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    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/123566


    Title: 從王菲到菲迷 流行音樂偶像崇拜中性別主體的搏成
    From the Star to the Fans : The Formation of Gender Subjects in Fandom in Popular Music
    Authors: 周倩漪
    Ch`Chou, ien-i
    Contributors: 新聞學研究
    Keywords: 二元性別系統;性別主體;偶像崇拜;認同過程;慾望
    the binary gender system;gender subject;fandom;identification;desire
    Date: 1998-01
    Issue Date: 2019-05-22
    Abstract: 臺灣的國語流行歌壇自80年代新型態的音樂工業建立後，逐漸發展出以偶像歌手或團體之形象、個性、及生活風格為中心而形構的明星制度。明星制度將社會意義以人格化的方式投注至偶像的身體呈現上，從而撩撥出個人認同與社會關係的感知意識。本研究即以90年代新竄起的偶像女歌手王菲為探究重點，從文本及閱聽人兩個層面來解析性別主體的建構過程。研究中對於歌手的文本分析兼含了歌手的專輯及媒體形象，而在歌迷的質化研究中則深入詮釋歌迷的生活、社會位置、與主體建構的關係。在歌手這部份的分析顯示出，王菲平頭短髮的酷異外型及她強烈的自我特質，揉塑出雌雄同體般的性別形象，並動搖了異性戀體制之性別差異的二分系統。關於王菲的報導論述，則以外剛 vs. 內柔之本質化敘述邏輯消解了專輯形象中的性別顛覆性。而在王菲的閱聽人研究部份，歌迷們在偶像崇拜中的狂熱投入則一再重構了性別主體的內涵。
    This paper provides an analysis of gender subjectivities of fans in popular music. Two parts are included: the first one is textual analysis of the star`s images, the other explores the identification and desire process in fandom. From the post-structuralist feminist perspectives, gender subjects are not essential, but constructed. With the use of newspapers and musical data, the star`s images of Fei Wang are paradoxical to patriarchy and heterosexuality matrix. With the use of interview material, I find the subject positions of fans are caught within and between the star`s image, self-identity, and exchanged with other women in each specific social context and everyday lives. The free-floating state of desire exceed the binary gender system of heterosexuality. Identifying with and desiring the same sex, gender subjects in fandom always resist patriarchal heterosexual hegemony.
    Relation: 新聞學研究, 56, 105-134
    Data Type: article
    Appears in Collections:[新聞學研究 TSSCI] 期刊論文

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