為何能持續地挹注本土製片業？又，由傳統戲曲形式發展起來的歌仔戲，為何會結合影像媒體，甚至轉進影像媒體？從歌仔戲到歌仔戲電影，筆者試圖總結前述觀點，重新定位歌仔戲電影的意義。
    In the history of the Taiwanese Dialect Film, the Taiwanese Opera Film has its unique position, not only because it holds some first records in this field, but because it is a important film genre by its production. Although films are typical products of technical industry, the non-technical factors play a influential role in its process of development. In the point of social history, the author intends to explore the background that the Taiwanese Opera Film evolves from in Taiwan: Why it led the proceedings of the Taiwanese Dialect Film? Moreover, what kind of social and art tradition did it stand for? With what kind of social resource that the Taiwanese Opera invested in the local film production? Furthermore, why the Taiwanese Opera evolved from the Chinese regional drama tradition would combine with the new media, even develop a new art pattern? After all, the author try to re-examine its meaning from the Taiwanese Opera to the Taiwanese Opera film.
    Relation: 新聞學研究, 59, 23-40
    Data Type: article
    Appears in Collections:[Mass Communication Research] Articles

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