English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113656/144643 (79%)
Visitors : 51717572      Online Users : 580
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version
    政大機構典藏 > 政大學報 > 第68期 > 期刊論文 >  Item 140.119/102923


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/102923


    Title: Major Motifs in Wuthering Heights
    Authors: 王心玲
    Wang, Hsin-Ling
    Contributors: 英語系
    Date: 1994-03
    Issue Date: 2016-10-18 11:27:40 (UTC+8)
    Abstract: 《咆哮山莊》(Wuthering Heights)書中主要意象及象徵反覆出現，形成小說的母題(Motif)。小說中人物分屬兩個截然不同的世界－野性的咆哮山莊與教化的鶇翔田莊。全書描寫此二世界所形成的兩股力量。始於它們互相排斥所造成的衝突，終於相互包容而達成的和諧境界。在衝突到和解的過程中，書，窗，自然及動物四母題扮演著重要的角色。本文共分六節：Ⅰ為有關批評的整理分析；Ⅱ為書的母題；Ⅲ為窗的母題；Ⅳ為自然的母題；Ⅴ為動物的母題；Ⅵ為結論。
    The main images and symbols in Emily Bronte`s novel Wuthering Heights recur so often and in such important scenes that they can be called the motifs of the novel. The main characters in the novel were brought up in two completely different surroundings － Thrushcross Grange and Wuthering Heights. The reconciliation theme of the novel consists in the endeavors of each character to adapt to his own surroundings a character from the other surroundings. In the process of each reconciliation in the novel, the image of the book has a very important function. In both physical and emotional senses, the window is a means of communication and a means of escape. Emily used with great consistency the natural elements, which provide a large portion of the metaphorical base of the novel. The animal is among the major images that make up the metaphorical context of the novel. A large portion of the subconscious forces in man is expressed by means of the passions of animals. Nearly every character suggests or is compared to a certain kind of animal. There are six sections in this paper: I, a survery of critical opinions on the novel, II, the book motif; III, the window motif. IV, the nature motif; V, the animal motif; and, VI, the conclusion.
    Relation: 國立政治大學學報, 68 part 1,185-226
    Data Type: article
    Appears in Collections:[第68期] 期刊論文

    Files in This Item:

    File Description SizeFormat
    fb160929113247.pdf3849KbAdobe PDF2871View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback