English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113648/144635 (79%)
Visitors : 51676158      Online Users : 641
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/113372


    Title: 「沒有耶穌的新教」：激進神學、世俗主義，與芙蘭納里‧奧康納的《智血》
    ＂The Church Without Christ＂: Radical Theology, Secularism, and Flannery O`Connor`s Wise Blood
    Authors: 吳彥祺
    Wu, Yen-Chi
    Keywords: 芙蘭納里‧奧康納 ； 《智血》 ； 世俗主義 ； 「上帝已死」神學 ； 蓋布里爾‧馬赫尼
    Flannery O`Connor;Wise Blood;secularism;death-of-God theology;Gabriel Vahanian
    Date: 2015-12
    Issue Date: 2017-10-03 11:40:19 (UTC+8)
    Abstract: 本篇論文將芙蘭納里‧奧康納的《智血》置入「上帝已死」的激進神學辯論中;筆者藉此檢視《智血》為奧康納對1950 年代美國宗教世俗化的批判。奧康納描述小說主角黑澤爾‧莫茲為「身不由己的基督徒」（a Christian malgré lui）。儘管莫茲堅稱自己非信徒，甚至開創了帶有宗教褻瀆意味的「沒有耶穌的新教」，但是他的教會卻是小說中最不世俗化的教派。更重要的是，在小說結尾，莫茲正是因為他的無信仰而得到精神上的救贖。莫茲表裡不一的行徑與信仰為小說製造戲謔的一面，但也對讀者造成詮釋上的困惑。藉由1960年代激進的「上帝已死」神學辯論，本文主張莫茲的「沒有耶穌的新教」象徵一種激進神學－一種過於極端乃至於徹底倒轉的神學。援引蓋布里爾‧馬赫尼（Gabriel Vahanian）的神學觀，本文視《智血》為奧康納對美國宗教世俗化以及資本主義神聖化的批判。
    This paper engages Flannery O`Connor`s Wise Blood (1952) in the theological debate of the radical ＂death-of-God＂ movement and examines how the novel serves as a critique of religious secularism in the America of the 1950s. O`Connor describes her protagonist in the novel, Hazel Motes, as a Christian malgré lui; that is, a Christian despite himself. Hazel vociferously proclaims to be an unbeliever and even starts a seemingly blasphemous ＂Church Without Christ.＂ However, Hazel`s church is the least secularized among the competing churches in the novel. In the end, moreover, it is his unbelief that conversely helps him reach spiritual elevation. Hazel`s incongruous conduct and belief contribute to the comic effect of the novel and also confuse many readers. This paper, informed by the radical theological movement, ＂death-of-God,＂ in the 1960s, argues that Hazel`s Church Without Christ represents a radical theology so extreme that it is turned inside out. Drawing on Gabriel Vahanian`s theological ideas, this paper sees Wise Blood as a critique of religious secularism, in which capitalism is sacralized and Christianity secularized.
    Relation: 文山評論：文學與文化, 9(1),83-100
    Data Type: article
    Appears in Collections:[文山評論：文學與文化 THCI Core] 期刊論文

    Files in This Item:

    File SizeFormat
    9(1)(85-103).pdf880KbAdobe PDF2381View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback