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| Title: | 見與不見:《大亨小傳》中的真實與虛擬現實
The Seen and the Unseen: On Reality and Virtual Reality in The Great Gatsby |
| Authors: | 黃憶
Huang, Yi |
| Contributors: | 邱彥彬
Chiou, Yen Bin
黃憶
Huang, Yi |
| Keywords: | 虛擬現實
虛擬凝視
視覺經驗
可見性
virtual reality
virtual gaze
visual experience
visibility |
| Date: | 2016 |
| Issue Date: | 2016-08-22 10:38:41 (UTC+8) |
| Abstract: | 史考特‧費茲傑羅(F. Scott Fitzgerald)的小說《大亨小傳》為一深刻反映二十世紀美國文化的作品之一，書中描述主人翁蓋茲比如何在現實中追求不可及的夢想直至夢想幻滅的過程。在現實的不可抗逆下，蓋茲比以各式物質展演將不可見慾望的化為清晰的圖像。
本論文將透過廣告及攝影概念的引用，探討圖像與觀者的連結如何創造出一個既不屬於現實也不屬於幻象的虛擬現實，並論述蓋茲比如何運用觀者的觀看經驗為自身建立起一可被認同的身份，並且以這樣的策略開展小說中關於視覺與想像的辯證。
第一章略述《大亨小傳》的梗概、介紹其相關評論與說明本論文理論架構。第二章將藉由對二十世紀初媒體發展回顧重新定義「可見」的概念；第三章將詳述費茲傑羅與其作品與名流文化及媒體的密切性，及媒體文化對作者生活及作品的影響。第四章檢視書中敘事者尼克視覺化的觀察方式，進而分析其虛擬凝視(Virtual Gaze)如何打破生理視覺的侷限進而發展出一結合主體感觀經驗與客觀現實的感知方式。第五章重新討論小說中現實與幻象的矛盾，並點出「虛擬」將翻轉對現實的固有認知，並且成就更多可能性。
F. Scott Fitzgerald’s The Great Gatsby has been regarded as one of the most brilliant literary works that captures the essence of the roaring twenties. In the novel, Fitzgerald takes readers into a full picture of the life of Gatsby, unfolding the life of the glamour in a new world material without being real and the conflicts between social classes. Writing against the lucid narrative strategy, Fitzgerald completes The Great Gatsby with impressive languages, imagery and symbols. The present thesis would like to adopt theories of advertising and photography to examine how the order of presentation and observation is converted at the time when visual perception is inevitably intertwined with subjective imagination. In addition, the present thesis also aims to shed light on the concept of virtual gaze as well as the notion of identity by taking vision from the field of the visible into the field of the virtual.
Chapter one begins with the introduction of The Great Gatsby and the methodology used in the present thesis. Chapter two includes literature reviews concerning the issue of seeing and Fitzgerald’s The Great Gatsby. Chapter three focuses on reviewing the presentation of images used in the mass media and on building the interrelationship among Fitzgerald’s life and the notion of “visibility.” Chapter four pays attention to the concept of “virtual gaze” and its capability to break the boundary between physical eyesight and imagination. Chapter five reconsiders the ambiguity of reality associated with contradictory vision and further validates the value of “virtual gaze. |
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| Description: | 碩士
國立政治大學
英國語文學系
99551012 |
| Source URI: | http://thesis.lib.nccu.edu.tw/record/#G0995510121 |
| Data Type: | thesis |
| Appears in Collections: | [英國語文學系] 學位論文
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