政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/113315

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政大機構典藏 > 傳播學院 > 數位內容碩士學位學程 > 學位論文 > Item 140.119/113315

請使用永久網址來引用或連結此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/113315

題名:	以重組打破影像敘事時間限制：《鏡書》互動影像創作 Breaking the Constrain of Narrative Time in Video: An Interactive Video Work
作者:	高而謙 Kao, Erh-Chien
貢獻者:	林玲遠郭正佩高而謙 Kao, Erh-Chien
關鍵詞:	記憶重組影像敘事互動影像創作 Memory Random Narrative in video Interactive video work
日期:	2017
上傳時間:	2017-10-02 10:21:23 (UTC+8)
摘要:	記憶具有不穩定的特質，會於不同的情境與時空背景產生改變，像是不斷變化的水流一般，有時清晰、有時模糊，試圖去穩定，卻總是徒勞。為證明確能藉由重組打破影像敘事之時間限制，本創作以記憶為靈感，重組為表現形式，創作影像敘事的全新可能，並以此呼應文獻回顧時對於記憶的觀察。創作作品名為《鏡書》，使用譬喻記憶的影像與聲音，以隨機重組的方式呈現記憶的不穩定性。重組於本作品中的挑戰，在於過去傳統敘事與數位敘事仍具備時間敘事的限制，如何使觀眾自行產生邏輯的幻覺，便是本作品的任務。故為達成此任務，本作品藉重組模擬記憶紛沓而至的不穩定性來完成作品，打破影像敘事受到時間限制的創作侷限。 Memory is unstable, will change in different circumstances, such as water, sometimes clear, sometimes blurred. Hence, trying to stabilize the memory, will always in vain. In this study, this study will show memory is unstable by make an interactive video work. To improve, this study analysis personal creation, find that memory is unstable due to it arranged by random, and video narrative which use random arrangement can be the best media to prove that. Therefore, this study decided to make an interactive video work, which contain random arrangement to simulate the memory. Further, this study researches the past video works and found that with random arrangement, can break the constrain of narrative time in video. In order to prove memory is unstable and possible to break the constrain of narrative time in video. This work made an interactive video work, "Mirror Book", which using video and sound to metaphor memory, presented in a random arrangement. Finally, this study proves that by using random arrangement in video, can break the constrain of narrative time in video and show memory is unstable.
參考文獻:	中文文獻吳莉君譯（2010）。《觀看的方式》。台北：麥田出版。（原書：Berger, J., Dibb, M., Blomberg, S., Fox, C. & Hollis, R. [1972]. Ways of Seeing, London, U.K.: British Broadcasting Corporation and Penguin Books.）周世箴譯（2006）。《我們賴以生存的譬喻》。台北：聯經出版。（原書： Lakoff, G. & Johnson, M. [1980]. Metaphors We Live by, Chicago: University of Chicago Press.）陳宣良與杜小真譯（2010）。《存在與虛無》。台北：左岸文化。（原書：Sartre, J.-P. [1943]. L`Être et le néant, Paris, French: Gallimard.）盧非易（2010）。《「故事雲」：數位說故事模式的實驗研究》。（國科會專題研究計畫）。臺北：國立政治大學廣播電視學系。電視資料 Kobayashi, N. & Sugiyama, Y. (Producer). (1995) 新世紀エヴァンゲリオン(Neon Genesis Evangelion) [Television series]. Tokyo, Japan: TXN (TV Tokyo). 電影資料鄭文堂（製作人），柯一正（導演）（1997）。藍月【影片】。（2015台北電影節，台北市延平南路98號） Bergman, I. (Producer), & Bergman, I. (Director). (1966) Persona [Motion Picture]. Sweden: AB Svensk Filmindustri (Sweden) & Lopert Pictures (US). Deeley, M. (Producer), & Scott, R. (Director). (1982) Blade Runner [Motion Picture]. United States: Warner Bros. Pictures. Demme, J., Landay, V. & Saxon, E. (Producer), & Jonze, S. (Director). (2002). Adaptation [Motion Picture]. United States: Columbia Pictures. Golin, S. & Bregman, A. (Producer), & Gondry, M. (Director). (2004). Eternal Sunshine of the Spotless Mind [Motion Picture]. United States: Focus Features. Michael, S., Stern, S., Golin, S.& Landay, V. (Producer), & Jonze, S. (Director). (1999). Being John Malkovich [Motion Picture]. United States: USA Films. Mizuo, Y., Matsumoto, K., Iyadomi, K., Ishikawa, M. (Producer), & Oshii, M. (Director). (1995). 攻殻機動隊(Ghost in the Shell) [Motion Picture].Japan: Shochiku (Japan) & Manga Entertainment (International). Thomas, E.& Nolan, C. (Producer), & Nolan, C. (Director). (2010). Inception [Motion Picture]. United States: Warner Bros. Pictures. Tran, R., Johnson, D., Kaufman, C. & Stamatopoulos, D. (Producer), & D. Kaufman, C. & Johnson, D. (Director). (2015). Anomalisa [Motion Picture]. United States: Paramount Pictures. Widrich, V. (Producer), & Widrich, V. (Director). (2001). Copy Shop [Motion Picture]. Austria: Virgil Widrich Filmproduktion.
描述:	碩士國立政治大學數位內容碩士學位學程 103462002
資料來源:	http://thesis.lib.nccu.edu.tw/record/#G0103462002
資料類型:	thesis
顯示於類別:	[數位內容碩士學位學程] 學位論文

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