政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/101878
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文笔数/总笔数 : 113656/144643 (79%)
造访人次 : 51753056      在线人数 : 589
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜寻范围 查询小技巧：
  • 您可在西文检索词汇前后加上"双引号"，以获取较精准的检索结果
  • 若欲以作者姓名搜寻，建议至进阶搜寻限定作者字段，可获得较完整数据
    •  进阶搜寻


    请使用永久网址来引用或连结此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/101878


    题名: 歌德的自傳作品《法國戰役／緬茵茲圍城》裏之作家身份維護
    其它题名: Retaining the Identity as a Literary Writer in Goethe`s Autobiography Campagne in Frankreich/Belagerung von Mainz
    作者: 黃士元
    Huang, Shih Yen
    关键词: 歌德;自傳;作家身分;戰爭
    Goethe;Autobiography;Identity;War
    日期: 2008-01
    上传时间: 2016-09-10 13:58:42 (UTC+8)
    摘要: 基於歌德的自傳作品《法國戰役／緬茵茲圍城》裏個體與世界歷史的相互映照，本文將從此角度探討歌德如何因應時代大環境的變化而改變自己，進而能夠維護其文學作家身分。首先將分析文本的書寫方式。其主要原則有日記文體，間接敘述法和保持距離的敘述態度。這些書寫方式主要用於描寫戰爭經驗。相對於此的是概覽回顧式的書寫，其目的是讓自傳書寫者能表達內心世界並從事自我反思與解析。接下來將針對作品裡描寫歌德拜訪友人雅各比和普萊辛的部份，討論歌德如何比較對照與兩位友人的差異，反映自己因為革命與戰爭的影響而形成的改變。藉由此一描寫也說明歌德的文風之所以轉向寫實的原因。同時更証實作家寫作風格改變的必要性。最後本文將探討歌德的改變是邁向另一新的文學創作階段的必要條件。唯有如此，他才能從失去作家身分的威脅中脫困。
    With the example of Goethe’s autobiography Campagne in Frankreich/Be-lagerung von Mainz, this paper aims to discuss about how a literary writer like Goethe retains his identity as such in the time of big change. First, it will analyze the narrative style of the autobiography. There are some main principles of it: the diary form, the indirect narration, and the distanced attitude of the narrator. These are applied to describing the experience of war. In addition to that, there is also another writing style which is based on the narration of a retrospective overview. It is applied to expressing the autobiographer’s inside world, his self-reflection, and his self¬analysis. Then this paper will discuss about Goethe’s visit to his old friend and acquaintance, Jacobi and Plessing. This discussion is meant to show how Goethe changes himself due to the revolution and war and how he defends his switching to the realism in regard of his style of literary writing. Finally, this paper will argue that Goethe’s change is necessary for a breakthrough of his literary writing. By doing so, he escapes the threat of losing his identity as a literary writer.
    關聯: 外國語文研究, 7, 153-174
    Foreign language studies
    数据类型: article
    显示于类别:[外國語文研究] 期刊論文

    文件中的档案:

    档案 描述 大小格式浏览次数
    07(p153-174).pdf211KbAdobe PDF2187检视/开启


    在政大典藏中所有的数据项都受到原著作权保护.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回馈