政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/105060
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文筆數/總筆數 : 113648/144635 (79%)
造訪人次 : 51628838      線上人數 : 580
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜尋範圍 查詢小技巧：
  • 您可在西文檢索詞彙前後加上"雙引號"，以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋，建議至進階搜尋限定作者欄位，可獲得較完整資料
    •  進階搜尋


    請使用永久網址來引用或連結此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/105060


    題名: 文化交流下的歷史印記：論陳映真和黃春明小說中的美國人形象建構
    其他題名: Historical Authentication of Cross-Cultural Interchange: A Study of Establishment of American’s Representation in Chen Ying-Zhen’s and Huang Chun-Ming’s novels
    作者: 陳正芳
    Chen, Cheng-Fan
    關鍵詞: 美國人;形象;陳映真;黃春明
    日期: 2012-12
    上傳時間: 2016-12-19 11:22:12 (UTC+8)
    摘要: 以美國（人）作為寫作題材可以說是六、七○年代對異國形象描述的大宗，其中有兩方面值得我們注意，一是美國大兵、酒吧和性工作者是大部分作家關注的人物和範疇；二是這類作品以陳映真和黃春明的創作最多且最受討論。本文就是以此為論述的基礎，前者讓我們發現集體想像物和刻板印象的生成，美國人的正面形象，恐怕不再只是台灣人的洋奴心態和美國對台的新殖民可以解釋完整。所以我要重新討論作者「看」的主觀位置是如何被建立，或者說作家們如何吞吐外來者所提供的社會性的感覺與思慮。在對應於當時的時代氛圍，我以為美國人形象投射出的是「脫貧」的庶民文化與知識分子的焦慮，此正服膺於現代主義和鄉土寫實的文學主流。因此，當我們進入陳映真和黃春明兩人的小說文本時，我們有了可以解釋關於作者主體認知的概念，甚至可以說美國人的形象製作主要是傳遞如何在政治戒嚴的時代展開對台灣文化主體的批判和反省。
    The focus of the Americans is often found in the literary work in 1960s and 1970s about the representation of exotic culture. Two dimensions worth further discussion. Firstly, most of writers show great concern towards American soldiers, bars and prostitutes. Secondly, among the works in 1960s and 1970s, most are composed by Chen Ying-Zhen and Huang Chun-Ming; Chen’s and Huang’s works attract most attentions. Taking these two dimensions into account, this paper therefore aims to research the collective imagination and generated stereotypes of the American, particularly about American soldiers, bar and prostitutes in those novels. The positive image representation of the American no longer could be explained comprehensively from the Taiwanese people’s slavish mentality or new colonialism of America to Taiwan. Hence, I had to rethink how these novelists’ subjective positions were established to observe such lives. We then might realize how the novelists absorbed the social reactions and anxiety brought by the foreigner in Taiwan. People no longer considered the image of American being associated with the popular culture of getting rid of poverty and anxiety of the intellectual when living in the political circumstance at that time. By doing so, such thoughts naturally became the literary mainstream of modernism and local realism in Taiwan. While we read through novels of Chen and Huang, we were able to elaborate concepts of the novelists’ subjective cognition. Moreover, we could understand that the creation of the image of the American mainly transmitted the idea of how people criticize and reflect the Taiwanese cultural subjectivity under the reign of political martial law.
    關聯: 臺灣文學學報,21,137-170
    資料類型: article
    顯示於類別:[臺灣文學學報 THCI Core] 期刊論文

    文件中的檔案:

    檔案 描述 大小格式瀏覽次數
    21(p.137-170).pdf2818KbAdobe PDF2658檢視/開啟


    在政大典藏中所有的資料項目都受到原著作權保護.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回饋