English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113822/144841 (79%)
Visitors : 51822255      Online Users : 485
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/101777


    Title: 雙重消費、多重愉悅：小說改編電影之互文／互媒愉悅經驗
    Other Titles: Double Consumption, Multiple Pleasure: Intertextual & Intermedial Pleasures of Novel-Based Films
    Authors: 石安伶;李政忠
    Shih, An-Ling;Lee, Cheng-Chung
    Keywords: 互文性;互媒性;改編;愉悅;跨媒體敘事
    adaptation;intermediality;intertextuality;pleasure;transmedia storytelling
    Date: 2014-01
    Issue Date: 2016-09-09 14:43:15 (UTC+8)
    Abstract: 觀諸近十年來的電影市場與票房紀錄，改編電影（尤其是小說改編而成的電影）有日益興盛的趨勢，本研究試圖從閱聽人的角度切入，初步探索小說改編的電影究竟對已閱讀過原著小說的「知情閱聽人」具有什麼樣的吸引力。研究發現，有別於缺乏原著小說「先備知識」的閱聽人，「知情閱聽人」的觀影動機主要來自對電影敘事中「未知」部分的好奇，以及對「已知」部分的再經驗慾望。此外，透過小說與電影兩種敘事文本與媒介特性的互文與互媒指涉參照，「知情觀影者」從中獲得感官性、情感性以及認知性的多重愉悅經驗。
    In the past decade, a marked increase in the production volume and box office records of film adaptations of literature, especially those based on novels, has occurred in the film industry. Because of this phenomenon, the present study examined what makes novel-based films extremely appealing for viewers who have already read the novels (i.e., the knowing audience). It was discovered that curiosity regarding the novelty of the film adaptation and the desire to reexperience familiar content are the two strongest motivations that drive the knowing viewers to the movie theater. By watching such films, these viewers are able to experience multiple layers of pleasure—sensory, affective, cognitive, and reflective pleasures—caused by the intertextual and intermedial referencing and comparisons between the two formats, which is not attainable for people who watch the movie without foreknowledge of the source novel.
    Relation: 新聞學研究, 118, 1-53
    Mass Communication Research
    Data Type: article
    Appears in Collections:[新聞學研究 TSSCI] 期刊論文

    Files in This Item:

    File Description SizeFormat
    118-1-53.pdf968KbAdobe PDF2440View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback