|
English
|
正體中文
|
简体中文
|
Post-Print筆數 : 27 |
Items with full text/Total items : 113822/144841 (79%)
Visitors : 51820458
Online Users : 476
|
|
|
Loading...
|
Please use this identifier to cite or link to this item:
https://nccur.lib.nccu.edu.tw/handle/140.119/118014
|
Title: | As Elegies: On the Emotional Writing of The Nine Elegies 哀歌:論〈九章〉的情感書寫 |
Authors: | 廖棟樑 Liao, Tung-Liang |
Contributors: | 中文系 |
Keywords: | 九章;屈原;哀歌;情感書寫;離騷 The Nine Elegies;Qu Yuan;Elegies;Emotional Writing;Li Sao |
Date: | 2017-12 |
Issue Date: | 2018-06-26 17:09:03 (UTC+8) |
Abstract: | 〈九章〉與〈離騷〉同是屈原辭中哀歌「情境」的典範,由於〈離騷〉所表現「情境」已超越詩人生命的現實歷程而可作為屈原辭的典型,加上被習稱「小離騷」的〈九章〉時地、真偽與單篇是過去研究熱點,故而相關〈九章〉的整體、比較研究較為薄弱。本文認為〈九章〉可視為「以類相從」之作,其篇幅長短、表現形式和語言風格相近,情感表現亦大抵相同,且大都瀰漫著哀婉的悲歎以及追懷過往事件情調的哀歌性質體現得更為充分。洪興祖《楚辭補注》云:「〈騷經〉之詞『緩』,〈九章〉之詞『切』,淺深之序也。」發現二文的區別可謂極有見地,唯「淺深之序」一語顯得籠統。本文即擬通過自稱代詞、發憤抒情、地可以怨等「構形」層面的描述性分析,具體而微地闡述作為哀歌的〈九章〉有別於〈離騷〉之「詞『切』」的情感書寫。需要說明的是,因為〈橘頌〉在〈九章〉中風格迥異且獨具別格,與其他篇章之關係與聯繫的解讀尤其複雜,且可以獨立成文,故將另文處理,本文暫不討論。 Both The Nine Elegies and Li Sao are epitomes of the Situation of Elegy in Qu Yuan`s prose poems. The Situation of Elegy revealed by Li Sao has overstepped the poet`s real life and become a typical example of Qu Yuan`s prose poems; at the same time, The Nine Elegies are often regarded as a group of poems, and the creation date and site, the authenticity of each poem, and the single studies of each elegy are hot topics in previous studies. Consequently, the overall study of The Nine Elegies has been relatively weak in the past. As a matter of fact, all the poems of The Nine Elegies are sequenced in categories, and the length, the form of expression and the language style of each poem are similar, as well as the emotional expressions; yet the nature as elegies are reflected more sufficiently in The Nine Elegies. Hong Xingzu made some knowledgeable remarks on Qu Yuan`s prose poems in his ChuCi BuZhu, in which he said, "The diction of Li Sao is soothing, while that of The Nine Elegies is pressing. The difference between the two is in the sense of propriety". However, the remark of the sense of propriety is to some extent ambiguous. This paper will elaborate in detail the "pressing" emotional writing in The Nine Elegies, which is different from that of Li Sao, by descriptive analysis of the self-pronouns, the angry lyrical songs and the expression of resentment through the sites of writing in the poems. |
Relation: | 國文學誌, No.35期, pp.1-36 |
Data Type: | article |
Appears in Collections: | [中國文學系] 期刊論文
|
Files in This Item:
File |
Description |
Size | Format | |
1-36.pdf | | 1305Kb | Adobe PDF2 | 605 | View/Open |
|
All items in 政大典藏 are protected by copyright, with all rights reserved.
|
著作權政策宣告 Copyright Announcement1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.
2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(
nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(
nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.