政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/122656
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文筆數/總筆數 : 113656/144643 (79%)
造訪人次 : 51760666      線上人數 : 547
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜尋範圍 查詢小技巧：
  • 您可在西文檢索詞彙前後加上"雙引號"，以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋，建議至進階搜尋限定作者欄位，可獲得較完整資料
    •  進階搜尋


    請使用永久網址來引用或連結此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/122656


    題名: 詩與史：論蕭紅《呼蘭河傳》與駱賓基《混沌初開》的鄉土書寫與社會記憶
    Poetry and History: An Analysis of the Nativist Writing and the Social Memories in Tales of Hulan River by Xiao Hong and The Beginning by Luo Binji
    作者: 蘇敏逸
    Su, Min-yi
    貢獻者: 政大中文報
    關鍵詞: 蕭紅;駱賓基;《呼蘭河傳》;《混沌初開》;鄉土
    Xiao Hong;Luo Binji;Tales of Hulan River;The Beginning;Native Place
    日期: 2018-12
    上傳時間: 2019-03-26 09:11:35 (UTC+8)
    摘要: 將蕭紅的《呼蘭河傳》與駱賓基的《混沌初開》並置對讀，可以發現幾個新的觀察視點：首先，「九一八事變」之後，東北即淪為日本殖民地，東北作家因此比中國其它地方的作家更早面對鄉土的失落和流亡的命運。無法歸鄉的流亡命運及伴隨而來的「思鄉」、「懷鄉」甚或「懷舊」情緒，以及由此情緒延展開來的「回憶」行為與文學活動，可以說是東北作家共同的生命記憶與社會記憶。其次，他們通過「回憶」的文學活動，建構一套敘述個人與鄉土歷史的方法，並在其中暗含著個人的生命觀與世界觀。第三，儘管蕭紅與駱賓基同樣通過「回憶」的文學活動來記錄個人生命與建構鄉土世界，也同樣運用兒童視角與童稚話語，但因為作家秉性、成長經驗和生命感覺的差異，兩位作家呈現截然不同的鄉土空間與文學特質。本論文將透過《呼蘭河傳》與《混沌初開》的對讀比較，論析兩部作品鄉土書寫與社會記憶的異同。
    This paper compares and contrasts Tales of Hulan River by Xiao Hong and The Beginning by Luo Binji. The analysis reveals several new perspectives. First, Manchuria became a Japanese colony after the Mukden Incident. Thus, the northeastern writers were the first to experience the loss of their native place and the fate of going into exile. Life in exile and the accompanying emotions of ＂homesickness,＂ ＂nostalgia＂ and even ＂cherishing the past,＂ as well as the resulting effect of ＂reminiscence＂ and related literary activities, were the common life and societal memories of the northeastern writers. Second, through the literary activities of ＂reminiscing,＂ they developed a set of approaches to describe the history of individuals and native places, with their views on life and the world embedded therein. Third, although Xiao Hong and Luo Binji both recorded their personal lives and constructed the world of their native places through the literary activities of ＂reminiscing,＂ and both adopted children`s perspectives and language, due to their differences in temperament, life experiences, and feelings toward life, the two writers were entirely different in how they portrayed their native places and their literary characteristics. This paper compares and contrasts Tales of Hulan River and The Beginning, in order to gain an understanding of the similarities and differences in the nativist writing and the social memories between these two works.
    關聯: 政大中文報, 30, pp.217-247
    DOI 連結: https://doi.org/10.30407/BDCL.201812_(30).0007
    DOI: 10.30407/BDCL.201812_(30).0007
    顯示於類別:[政大中文學報 THCI Core] 期刊論文

    文件中的檔案:

    檔案 描述 大小格式瀏覽次數
    64.pdf3249KbAdobe PDF2237檢視/開啟


    在政大典藏中所有的資料項目都受到原著作權保護.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回饋