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政大機構典藏 > 學術期刊 > 文山評論：文學與文化 THCI Core > 期刊論文 > Item 140.119/113375

Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/113375

Title:	Exemplary Affect: Corruption and Transparency in Popular Cultures
Authors:	Parry, Amie Elizabeth
Keywords:	corruption;transparency;cultural politics;science fiction;anime;popular culture
Date:	2016-06
Issue Date:	2017-10-03 11:41:01 (UTC+8)
Abstract:	This paper identifies a critical reflection on a corruption vs. transparency discourse, and its attendant structures of feeling, in contemporary East Asian cultural texts. These texts illustrate how such a discourse can be deployed to assert exemplary status for accomplished individuals or members of privileged groups-a status, however, particularly vulnerable to scandal. Feeling exemplary in this sense is a paradox of progressive ethics. I analyze a video made in support of the Sunflower Movement that effectively uses kawaii, meaning cute or lovable, as a political term to strategically posit (and perhaps subtly question) an open, exuberant happiness as a designator of a democratic people, and Satoshi Kon`s anime film Paprika, based on the science fiction novel of the same name. The latter explores the nightmarish dream of interpersonal transparency made literal in institutional contexts, while refusing a neat opposition between transparency and corruption. Because of their detailed illustration of and commentary on exemplary affect, I argue that contemporary East Asian cultural texts are an important resource for developing a critical understanding of neoliberal and postdevelopmental discourses of transparency and corruption.
Relation:	文山評論：文學與文化, 9(2),39-71
Data Type:	article
Appears in Collections:	[文山評論：文學與文化 THCI Core] 期刊論文

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