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政大機構典藏 > 學術期刊 > 亞洲廣電與新媒體研究 (原名：廣播與電視) > 期刊論文 > Item 140.119/101302

Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/101302

Title:	《藍色大門》的影像美學：青少年的性別形象與情慾流動
Other Titles:	Visual Aesthetics in Blue Gate Crossing: Gender Images and Sexualities of the Youth
Authors:	趙庭輝 Chao, Daniel Ting-Huei
Keywords:	影像美學;青少年;性別形象;情慾流動;精神分析 Visual Aesthetics;The Youth;Gender Images;Sexualities;Psychoanalysis
Date:	2004-01
Issue Date:	2016-09-05 16:06:26 (UTC+8)
Abstract:	本文的基本立場在於，《藍色大門》是一個觀視青少年文化位置相當重要的電影文本。本文以精神分析作為理論基礎，藉由電影的美學與文化批評方法，詮釋這部電影如何透過影像美學，再現成人世界「觀視」與「想像」中的青少年應有的性別形象。然而本文認為，《藍色大門》也藉由青少年性傾向的情慾流動，暴露出游走於兩元對立性別位置邊緣的焦慮與矛盾，以及創造出挑戰成人主流社會文化價值的可能。 The purpose of this research is that, Blue Gate Crossing is the key filmic text to look at cultural position of the youth. Based on the theoretical perspective of psychoanalysis, and the research method of aesthetic and cultural criticism in film studies, it interprets how this film represents gender images of the youth with the looking and imagining from the adult through the visual aesthetics. Nevertheless, this research finds out, Blue Gate Crossing exposes the anxiety and contradictory of crossing the duality of gender position, and creates the possibility of the challenge of the youth to the mainstream values of the adult.
Relation:	廣播與電視, 22, 25-46 Journal of Radio & Television Studies
Data Type:	article
Appears in Collections:	[亞洲廣電與新媒體研究 (原名：廣播與電視)] 期刊論文

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