政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/101332
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文筆數/總筆數 : 113656/144643 (79%)
造訪人次 : 51699228      線上人數 : 452
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜尋範圍 查詢小技巧:
  • 您可在西文檢索詞彙前後加上"雙引號",以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋,建議至進階搜尋限定作者欄位,可獲得較完整資料
  • 進階搜尋
    請使用永久網址來引用或連結此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/101332


    題名: 臥虎藏龍「藏」了什麼?從女性主義電影理論「男性凝視」觀點談武俠電影新類型
    其他題名: What’s in Crouching Tiger Hidden Dragon - A study on Wu Xia genre from male gaze perspective in feminism film theory
    作者: 曾武清
    Tseng, Wu-Ching
    關鍵詞: 女性主義電影理論;男性凝視;武俠電影;臥虎藏龍
    feminism movie theory;male gaze;Wu Xia film;Crouching Tiger Hidden Dragon
    日期: 2005-01
    上傳時間: 2016-09-05 16:43:33 (UTC+8)
    摘要: 本研究以女性主義電影理論「男性凝視」觀點,分析藏在《臥虎藏龍》中的女性形象,進而討論武俠電影新類型的可能。Mulvey在《視覺快感與敘事電影》指出,具有決定性的「男性注視」將幻想投射在女性形象身上,造成女人被當作影像,男人則作為觀看的「運載者」。觀察傳統武俠電影可以發現,女性形象不是被「物化」、「醜化」,就是被「邊緣化」。然而,《臥虎藏龍》顛覆傳統武俠電影以男性為中心的思維邏輯,片中女性不僅掌控情節鋪陳,更挑戰Mulvey提出男性為「觀看控制者」的論調,其中尤以玉嬌龍為代表人物,從其毀棄婚約、盜取寶劍、跳崖殉道的歷程,可視為女性在父權體制壓迫下的「自覺」展現。《臥虎藏龍》已然顛覆武俠電影女性附屬於男性的刻板印象,帶來武俠電影類型創新可能。
    This study hopes to investigate the female images in “Crouching Tiger Hidden Dragon” from male gaze perspective in feminism movie theory, and then debate on the possibility of Wu Xia movie new genre. Mulvery in her “Visual Pleasure and Narrative Cinema” points out male gaze projects their illusions upon female images, which makes woman as image and man as bearer of the look. Women are always objectified, uglified or marginalized in traditional Wu Xia movies. In “Crouching Tiger Hidden Dragon”, however, Jen as a female, takes over of the storyline and challenges Mulvey’s standpoints on looker as controller. By ruining marriage, stealing sword, and jumping onto cliff, Jen displays the self-awakening inside females. Therefore, “Crounching Tiger Hidden Dragon” thoroughly subverts females’ subordinate images. It also shows the changes and creation of Wu Xia movie from successful great evaluation.
    關聯: 廣播與電視, 24, 93-120
    Journal of Radio & Television Studies
    資料類型: article
    顯示於類別:[亞洲廣電與新媒體研究 (原名:廣播與電視)] 期刊論文

    文件中的檔案:

    檔案 描述 大小格式瀏覽次數
    24(p93-120).pdf519KbAdobe PDF21278檢視/開啟


    在政大典藏中所有的資料項目都受到原著作權保護.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回饋