English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113648/144635 (79%)
Visitors : 51616006      Online Users : 486
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/105087


    Title: 台灣戰後初期文學場域重建：數位人文方法的運用與實例分析
    Other Titles: Reconstruction of Taiwanese Early Post-war Literary Field: A Case Analysis with the Use of Digital Humanities Method
    Authors: 路丹妮;陳正賢
    Dluhošová, Táňa;Chen, Alvin Cheng-Hsien
    Keywords: 台灣戰後初期文學;數位人文;場域理論;多變數分析;文學自主性;early post-war literature;digital humanities;multivariate analysis;autonomy of literature
    Date: 2015-12
    Issue Date: 2016-12-19 15:06:37 (UTC+8)
    Abstract: 本文在數位人文脈絡下，透過實證量化研究方法，分析戰後初期（1945-1949）台灣文學場域，主要目標有二。第一，本文大量蒐集戰後初期報刊目錄資料，採用多變數統計分析法─主成分分析法，依據行動者於不同刊物間之出版模式，分析行動者之間的出版相似性，藉此探討行動者之群集現象及文學場域「習性」。第二，本文採用法國社會學家布爾迪厄（Pierre Bourdieu）之文學場域理論，認為文壇是由不同文化人之間的互動關係所構築之脈絡，在此架構之下，行動者累積大量「象徵資產」，以取得場域優勢「位置」，但本文認為，在戰後初期背景下，應分析為「威望和政治影響力」的組合，行動者藉由占據主導地位的方式，定義台灣的認同、文化和文學地位。因此，本文將重新檢視布爾迪厄之理論應用於台灣戰後時期文壇之適切性，並探討文學場域的「自主性」。
    Using an empirical quantitative analysis to examine Taiwan early post-war (1945-1949) literary field, this article aims at two main goals. Firstly, based on a multivariate statistical analysis — the Principal Component Analysis — on contributors’ publishing patterns in co-temporary periodicals, this article aims at disclosing publishing similarities among the agents during the period. The findings will then illustrate the clusters of agents in the literary field and characterize their habitus. Secondly, it will utilize the theory of literary field by a French sociologist Pierre Bourdieu, which understands the field as a dynamic structure created by relationships between different members of the field. These agents may compete over the dominant position that enables those who have gained recognition by their peers (symbolic capital) to impose a binding definition of what literature is and what can be rightfully included in the canon. During the early post-war period, however, the dynamics of the literary field is not given only by symbolic capital, but also by other nonliterary forces. This article thus aims at re-examining Bourdieu’s theory in the context of Taiwan early post-war period literature and discuss the degree of autonomy of the literary field.
    Relation: 臺灣文學學報,27,153-190
    Data Type: article
    Appears in Collections:[臺灣文學學報 THCI Core] 期刊論文

    Files in This Item:

    File Description SizeFormat
    27(153-190).pdf2656KbAdobe PDF2784View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback