English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113318/144297 (79%)
Visitors : 51020425      Online Users : 939
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version
    政大機構典藏 > 學術期刊 > 東亞研究 > 期刊論文 >  Item 140.119/99223


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/99223


    Title: 小室哲哉的全球化途徑：在西方挑戰中國
    Other Titles: Komuro Tetsuya’s Shortcut to Globalization: Tackling China through the West
    Authors: 吳侑倫;周兆良
    Wu, You-Lun;Chou, Chao-Liang
    Keywords: 小室哲哉;流行文化;全球化;在地化;中國
    Komuro Tetsuya;Popular Culture;Globalization;Localization;China
    Date: 2008-07
    Issue Date: 2016-07-20 15:54:46 (UTC+8)
    Abstract: 文化全球化是當前最熱門的新興全球化議題之一，全球各地面對文化全球化的方式各異，有些地區會積極追求、有些地區會反抗、有些地區則懷抱著轉變文化全球化的信心，而中國就是第三種。\\r小室哲哉，這個曾經將西方流行音樂引進，並成功帶動日本流行音樂全球化的音樂製作人，自1996年起積極地欲以過去在日本的成功經驗打開中國市場，歷經八年宣告失敗。這段難得的全球化經驗說明著文化全球化多樣性與在地性的一面。換言之，中國經驗讓小室哲哉看到除了全盤接受西化以外，另一種面對全球化的可能。同時，也使得小室哲哉得以重新認識全球化、重新找回了迷失的身分認同。
    Cultural globalization is one of the hottest rising globalization issues. All parts of the world are all different when they face cultural globalization. Some areas will pursue actively, some area will resist, and some areas have confident and resolution to change cultural globalization into cultural localization. Undoubtedly, China is the third one. Komuro Tetsuya, a music producer once transplant cultural globalization modeled upon the western popular music to Japan, wanted to open the Chinese music market with the successful experience in Japan in the past actively since 1996. He went through frustrations for eight years and finally declared his failure. The rare experiences of globalization proved the variety and the localized aspect of cultural globalization. In other words, this experience in China, just as Other, let Komuro Tetsuya saw the other possibilities to face globalization besides accepting the western culture totally, that is to integrate the local culture and the global culture. Meanwhile, this experience also enabled him to re-recognize the true meanings of globalization and found the lost identity again.
    Relation: 東亞研究, 39(2), 111-146
    East Asia Studies
    Data Type: article
    Appears in Collections:[東亞研究] 期刊論文

    Files in This Item:

    File Description SizeFormat
    39(2)p111-146.pdf982KbAdobe PDF2660View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback